Nicotina

Nicotina

2003 "A comedy with cigars, heartbreak and 20 diamonds."
Nicotina
Nicotina

Nicotina

6.5 | 1h33m | en | Drama

A hacker who is spying on a pretty neighbour messes up his assignment to break into Swiss bank accounts for Russian mobsters.

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6.5 | 1h33m | en | Drama , Action , Comedy | More Info
Released: August. 20,2004 | Released Producted By: Altavista Films , Country: Budget: 0 Revenue: 0 Official Website:
Synopsis

A hacker who is spying on a pretty neighbour messes up his assignment to break into Swiss bank accounts for Russian mobsters.

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Cast

Diego Luna , Lucas Crespi , Marta Belaustegui

Director

Marcelo Iaccarino

Producted By

Altavista Films ,

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Reviews

jpschapira I'm not very fond of co-productions between different countries, mostly between Spanish-speaking countries; but is something that is done a lot today and I have to accept it. Mexico has a very wide range of film and an important filmography inside of Latin America's countries. But…There's always one but. Lots of soap-operas are done in Mexico too, and there's a lot of television.And as I said, many times television looks like movies, which is good, but also movies look like television; which is absolutely terrible. "Nicotina" starts as silent as a telephonic call; with one line in the screen that represents a person talking, and another one that represents another person, and so it goes. It also has the usual black screen with anything on it, typical of directors that don't take risks.The story follows Lolo, a hacker lost in the lust of her neighbor Andrea's love, who has to enter an account to get money for el Nene, who drives with Tomson, and has to pay a Russian mobster that will sell some much cherished diamonds to him. This leads to shoots and encounters in different places, like Goyo's and his wife Barbershop, or Beto's and his wife Pharmacy.The actors are Marta Belaustegui, Lucas Crespi, Jesús Ochoa, Norman Sotolongo, Rafael Inclán, Rosa María Bianchi, Daniel Giménez Cacho, Carmen Madrid and Diego Luna; and they all accomplish their portrayals very well. The latter one is the cover of the film, or the most known of the actors nowadays. I won't tell his whole story, but I will say that being the reason many people saw the movie, he doesn't deliver.What ensue are multiple talks between all of the characters. Not any talks, but insightful, interesting, metaphoric talks that ultimately seem to lead to the film's title. And the writer, Martin Salinas, is probably the most prepared man of the crew, whose first words for a movie got Norma Aleandro an Oscar nomination. He has written for series, for movies in two languages… This script, however, presents a contradiction. We can't tell if his plot is an excuse to develop these conversations, or even worse, if the conversations are an excuse to fill the incoherent plot. And it's right there, in the plot, where the film has its defined problems. The ending is fantastic indeed, and thought provoking, but we get confused during the road, and we don't feel the time.When Goyo's wife is about to shoot him, the shot changes to another scenario. Strangely and incorrectly, when the camera goes back to the couple's barbershop, the woman is still holding the gun…After five minutes. Is not only Salinas' fault but director Hugo Rodriguez's; because he prefers not to take risks during his second feature.And he can't manage the timing. And it looks like television. And I didn't plan to stay home.
elponce77 Great actors (and specially actresses), well defined characters (again women make the best), an interesting plot, hilarious situations and decent dialogs make this contemporary mix of violence, action and comedy not a must but a good option. Familiarity with Mexican and Argentinean culture is a plus to fully enjoy the film, although the story is by itself good enough for everyone.Extraordinary, intense and absurd as life in Latin America can be, this is a story that fits just right in a city like Mexico.Do not expect to see something like Amores Perros or Y tu mamá también, but rather something like Snatch with a Mexican flavor.
David Moreno There is a problem in the mexican film industry: the mexican directors and producers are filming basically light comedies. Their main goal is to recover their investment, they think that comedies with a simple plot is the best way to bring people to see their movies (and pay for a ticket to do it) So, most of the recent mexican movies are comedies and most of them have a great technical realization but with a poor argument. And off course, the actors are repeating the same characters over and over again.Nicotina is just another urban comedy. As simple As that. The film hasn't any improvement at all. The plot, and the situations are very familiar with some previous films like "Todo el Poder" or "Ciudades oscuras" Here in mexico we're waiting for a breakthru motion picture, with a good and trascendental plot...Since "Amores Perros" or "Y tu mamá también" the mexican films are just the same.nicotina is 6 out of 10.
suppafly I went to watch this movie because my girlfriend is a fan of Diego Luna. However, i just didnt get excited at any minute of the movie. Its the story of a young hacker in mexico city who steals passwords from swiss banks accounts, and tries to sell them to the russian mob. The story is kind of boring, and the humor is average at best. My recommendation is: dont spend any money watching this in the movies....MAYBE it will be worth the rental price in a few months from now. 2 1/2 out of 5 stars...