edwagreen The song goes that I'd love to teach the world to sing in perfect harmony. Unfortunately, in the area of racism and segregation, perfect harmony has yet to be achieved.This film takes place in a South Carolina elite private school for boys in 1959, when segregation was the in-thing down south. The school supposedly prepares boys to take their place in the world-a world where they will continue to practice segregation.The best performance in the film is given by Darren McGavin, the headmaster, who epitomizes the old southern tradition of bigotry. His daughter conveys an absolutely phony southern accent and her attempt to emulate Scarlett O'Hara is outlandish at best.You would certainly think that the conflict between the new choirmaster and McGavin would come to the front due to the former's liberal ideas but this really doesn't happen. By the way, who was that brat of a young Klansman who attacks our white hero, Taylor, so viciously? We never find this out.The film also deals with the coming friendship of Taylor and a black child, an orphaned grandson of the handyman, played nicely by the usually reliable Moses Gunn. Miscast in the film is Cleavon Little, as the town preacher. His call for justice is made in a voice that sounds too familiar from "Blazing Saddles" in 1974.It has to be said that the boys exhibit beautiful choir singing.Paul, the promising student, is consumed by hatred. We see his typical rebelliousness due to being insecure, parents who never come to visit and his trend to sneaking a smoke in private areas.The film should be praised for its attempt to wipe out bigotry. Unfortunately, this problem is too big to be conveyed in 1:33 minutes.

jbennett-29 How very pleased I was to come upon this film. I teach Elementary School music and this film really works well. I can show it during Black History Month to focus on the racial prejudice portrayed in the film. I can also use it to show the wonderful aspect of boys involvement in the music field. I find it quite difficult to find appropriate things to show my music students that are relevant, as this movie is. I also find that the storyline really makes my students think about how the whites treated blacks/colored of the time. They are quite offended that ANYONE would treat African American or any other people this way. What an insightful film. BRAVO to Disney and this wonderful story.

eissirk2 I've loved this movie since I was a kid and saw it for the first time.I'd watch it every day, then sing myself to sleep with the songs I learned from it, whether they were in English or Latin (jibberish when I'd sing them). This is a great movie for musicians, a great movie to take to school, full of awesome music and lots of eye-openers. Music is as prominent a character as Taylor and Landy in this movie and the different types of music and where they are played in the movie represent the issue of racism, but not as directly as the storyline in the movie. Most people who watch it with friends will tear it apart because it's a little predictable and there are some cheesy parts, but those are inevitable in any movie. Watch it and you'll end up loving it too. It's not a waste of your time, just watch it and you won't regret it.

esrob Perfect Harmony is a somewhat simplistic morality play about the tensions between whites and blacks in a small South Carolina community in 1959. There are scenes at the local swimming pool and on the 'wrong side of the tracks', but most of the action takes place on the campus of Blanton Academy, a fictitious, lily-white, private, boys' school world-renowned for its vocal music program. The high point of the Blanton school year is the picking of the 'Lead Boy' from among the seniors in the vocal music program. The Lead Boy is then featured at the graduation sing.The majority of the action involves the two top candidates for Lead Boy as well as a black youngster whose grandfather is the maintenance person for the school. While both of the white boys are southern, one is a rabid racist; the other is more open and tolerant. Marc, the yankee roommate played aptly by Skye Ashley Berdahl, brings additional conflicts to the production.Eugene Byrd as Landy Allen was the most believable of the characters to me. His interactions with blacks and whites were unstrained and natural, making his performance the most believable. Justin Whalen as Taylor Bradshaw came in a close second. He seemed well suited to the role; he, too, brought realism to his performance. David Faustino's racist character, Paul, was easy to dislike; I guess that means he did a good job, too. Moses Gunn was well-placed as Landy's grandfather, Zeke. Cleavon Little brought realistic energy and a masterful performance as Pastor Clarence Johnson of the blacks' church. (It's hard to believe that this actor could display so much energy and talent in this film, yet die of colon cancer hardly more than a year later. What a loss!)The plot is liberally sprinkled with vocal music, most of it classical. I recognized Mozart, Schubert, and Handel, but there were others as well. The singing in the blacks' church and at their community gatherings provided an interesting counterpoint. To me, the music was by far the best part of the movie. In a no doubt carefully planned twist, the lyrics of each piece fitted like a glove the action of the moment, focusing a Christian microscope on the racist underpinnings of the story.The school choir was loaded with clear, pure, youthful sopranos, and their singing was technically and emotionally exceptional. In contrast, the sheer energy, exuberance, and faith expressed by the blacks' choir showed that there's more than one way to express one's religious beliefs and social convictions. The appearance of Richie Havens singing "C. C. Rider" and "I Shall Not Be Moved" at a fundraiser for the black community was a special treat.Unfortunately, the music also provided lows. Peter Scolari as choir master Derek Sanders had plenty of great lines, but it was obvious that he'd never directed a musical performance, and his character was too often insipid when intensity was expected. Darrin McGavin (head-in-the-sand-Headmaster Mr. Hobbs) suffered from the same shortcoming in an otherwise believable performance. We're asked to believe that the seniors in the choir are still sopranos. In real life they were all 17 when this movie was filmed; their conversational voices were mature. Please!In spite of this, I found myself with belief suspended, immersed in a believable world with believable characters, thoroughly enjoying myself. I rated Perfect Harmony a 9.