Powder Keg

2001 ""

Powder Keg

7.5 | en | Action

The Driver is drafted by the UN to rescue a wounded war photographer named Harvey Jacobs from out of hostile territory. While they are leaving Jacobs tells the Driver about the horrors he saw as a photographer, but he regrets his inability to help war victims. Jacobs answers the driver curiosity about why he is a photographer by saying how his mother taught him to see. He gives the Driver the film needed for a New York Times story and also his dog tags to give to his mother. When they reach the border, they are confronted by a guard who begins to draw arms as Jacobs begins taking pictures, trying to get himself killed. The Driver drives through a hail of gunfire to the border, but finds Jacobs killed by a bullet through the seat. The Driver arrives in America to visit Jacobs' mother and share the news of him winning the Pulitzer prize and hand over the dog tags, only to discover that she is blind.

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7.5 | en | Action , War | More Info

Released: June. 01,2001 | Released Producted By: Anonymous Content , BMW Films Country: Budget: 0 Revenue: 0 Official Website:

Synopsis

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Cast

Clive Owen , Stellan Skarsgård , Lois Smith

Director

Brigitte Broch

Producted By

Anonymous Content , BMW Films

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Trailers & Images

Cast

Clive Owen

as The Driver

Lisey's Story Romantic Guide to Lost Places The Informer Ophelia Gemini Man The Song of Names Anon Valerian and the City of a Thousand Planets American Crime Story

Stellan Skarsgård

as Harvey Jacobs

I'll Find You Soul of a Man Dune The Ape Star 11 Colours of the Bird Out Stealing Horses Last Words Chernobyl The Painted Bird

Lois Smith

as Mother

The French Dispatch Uncle Frank Marjorie Prime Lady Bird The Comedian The Nice Guys Run All Night The Odd Life of Timothy Green Roadie

Reviews

Boba_Fett1138 The fifth "The Hire" movie is an impressive little short. It's impressive because of the story, that is helped by its gritty atmosphere.The atmosphere is wonderful and typically Mexican style like. It really reminded me of "Man on Fire". It's gritty and sets the perfect mood for the story. The great cinematography is from 2 times Academy Award winner Robert Richardson and the music is from the talented composer Harry Gregson-Williams.The movie and its story know to impress and it has some wonderful dialog, altogether with a powerful ending is what makes this movie a bit of a must see.8/10http://bobafett1138.blogspot.com/

joelman Perhaps there are people who would disdain the grainy look of this film, or hate the jumpy camera work. I, for one, think that Alejandro Gonzalez Inarritu is a genius. You really have to appreciate his film making. Amores Perros is a must see for those of you who haven't seen it yet, and Powder Keg is no exception either. This film focuses much more on emotions and injustices in Central and South America, and really lays the drama on in the end. Brilliant work. I'm glad that BMW did this series, perhaps they will see fit to release it on DVD, that would be excellent.

marcelo-26 Powder Keg is most unlike the other BMW films. It's as different in its way as Star was. Where Star was humorous and light, Powder Keg is dark and bloody. The first of the films that deserves and R Rating, it has profanity and violence unlike the others; sensitive viewers beware. That said, its story is well written. The photographer's sense of frustration over not having done enough to help those he photographs, the oppressive presence of armed militia everywhere, the desperate need to make the border against overwhelming forces, and most of all, the bloody back seat of the vehicle, all paint a picture of doom and gloom for the characters. The scene at the end with the mother explains the earlier comment by the photographer, "My mother taught me to see." The driver's feelings of loss and failure, assuaged not at all by delivering the dog tags, is well acted out.I hope this isn't the end for this fine series.

SirAlanSmithee Powder Keg concludes the BMW short film series "The Hire" by adding a very human element to the enigmatic and elusive series title character played by Clive Owen. Director/co-writer Alejandro González Iñárritu departs from the pattern established by the previous 4 directors and makes the driver more of a background character, focusing instead on a war photographer who, after snapping a shocking series of photographs, is on the run and grievously injured. He takes the time to reflect on his life and what he's done-or not done-with it, and why he started taking pictures in the first place. Stellan Skarsgård does a wonderful job as the photographer, and manages to communicate volumes just as much with what he doesn't say as with what he does. Clive Owen has the opportunity to portray a different side to the driver then in the previous films, allowing his normally unflappable character to have an emotional moment beyond what we've seen. The moment at the end of the film between himself and the woman played by Lois Smith is made more pronounced by his inability to effectively communicate his thoughts and feelings, and his abrupt exit punctuates that perfectly.Iñárritu directs this short perfectly, using hand-held 16MM cameras to capture a grainy, almost documentary-like feel to the film, and over-exposure for certain shots adds the right amount of dramatic flair to the film.All in all, my only regret with this film is that it's the last one in this excellent series. BMW should be highly commended for allowing what could have been little more than overblown and expensive commercials to be short films in which the centerpiece vehicles sometimes took a back-seat to the characters and their stories instead. I hope to see another series like this again soon.

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