thinbeach
It's somewhat surprising that Arbuckle and Keaton didn't make more parodies - their style of humour is well suited to it - although we only see snippets of that potential in this two reeler. Fatty, booted off a train, ends up in a small desert town amidst high cliffs. Various bad guys attempt to take the town saloon by gunfight, but Fatty and sidekick Buster are the unlikely heroes turning them away. The early train sequence, including Fatty being chased atop the moving train, is a highlight, and worth watching for those 4 minutes alone, but after that it is forgettable. While somewhat humorous to see a tough villain thwarted by tickling, and a gunfight where no one is harmed by bullet wounds, it is mostly pretty weak.
tavm
This short silent comedy starring Roscoe "Fatty" Arbuckle with Buster Keaton and Al St. John in support is a mixed bag as a spoof of westerns. In begins on a train where Arbuckle ingeniously steals some food from three men one of whom was Buster's father, Joseph. After being thrown off and getting chased by Indians (or in today's parlance, Native Americans), Roscoe stumbles into the town saloon where he foils robber St. John's holdup and takes his guns. This is when he and Buster meet and become teaming acquaintances. There are many very funny gags up to this point to where they tickle St. John victoriously but then there's a racist gag involving one Ernie Morrison Sr. (the father of original "Our Gang"s Ernie "Sunshine Sammy" Morrison who would also occasionally appear in Harold Lloyd shorts) that threatens to put things to a halt. Fortunately, there's still some decent laughs after that. Oh, and there's a woman involved as well. So on that note, I'd recommend Out West. P.S. The version I watched was on the Image Entertainment "The Best Arbuckle-Keaton Collection" DVD.
motta80-2
Out West marks a distinct departure for Arbuckle as a director in that compared to what had come before it had a much stronger, more thought out and developed style and story. It has more genuinely clever and funny ideas than the preceding shorts with Al St John and Buster Keaton put together - the high concept of the western theme clearly releasing the creative genius that Fatty could display.Keaton and St John also have stronger parts than their usual nameless knockabout side characters that had come before. Visually the sepia rounded-corner 19th century photograph look of it is a stylish stylistic directorial choice from Arbuckle, showing the talent he could display (and would again) rather than simply allowing the action to be the film. You feel the story here from the outset. Excellent.
silent-12
The best part of the whole short--Roscoe's routine: the famous one-handed cigarette roll, striking the match on the train, then leaping into the caboose as the train speeds by--in less time than it takes to read this. Worth the price of admission alone!
AD
