Necronomicon

Necronomicon

1993 ""
Necronomicon
Necronomicon

Necronomicon

5.8 | 1h36m | R | en | Horror

H.P. Lovecraft anthology is divided into four segments: "The Library" which is the wraparound segment involving Lovecraft's research into the Book of The Dead and his unwitting release of a monster and his writing of the following horror segments "The Drowned", "The Cold", and "Whispers".

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5.8 | 1h36m | R | en | Horror | More Info
Released: November. 01,1993 | Released Producted By: Davis Films , Ozla Productions Country: United States of America Budget: 0 Revenue: 0 Official Website:
Synopsis

H.P. Lovecraft anthology is divided into four segments: "The Library" which is the wraparound segment involving Lovecraft's research into the Book of The Dead and his unwitting release of a monster and his writing of the following horror segments "The Drowned", "The Cold", and "Whispers".

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Cast

Jeffrey Combs , Tony Azito , Juan Fernández

Director

Anton Tremblay

Producted By

Davis Films , Ozla Productions

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Reviews

hellholehorror Usually I don't like movies that have three stories with a wrapper around them but here it works fine. The first story is pretty good, the second is pretty dull and the last is awesome. The wraparound is one of the best in this type of movie. The first story was good with a great amount of creepy monster effects and scary moments. The second story left me cold. The third story was great with like demons and stuff. The wraparound would have been better as a separate story but it is very entertaining with a great ending (just like the first and third stories). Four stories in one film and three of them are great! This is a gritty classic.
encyes There is nothing good to say about this film. The stories are bland, the effects are laughable, the actors are mediocre and the characters are pathetic stereotypes. I almost cringed at the inane dialogue. There are so many other better anthologies out there that don't waste your time and don't insult your intelligence. Lovecraft fans may be delighted by the movie (and may recognize some of the stories) but that is the only single fact to entice anyone to watch this. Although I am not a fan, I almost felt sorry that his stories be butchered in such a way as to present a sickening piece of cinematic trash as this. The only thing horrific about this film is that it was made at all.
ratgirl132002 I am a major horror film buff, but this was one of the worst films I have ever seen. Typical of "Special Effects" movie, the story line suffered (or should I say, "What story line????") The gore wasn't even cool gore, just lame! I had to shut it off, and come back to it later. That was the longest 96 minutes of my life. Three story in one movie, but you never really knew when one ended and another began. I actually didn't realize that it was 3 separate stories until I read it here. Lucky for me, I purchased this at the local swapmeet for $1.00, which was actually overpriced by 99 cents. Don't bother with this film, unless you need something to put you to sleep.
Woodyanders H.P. Lovecraft's gloomy short stories about obsession and the supernatural monsters that lurk all around us unnoticed by society at large naturally lend themselves to a multi-storied omnibus fright film format. Well, this trio of truly terrifying tales does the master full justice, combining both supremely sepulchral midnight-in-the-graveyard moodiness and jump-out-at-you startling straightforward shocks with often genuinely frightening results.First yarn, "The Drowned" - Wealthy Bruce Payne inherits a crumbling old seaside hotel that unbeknown to Payne has a foul carnivorous demon residing in the murky basement. Directed with exceptional style and grace by Chistopher Gans, this particularly chilling humdinger is highlighted by Richard Lynch's touching turn as a bitter man who renounces his faith in God after losing his wife and child in a shipwreck and direct-to-video erotic thriller perennial Maria Ford's strikingly eerie, ethereal and even strangely sexy cameo as Payne's dead girlfriend who's resurrected as a ghostly, pallid, mossy-haired zombie.Second vignette, "The Cold" - Sweet young runaway Bess Myer rents a room at a shabby apartment with a lonely, reclusive scientist (movingly played by David Warner) residing on the weirdly freezing top floor. When Myer befriends the sad, fragile Warner she learns that he has discovered the secret of immortality, which not surprisingly comes at an especially terrible price: Warner can only remain alive by constant fresh injections of human spinal fluid! Director Shusuke Kaneko manages to milk considerable poignancy from this haunting parable about the horrible price one must pay for cheating fate, coaxing fine supporting performances from Millie Perkins as Warner's protective landlady, Gary Graham as Myers' abusive, incestuous brute stepbrother, and Dennis Christopher as a foolishly snoopy newspaper reporter.Third and most gruesome anecdote, "Whispers" - Gung-ho female cop Signy Coleman and her more sensible partner Obba Babatunde stumble across the dark, dank and forbidding underground lair of these ancient subterranean monsters with a voracious appetite for bone marrow. Director Brian Yunza eschews the spooky atmospherics of the previous segments for a graphically visceral approach that's crudely effective in a gory, mondo disgusto, gross you out hideous sort of way. "Return of the Living Dead" 's Don Calfa and Judith Drake are wonderfully quirky as the nutty old couple guardians of the savage flesh-eating flying beasts who need new victims to keep their race thriving for all eternity.All these stories in and of themselves certainly smoke, as does the thankfully solid wraparound narrative starring Lovecraft movie vet Jeffrey ("Re-Animator," "From Beyond") Combs, who's perfectly cast as the author himself who visits a secret library to check out the legendary tome of evil "Necronomicon" and almost gets killed in the process. Barely recognizable under heavy make-up which makes him resemble a gaunt Bruce Campbell, Combs simply shines in a role he was seemingly destined to portray. Moreover, the uniformly superb special effects by such dependable artists as Tom Savini, Todd Masters and Screaming Mad George are as ghastly and grotesque as they ought to be, the splatter is likewise properly revolting and plentiful, the tone suitably creepy throughout, and, most importantly, the individual stories ultimately cohere into a provocative and penetrating meditation on man's tenuous hold on reality, exposing a scary netherworld that if intruded upon by us stupidly inquisitive mortals can prove to be quite deadly and dangerous. A superior horror anthology.