MartinHafer
This film is about KNB Effects and the guys who created this successful company that specializes in special effects and makeup in films. The best part of the movie is the first half--when it focuses on a few guys who had a love for horror films and horror effects when this sort of thing was in its infancy. Starting with a break from George Romero (of the Living Dead films), the men progressed to better and more spectacular projects as the years passed. And, not surprisingly, they began to receive awards and recognition for the things they created for movies--things that had never been seen or done before that time. I loved this first portion of the film. Afterwards, however, the film lost a bit of focus and then bounced around a little--showing various special effects tricks, more interviews with the men and never really maintaining as tight a focus as it had before. Now isn't to say this part is bad--it's just that by comparison the film lags a bit.
poe426
NIGHTMARE FACTORY, like THE SCI-FI BOYS, is one of those documentaries I could just sit and watch over and over without ever really getting bored. That's due, in no small part, to the fact that I was exactly like a lot of the people profiled in these documentaries- with one glaring distinction: I grew up in Abject Poverty, so the odds were always against my doing anything that required even a minimal outlay. I tried to WRITE my way into filmmaking, but things never quite worked out the way I'd hoped (although I DID get a response from George Romero, thanks to people like Forrest J. Ackerman and Bob Michelucci). Another problem I've always encountered: a lack of real interest on the part of any of the people I've known (I finally ran into a fellow comic book fan some years ago and we talked on the phone so much that his wife began to suspect something was up- there wasn't, of course- but even that friendship proved temporary: I haven't seen the guy in a year and a half, now; he grew "sick" of my "s***," he said). It's good to know that I'm not alone in this world when it comes to being a "fanboy." It's also good to know that some of Us make it Big in the end.
gavin6942
An inside look at the world of Hollywood special effects and the company paving the way, KNB Effects.This gets right to the heart of horror effects -- no one does better than KNB (with all due respect to Tom Savini, who is essentially their predecessor). And all the mandatory people are here: Romero, Landis, Carpenter... and of course Nicotero and Berger themselves (but no Kurtzman, who left the team). Even a few unexpected guests... like Elijah Wood.At first, a big focus seems to be "The Walking Dead" rather than a historical look at the team... but then we get the archive footage of "Evil Dead II" and other earlier works from the guys. Amazing stuff, and gives incredible insight into the horror movie magic.Who knew such great things came from Pittsburgh?
Rob McCarthy
Just seen this at a horror festival (like, literally a few hours ago at the end of a very long night of other films) and was blown away at how absorbing I found the whole thing from start to finish. It's always fascinating to listen to anyone talking about any subject they are honestly passionate about, but these guys just appear to be a history of horror from 1980 to the present day in and of themselves, as well as an impressive gamut of non-horror films from the last 20 years. The directors they have worked with, the projects they have worked on, and the skill they bring to the craft are all on show in this brilliant bit of documentary filmmaking and make it worth watching whether you are interested in the craft, history, or just expanding general horror knowledge. I'm deducting one mark simply because I would have liked more detail on the evolving mix of traditional model making and CGI in new horror films even though it was touched on, as well as a bit more detail on some of their past projects that have since become genre set-pieces or examplars of the craft, but that may have made a 3hr doc and may not have been the directors intention. But besides, utterly compelling, even to someone who did not expect much and was exhausted at the viewing!
AD
