DVR_Brale I don't remember when was the last time a saw a high quality comedy. Ninety percent of comedies that come from Hollywood are immature gibberish filled with trivialities which portray life as it never is. But now finally comes a comedy movie for grown ups with thematic elements suitable for mature audiences. Perfetti sconosciuti is very funny, sometimes sad, intelligent and charming in a way only European movies can be, especially Italian and Spanish.Seven friends gather for a dinner. Table is and always has been a central element of human activities. Food opens people up for friendship and humor. Now, these seven people carried by such delight agree to play a game which may bring to surface things they never wanted to share. They have known each other for years but it turns out only superficially. Perfetti sconosciuti is pretty serious movie when stripped from jokes and charm. That has to be so since sharing, or more so unwillingly sharing, our deepest secrets and desires with people whom we know for years in unbelievably difficult; more difficult than sharing those things with strangers. That's why I've written that this movie is a comedy made for mature audiences - younger viewers just won't be able to read fine details and understand the difficulties, which come with years, this movie brings about.Tempo of the movie is perfectly hit. Everything looks absolutely natural. There are no more important or less important scenes. All of them come together as to form a uniform experience. That way the viewer somehow becomes eighth person invited to the dinner, figuratively speaking. This is something similar to the way conversation keeps flowing in 12 Angry Men. Since Perfetti sconosciuti is a talk movie, acting plays a pivotal role since there are no many other elements which can compensate for it, in contrast to American made comedies which are almost entirely adventure oriented. In all sincerity I have to admit that this seven people did better job with acting than most of their over-hyped and planetary famous Hollywood colleagues. All of them covered a very wide range of emotions in a very convincing manner.This is very refreshing and brave movie to make which I warmly recommend, especially to those of you who are tired of trivial humor, trivial characters and plots. You may even discover a thing or two about yourself.

ZD Review (1~5)#TrailerFraudIndex (lower, better): n/a#Content: Script 5 | Acting 5 | Cinematography 5 | Film Editing 5#Visual: Costume Design 4 | Makeup & Hairstyling 4 | Scenic Design 4 | Lighting 4 | Visual Effects n/a#Sound: Score & Soundtracks 4 | Sound Editing & Mixing 4#Overall (1~10): 8

dromasca Quite difficult to believe that Paolo Genovese's Perfect Strangers is not inspired by a theater play. Everything happens within the closed limits of one apartment where seven friends meet for a casual dinner which turns into something completely different when they decide to play a 'Truth or Do' kind of game using their ... mobile phones. One immediately thinks to movies like Roman Polanski's Carnage , but that one was based on the play (and screenplay) of Yasmina Reza. It seems however in this case that the movie took precedence, but I am confident that the stage adaptations will follow quickly. So will the American remake, I am afraid.What happens if all the calls, messaging, social networking content we believe to be confidential comes in the clear? This is the game the friends decide to play and the results will - as expected- be disastrous for most of the friendships and couple relationships. Is the film about the dangers of social networking and other forms of Internet communication? or maybe about the dangers of hiding and lying and trusting or not trusting your friends? One should see this film to decide. And ask yourself also if you are ready to play the game with your friends.The film starts at a slow pace, and it took a while to catch me. When it did it was fantastic. It also contains a final twist in the script that I will not reveal. It's well acted and smartly written. I recommend it. There are good chances that you'll enjoy it.

James De Bello Seven long time friends are having a meet up at Rocco (Marco Giallini) and Eva's (Kasia Smutniak) house. As the dinner starts to evolve the theme of cellphones emerges bringing in very different points of views on the matter. The friendly bickering evolves to the point that the seven friends decide to play a game. Everyone is to put their cellphone on the table and any and every message, call or notification that arrives during the dinner is to be shared with everybody. What will emerge is in fact that all of these lifelong friends might actually be, fittingly, perfect strangers to one another.Paolo Genovese, an Italian director who in the past had made decent, yet never really remarkable efforts in Italian cinema has now come out with what is the best film of 2016 so far, the film you have to watch this year, a nail biting thriller, that takes your breath away with its first reveal and never lets you catch it back, not until long after the film has ended. If there is one feature you will have to look out for in 2016 this is the one to go for.What is most surprising about what Genovese and all of his co-writers have achieved is how simple the whole thing is. It is a basic premise. It is shot unstylishly. The plot weave has two, three at best turn points. The packaging of the film is so simple it almost puts into discussion the visual nature of film itself. Yet, what Genovese does as a director and what the screenplay achieves with its tight and relentless pacing is filling all of the simple surface of the film with a dark and riveting twist that manages to hold the viewer's interest without ever calling attention on itself.All of the scenes are shot with basic coverage. There is no shot in the film that calls attention to itself. Where this is compensated is with incredible blocking, masterful editing and overall impeccable timing. Just as Lumet in 1957 manged to make twelve men in a room visually interesting, Genovese, even if to a slightly lesser extent, manages to take this setting and charge every action and dialogue line with a climactic effort.When confronted with such a screenplay a director has to realize he has to step back and make the lines breathe, make the actors relevant, give the dialogue a flow and a meaning, trying not to make it become irrelevant. That is what Genovese does and to a brilliant effect, just like last year Danny Boyle made Sorkin's words enlighten the screen with energy, the director here gives the dialogue the spotlight and supports it with one little action at a time, all of which prove to be genius moves.It could be so easy to give all the credit to these brilliant actors, who admittedly rise to this occasion and give a collection of amazing performances, yet what Genovese those is so understated, so brilliantly unnoticeable it is the mark of a superbly directed movie. He walks perfectly the line between being a showman and being laid back, he ends up forging that perfect balance which makes every edit matter and what comes out on the other side is a white-knuckle thriller.Still, this screenplay has to be taken into account as the primary reason of success for the feature. Its character outlining is remarkable, everyone of these people feels fully rounded, you can sense all of their history weighing in on their shoulders. Every line further develops the relation between these people and takes a step forwards in defining them, you simply cling to every word trying to get to know them, their reality feels so interesting you want to be a part of it. It has almost a voyeuristic nature that is not too unlike Hitchock's "Rear Window". Naturally all of these actors have their A-game on which is the final ingredient into the craft of this overwhelming film.Were you wondering what film is missing from your catalog this year? Well here's this Italian one-room thriller that will take you by surprise and leave you with an ending that is brave and original, which seals the deal on the film and charges it with the most thematic effort it could have ever had.