Phillim Aldo Ray, in case you didn't know, had 'it'. Big athletic tough guy with sensitive eyes and heart on both sleeves, and a sharp intelligence. In this noir he plays an artist pursued both by the cops and the crooks -- and Anne Bancroft leaps at the chance to hitch her wagon to the big lug with a nice face and trouble from all sides.Jaques Tourneur (Cat People, I Walked with a Zombie) directs with exceptional taste and restraint. All the actors are nicely human as they go through some pretty grisly stuff at a brisk pace.Brian Keith as the big bad guy plays him low-key and reasonable but not averse to torture if it works. Rudy Bond as his partner makes the wise-cracking sociopath genuinely funny thus ridiculously menacing.Ray is such a unique presence -- intuitive, always connected, soft raspy voice. He is in very good shape at this point in his career -- as is Bancroft -- a very interesting chemistry between them. Bancroft's take on the woman is grand -- he has her at hello, thus she's game for any number of perilous adventure to save him. Ray handles Sterling Siliphant's dialog with not one false move. 'Nice place. I'll try not to bleed over everything.' in lesser hands would be much lesser indeed. People who liked Ray (John Wayne et al.) liked him for his direct honesty -- which is probably why Hollywood knocked him around for a while without making him a huge star. And yeah the booze . . .

edwagreen One thing about actor Aldo Ray. To me, his craggy voice disqualified him forever from being the leading man type in films. This 1957 film is absolutely no exception to that rule.He goes hunting with a doctor and they are set upon by bank thieves, who kill the doctor and run off in error with his bag instead of their bag containing the money they had stolen from a bank heist.To make matters worse for Ray, they had tried to concoct where Ray shot the doctor and then killed himself.A very young and beautiful Anne Bancroft is caught up in all this and the two guys seek out Ray, since they feel he has stolen the money.This film takes place mostly in Moose, Wyoming and the outdoors is a perfect setting for this rather taut crime thriller.

Patryk Czekaj The intensity of the action, superb direction, astonishing juxtaposition of the city sequences and scenes in the tranquil, snow-filled countryside, and - probably most of all - the many hardboiled dialogues present Nightfall as a truly expressive film noir. Through a clever use of retrospectives the film introduces the audience to James Vanning (Aldo Ray), whose life story is as tragic as it is suspenseful. James wanders around town anxiously, looking as though he's waiting for someone the whole time. After his meeting with a lovely lady named Marie (Anne Bancroft) turns into a gritty kidnapping intrigue, all the pieces of the puzzle soon start to fit right in. A pair of thugs is after him, because they think that he hid the money (350,000 dollars to be exact), which they stole during a bank raid. In order to get the information out of him they try torturing him, but James ultimately manages to escape. As he returns to meet the lady, who supposedly gave him away to the criminals, brief retrospections appear on the screen, and entangle us in the whole obscure and dramatic affair. When James and his friend Dr. Gurston (Frank Albertson) were in the middle of a hunting trip they encountered a car crash and quickly realize that they the guys, whom they wanted to help, are nothing but a couple of violent robbers. They kill Dr. for their great amusement, but leave James only unconscious. When he wakes up, he realizes that what they also left behind was a bag with the cash. Soon a thrilling and fast-paced game of cat-and- mouse begins, as both the thugs and a private investigator Fraser (James Gregory) are on his trail. With the help of the previously met lady, James decides to stop the killers and retrieve the money-filled bag, which he left somewhere in the snowy country...Nightfall is an enormously moody, sombre, and hard-hitting crime drama, which achieves high level of aesthetics through the sudden yet suitable changes of scenery, overcoming some of its screenplay-related faults in the process. The shootout in the secluded, wild place is a great advantage of the film, giving it a totally different perspective than other films in the genre have. It's a low-budget, extremely economical yet successful adaptation of a 1947 novel of the same name.

kenjha In this Hitchcockian thriller, a good Samaritan becomes the target of vicious bank robbers who mistakenly think he has stolen their loot. This low-budget film noir is marvelously entertaining, with fine black-and-white cinematography and a good cast. Tourneur keeps things moving at a fast pace, maintaining the suspense at a high level. Although the beefy Ray does not necessarily look like everyman, he is surprisingly effective as a man at the wrong place at the wrong time, becoming unwittingly involved with gangsters. Equally good is Bancroft as a woman who joins him on his adventures. Keith is the level-headed goon while Bond is hilarious as his high-strung partner.