mark.waltz That's what gets Buster Keaton discovered in this petrified forest setting that turns his milquetoast character into another baseball playing Elmer. Following in the footsteps of Joe E. Brown who had earlier played Elmer the Great, Keaton really isn't funny here; it's more about the game than the farce, so I wouldn't call this one of his better efforts, at least comedy wise. Another example of stone faced comedy where it is the audience who sits there without expression. The only funny moment comes from the sudden replacement of the ball with a piece of fruit. I couldn't even see the most ardent of baseball fans enjoying this; it moves more like a game of golf.

MartinHafer In the 1930s, Joe E. Brown must have made a zillion baseball comedies as well as other films about sports. So, when I saw Buster Keaton in a baseball comedy, it actually felt a bit weird. Where is Brown?! The first portion of the film is very slow in developing--and the plot drags a bit. Buster has opened a gas station in the desert and a rival, Jim, opens one right across from him. However, the film really is NOT about this but baseball. The baseball angle begins when a cute lady comes to the station. Each want to impress her with their prowess on the field and so their game on opposing teams takes on a special significance. As for the lady, she seems to like playing them off each other and makes the most of it. And, as for the game, it's a silly mess--filled with a bazillion rule violations.So is it worth seeing? Well, if you are looking for brilliance like you'll see in Keaton's films of the 1920s, keep looking. However, the film is agreeable and clever--and so much better than the god-awful stuff MGM had him doing in the years before he moved to Educational Films.By the way, Dewey Robinson makes his second appearance in a row in a Buster Keaton film for this small studio. While his name is probably not familiar, he appeared in well over 200 films and is an easily recognized face for old film buffs.

lowbrowstudios If there was any question as to whether Buster Keaton had regained his creative control after the debacle that was MGM, one needs to look no further than ONE RUN ELMER. It encompasses his two biggest passions in life – baseball and film-making. The opening shot is uniquely Keaton - a vast desert, a ramshackle shack and a lone figure. Buster operates a small gas station. The deep hole that his rocking chair sits in is indicative of his thriving business. He spends his time giving directions to travelers and what business there is gets scared away from Buster leaping out of bushes brandishing his shotgun. Buster's prospects brighten with the arrival of a construction crew. He figures it's a sign of a growing boom town. Fade in to a dour looking Buster staring at the boom - a brand new modern gas station directly across from him. The rivals begin a not so friendly competition involving price wars and fights over customers and the only lone female in the area. Eventually the competition moves to the baseball field.Keaton continually finds variations for Buster to come out on the short end. He slashes the price of his gas so low that no one wants to buy his 'cheap brand'. His gas hose is either to short to reach the vehicles or so long that it trips him up. When the girl arrives Buster is so intent at cleaning her car (and creating a small dust storm in the process) that he forgets to fill up her tank. Even his poor little shack comes out on the wrong end when the two rivals play a game of warm up and baseballs start to dismantle it's foundation. The baseball game itself quickly degenerates into a series of blackout gags worthy of a Tex Avery cartoon. The rules of fair play are tossed out with the kitchen sink as umps are beaned, bases are moved and bats and balls explode. For years Keaton created the gags for the annual Hollywood charity baseball games and now he had an opportunity to commit those outlandish gags to film. It's nice to be in control.

Eric Borgman Although, the film suffers slightly from a lack of production values, this film with Buster running a gas station in the middle of the desert is pretty good.There are elements of the old Keaton in this one. When competition arrives from Harold Goodwin, who opens up a more modern gas station across from Buster's the problems just elevate until the baseball game conclusion.