LazyBeagleEntertainment
I laughed so hard I cried all the way through this movie. It was outstandingly hilarious. Dustine reminded me so much of the way Dakota Fanning acts, and she was so funny. I really and honestly cannot think of a funnier, campier movie. It was funny from beginning to end, non stop hilarity. Anyone who thinks this movie is a piece of crap obviously has no sense of humor whatsoever. And I love the easy friendship and fun between the characters. The cool, calm, yet very fraught with tension way things were handled from the moment Violet showed up at the Darlene and Dustines house, to the very end was phenomenal. And Dustine...the dream, you have got to be kidding me. I had to run to the bathroom to avoid pissing my pants. Sheer enchantingly beautiful!
cessna1505
This is the kind of film that is so bad, so tasteless, so disturbing, you're embarassed when you laugh out loud at it--as the crowd at the 2001 DC Gay & Lesbian Film Festival did last night. The acting is somewhat amateurish, and the writing leaves a lot to be desired, but the situations, instead of stopping short as in most black comedies, keep going right past the border of good taste. And the audience was dragged along in spite of itself. As the lights went up, there was a lot of sheepish looking around as if everyone wanted to reassure themselves that they weren't the only ones who enjoyed it. Worth seeing, if only to see how depraved you really are.
craiglendyl
When I see something like this it makes me wonder how it gets made while so many superior scripts languish unmade for eons. The actors try to breathe life into the ridiculous paces they're put through by screenwriter/director Jenkins but he is so obviously inexperienced and not up to the challenge of guiding them in a creative way. I've probably seen worse films but nothing immediately comes to mind. It's not even interesting in a prurient way cause Jenkins doesn't throw all caution to the wind and shock the audience out of its sleep-induced coma. He seems to think he's making an important statement about obsessive love but unfortunately all this film is is a sedative.
Havan_IronOak
Dale Spitler (played by Nathan Bexton) is that sweet stereotypical teenager on the cusp of coming out. He's a straight-A student and a member of the drama club. He has a part time job as a babysitter for precocious Dustine Murphy (played by Jessica Stone) which allows her trailer-court-trashy mother, Darlene, to go out drinking. When he's not talking on the phone with friend Violet (played by Diva Zappa), he's fantasizing about Raymond, a boy from school, that he has a crush on. Dale hatches a desperate plot to seduce Ray and when Dale does get him to stop by we see just how hopeless Dale's fantasies are. We see that Ray is an uncouth entirely hetero jock who barely knows that Dale is alive.However, unbelievable things occur everyday in the movies and Violet soon calls Dale to tell him that she has accidentally killed Raymond in a traffic accident. She wants him to help dispose of the body, Dale realizes that he may now have his chance to get into Raymond's pants.This comedy is low budget and it shows but the performances are earnest and enjoyable. Dale's puppy dog looks and mannerisms rob his homosexual necrophilia of its depravity. Diva Zappa is a hoot in her role as are the circumstances of the accident. Jessica Stone as the 'little kid' gets some of the best lines in the movie. There are continuity errors and incredibly odd plot elements but overall the movie is entertaining and successful.
AD
