Claudio Carvalho In Bridgeport, Connecticut, Detective David 'Cal' Callahan (Stephen Dorff) is a family man, married with Alexandra (Elisabeth Röhm) with the teenage daughter Lanie (Beatrice Miller). Cal has an unscrupulous past, drug and alcohol addicted, and he has reborn when he was shot by a drug dealer and saved by a stranger.When a stranger meets Cal in a bar, he tells that he was the one who saved him and gives the journal of his deceased daughter to Cal. He tells to Cal that she committed suicide after Angel (Walton Goggins), a regular of a night-club owned by the drug dealer Royce Walker (Dominic Purcell) where she danced, beaten up on her and raped her in the parking area. Cal investigates Angel and when he sees the man in his car in front of the school where Lanie studies, he believes that Angel is a pedophile and Cal decides to take an attitude. But he finds that he is a marionette and someone is pulling the strings and watching him dance. "Officer Down" is a good police story with a non-linear screenplay developed like a puzzle with flashbacks and plot points that keeps the truth hidden until the conclusion. Detective David 'Cal' Callahan is tailored to Stephen Dorff that has good performance and James Woods is great as usual. The conclusion with the redemption of Cal is a little disappointing and unbelievable especially considering that Cal has a family to support and certainly mortgage to pay, and spending five years in prison does not seem to be a second chance in life. He could have accepted the report offered by Captain Verona and turned into a good cop. My vote is seven.Title (Brazil): "Rastros de Violência" ("Violence Tracks")

namashi_1 Brian A Miller's 'Officer Down' is A Dark Cop-Drama. Its an impressive film, that delivers a gritty story convincingly along-with good performances. 'Officer Down' Synopsis: A corrupt, guilty police officer goes in search for redemption.'Officer Down' is dark, gritty & violent. Its certainly not meant for the faint-hearted. Brian A Miller's Direction is focused. John Chase's Screenplay is convincing & the second-hour, in particular, has meaty sequences. Performance-Wise: Stephen Dorff is remarkable in the lead role. Dominic Purcell is very good. AnnaLynne McCord is a complete natural. Walton Goggins is in decent form, while David Boreanaz & Stephen Lang are routine. James Woods is fantastic in a strong supporting role.On the whole, 'Officer Down' deserves a watch.

david-sarkies This is one of those dirty gritty cop thrillers where the line between good and bad simply does not exist. Personally I prefer these types of movies to the standard police thriller where the police are clearly on the good guys side and the suspect is clearly one of the bad guys. While some of them with a good dose of action, or a good dose of comedy, are good, it is the ones, like this one, where the black and white view of society pretty much morphs into an ugly shade of grey.The movie is set in Bridgeport Conneticuit, which I liked because of the shift away from the standard New York, Los Angeles, Chicago (or random small town) setting of most American movies. It is always good to actually move away from these standard settings to realise that all of the action simply does not happen in one of these three cities. It is also about a police officer who has managed to clean himself up after what appeared to be a random shooting (though we find out more about it afterwards) and move onto the straight and narrow. Also, right at the beginning of the film, we are also introduced to the major theme, and that is perception as opposed to reality.The idea is to project a perception of the police force so that people can have confidence in the police, and as such when it turns out that a police officer has gone bad, the who mess is swept under the carpet. However, if it is possible to hang one of them out to dry, then it can be done as well. Make an example of one of them so that all the others fall in line. This begins with an incident where our main character has finally caught up with a rapist who, after being arrested, turns out to be a cop. However, in the interview room, we also notice that on one hand, we have the lawyer trying to plead mental incapacity, and on the other hand the captain wanting to keep the whole sordid mess hush hush.The main character is portrayed very much as a loner. He goes about his own business, and investigates his own personal cases. In fact, Stephen Dorf, who is the lead actor, does a brilliant job at this. This is not a partner movie where the cops partner up and buddy buddy all the way through the film. No, there is too many skeleton's in the closet for that to happen. True, he has a good family life, but even then that was on the rocks for a while as well.In most cases, it is all about perception verse reality. It is one of those films where as it progresses, more and more becomes revealed. The perception, the illusionary veil, is slowly pierced to bring about the reality of what is going on. Even then, by the end of the film, when all is said and done, the attempt at keeping the veil intact is maintained. However, it is interesting, and whether this is based on fact or not, the film indicates that the person who was the main person responsible for the veil, while doing time, does not do as much time as the one who successfully ripped the veil to shreds (but there is a reason for that, which I won't go into).

shoutatthesky For the first half of the film I was hopeful a point would be revealed to all the confusing scenes that never seemed to add anything to a weak story. For example, in one scene Det. Callahan (Steven Dorff) is told by his daughter that she wants to ask him about something that is troubling her. However, instead of actually listening to what she has to say he cuts her off with insistent question after insistent question until she runs off in frustration! OK, so the scene sort of had a point in that it showed the Callahan saw only what he wanted to see, or that his relationship with his daughter was being interfered with by his work, but in the end we never find out what the daughter was trying to ask. I mean it seemed like it was something important being that this daughter who barely said a thing to her father unless it was dismissive of his concern for her, was all of a sudden wanting to ask him something really important and not go to her mother! But we are just left hanging. That's just one small example of how little sense the film made, but the real nonsensical scene was at the end. The captain offers Callahan a pre-written statement that will absolve him of all blame and allow him to carry on with his life in possession of a new moral code forged in the mistakes of the past. Instead of signing the statement though Callahan owns up to the truth of the situation and goes to prison! That just makes no sense! What was achieved by telling the truth?! It wasn't like signing the statement meant he couldn't change his ways. And who in their right mind would knowingly allow themselves to be sentenced to prison? Especially a cop? He may as well have just shot himself in the head and been done with it? Basically none of it made sense and left me feeling rather unsatisfied - kinda like I had just wasted 100 minutes of my life because that's exactly what I had done!