O. Henry's Full House

O. Henry's Full House

1952 "A dozen top stars - five famed directors bring you the best stories of O. Henry!"
O. Henry's Full House
O. Henry's Full House

O. Henry's Full House

7.2 | 1h57m | NR | en | Drama

Five O. Henry stories, each separate. The primary one from the critics' acclaim was "The Cop and the Anthem". Soapy tells fellow bum Horace that he is going to get arrested so he can spend the winter in a nice jail cell. He fails. He can't even accost a woman; she turns out to be a streetwalker. The other stories are "The Clarion Call", "The Last Leaf", "The Ransom of Red Chief", and "The Gift of the Magi".

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7.2 | 1h57m | NR | en | Drama , Comedy | More Info
Released: August. 07,1952 | Released Producted By: 20th Century Fox , Country: United States of America Budget: 0 Revenue: 0 Official Website:
Synopsis

Five O. Henry stories, each separate. The primary one from the critics' acclaim was "The Cop and the Anthem". Soapy tells fellow bum Horace that he is going to get arrested so he can spend the winter in a nice jail cell. He fails. He can't even accost a woman; she turns out to be a streetwalker. The other stories are "The Clarion Call", "The Last Leaf", "The Ransom of Red Chief", and "The Gift of the Magi".

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Cast

Fred Allen , Anne Baxter , Jeanne Crain

Director

Henry Hathaway

Producted By

20th Century Fox ,

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Reviews

mortycausa Each segment is well done, but most are quite predictable, even if expertly produced and performed. The Ransom of Red Chief is the exception. It still seems fresh and original. Both Allen and Levant are good, as is the kid. Hawks's direction is eminently assured. The general predictability of the stories as a whole, though, is probably unavoidable, as it emanates directly from the source, O. Henry's tales. O. Henry is strictly minor league stuff and has not worn well. But, still, they are professional executed and well-done for the most part.Only Red Chief seems inspired, however.
edwagreen Terrific 1952 film highlighting the famous writer's work. It certainly must have been a pleasure to be a contract player for 20th Century Fox at that time so that you could have a part in such a great film.The most poignant of the 5 vignettes shown was where Anne Baxter, a rejected woman, is succumbing to pneumonia and equates her situation to falling leaves. With her sister, Jean Peters at her side, she continues to fail as the leaves fall off. Gregory Ratoff is marvelous as the upstairs neighbor, Mr. Berman, whose paintings aren't appreciated as he paints out of the ordinary sequences. His final effort, a life-saver for Baxter, is memorable and so touching.2 segments provided comic relief. Charles Laughton is sensational as the hobo trying to get arrested so as to avoid the cold wintry weather on the streets. While in church he promises to mend his ways and look for work only to finally be arrested for vagrancy and sentenced to 90 days. Laughton, as versatile as ever, is aided by David Wayne. The second comedy is where Fred Allen and Oscar Levant kidnap a young boy only to get more than they bargained for in "Ransom of Red Chief." Both men are hilarious as they fall victim to the young menacing brat.The always excellent Richard Widmark almost reprises his role in 1947's "Kiss of Death." He again displays that sinister laugh and face in a segment with Dale Robertson, both men matching wits as friends. Robertson grew up as a cop and you can guess what Widmark has become.The film ends with the final segment of the meaning of the Christmas holiday with Jean Crain and Farley Granger.The film is so good because each story essentially deals with sacrifice in its own way. This is truly a classic to be remembered through the ages.
jotix100 O'Henry's short stories are a joy to read. This master of the genre left behind a number of small gems that never seem to go out of style, as they are timeless. The author had an incredible eye to spot situations in which human beings are shown at a moment of crisis only to have fate intervene with ironic twists."O'Henry's Full House" offers five of his best works directed by five distinguished directors. Howard Hawks, Henry Hathaway, Henry Koster, Henry King and Jean Negulesco do an excellent job in bringing the five stories to the screen adapted by some of Hollywood's best writers of the time in which they were filmed. John Steinbeck does the introductions.The first story, "The Cop and the Anthem" presents us with Soapy, brilliantly played by Charles Laughton, as a poor homeless person in the middle of a crude winter in New York who wants to be taken to jail in the worst way. He goes to extremes to have him sent to prison, without much luck. David Wayne plays his pal Horace and Marilyn Monroe is seen briefly at the end.The second installment, "The Clarion Call" shows a police detective, Barney, and his adversary, Johnny, a man to whom he is tied by a loan that stands between them. Dale Robertson is Barney and an annoying Richard Widmark plays the bad guy. Unfortunaly, Mr. Widmark's performance full of silly laughter and tics ruined the story for this viewer.The third tale is "The Last Leaf". We have two sisters in the middle of a blizzard in Manhattan. Joanna, played by the fine Anne Baxter, who we see after an apparent breakup with her boyfriend, gets pneumonia as a result of her exposure to the elements. Her good sister Susan goes crazy trying to nurse Joanna to health. Enter the painter Behrman, who is the upstairs neighbor to the rescue. Behrman sells his painting in order to buy medicine and when Joanna in her feverish state believes the tree across the street full of dry leaves is an omen, because as the leaves keep falling, so are the chances for her to get well. Thanks to the caring painter, Joanna survives. Jean Peters plays the kind sister and the wonderful Ratoff is the painter.The fourth segment is the weakest. "The Ransosm of Red Chief" presents us two con men in Alabama kidnapping a young boy who is wiser and acts much older than what the two con men thought. Fred Allen and Oscar Levant play the kidnappers.The last, and perhaps the best realized story of the O'Henry's stories is the unforgettable "The Gift of the Magi", which is the equivalent to Dickens' "A Christmas Carol". As directed by Henry King and played wonderfully by a beautiful Jeanne Crain and the handsome Farley Granger, this is a story about love and sacrifice under the worst possible circumstances. Della and Jim, with their youth, are penniless, yet, they sacrifice whatever little each one has in order to give the other partner a small token as proof of their love.This is an immensely endearing film thanks to the legacy of O'Henry.
bkoganbing I had never seen this film until a couple of days ago and it was an interesting experience. I enjoyed John Steinbeck's narration of the five O'Henry stories. It was obvious he greatly respected William Sidney Porter as writer and as human being.The segments are nicely done. Charles Laughton has a fabulous turn as a gentlemen tramp who's just simply looking for his room and board for the winter by trying to commit a minor infraction that will give him jail time during what looks like a rough winter coming. Anne Baxter and Jean Peters are also good as a pair of sisters one of whom has convinced herself she'll die if the last leaf falls off of a bush. Fred Allen and Oscar Levant do nicely as a pair of confidence men turned kidnappers who have the tables turned on them by their victim. You have to have confidence to be a confidence man is Allen's advice to Levant. Nice to see that legendary radio comedian on the big screen. And Farley Granger and Jeanne Crain are touching in the classic Christmas storyThe Gift of the Magi.The only jarring note comes from one of my favorite actors, Richard Widmark. He and Dale Robertson do a turn as a bad guy and coprespectively in a short story called The Clarion Call. Widmark has committed a murder and Robertson knows it, but can't bring himself to arrest him because of a monetary debt from years past.The O'Henry stories are set in the gaslight era of New York. Widmark does not do anything original but just repeats his Tommy Udo character from Kiss of Death. He even dresses like him, the standard black dress shirt and white tie are jarringly out of place here. The director of this segment was Henry Hathaway who did do Kiss of Death as well sothat might offer an explanation. But it just looks ludicrous.Other than this segment the film is fine. 7 out of 10.