jacobjohntaylor1 The first Puppet master movie is very scary. This is scarier. Puppet master III is better. Puppet master 4 is better. Puppet master 5 is better. But still this a great horror movie. It has a great story line. It also has great acting. It also has great special effects. 5.5 is a good ratting. But this is such a great movie that 5.5 is underrating it. This a very scary movie. I give it 9 out of 10. This is better The Shinning. And that is not easy to do. This is better then A Nightmare on elm street and that is not easy to do. This is scarier Then the 2009 reboot of Friday the 13th could ever be. This is scarier then Bride of Chucky could ever be. See it. It is one of the best horror movie from 1990.

gabedrumminggamer I love the Puppet Master series. I found out about this great franchise during the summer of 2012. After watching and loving the first film, I decided to watch number 2. And I was very pleased. Puppet Master 2 keeps the feel of the first film and did well in many categories. Average acting, good gore, nice kills, plenty of puppet screen time, a good storyline, and an awesome ending. What's not to love about that? Now, if you're just a horror film watcher and not a fan of Puppet Master, good ol' Charles Band or Full Moon films, I don't really recommend this film. Otherwise, grab some popcorn, some friends who are fans of Puppet Master, a comfy seat and enjoy! Puppet Master Forever!

atinder I didn't think the first was that good however I thought it was decentThis sequel was start of really good, As the Puppets brought back the Master of the Dead.I liked this movie just a bit a better then first movie, I liked the fact that show a lot more of the Puppets.The movie didn't take to long to get started, i found most of really entertaining but however after second half, some parts did drag on a little and found those part a little boring,The ending was just really odd and a bit Creepy,I give this movie 6 out of 10 __________________

lost-in-limbo An inevitable simple rehash, which is probably a little more expansive and wicked in its visions. Not as fun as the original, but nonetheless a respectable b-grade sequel by Full Moon productions. Which I believe, would be followed up by the best entry of the series "Puppet Master III: Toulon's Revenge", as after that film I didn't particularly care for the rest. The second film of the franchise keeps pretty much the same structure of the original, as a group of government paranormal researchers head to the ocean facing cliff top hotel to look into Alex Whitaker's stories (the survivor of the original now in a mental hospital) and soon become targets of the puppets and the resurrected Andre Toulon (dressed in bandages) from the dead in the quest to collect enough brain fluid for his reanimation serum to keep them alive. But when Toulon encounters Carolyn, he's quickly reminded of his dead wife Elsa and the plans seem to change.Director / visual effects wizard David Allen does a resourceful job with his low-budget, instilling a clean-cut Gothic atmosphere with an underlining eeriness and donning sensational puppet creations (a newly added one too -- Torch) and stop motion effects. This gimmick is where the film's personality arrives from, outside a dementedly compulsive performance by Steve Welles (under some bandages and heavy make-up) as the cracking Toulon. Welles is the life of the party (getting plenty of screen time --- where a little more is explained about his character), as the rest of the cast (Elizabeth Maclellan, Collin Bernsen, Gregory Webb, Jeff Celentano and a perky Charlie Spradling) are immensely one-note. Also showing up in minor, but fruitful parts are Nita Talbot, Sage Allen and George 'Buck' Flower. When it came to the puppets doing Toulon's dirty work, while ominously nasty it just lacked the imagination found in the original's death set-pieces, but the meaty, if dark narrative seemed a little more fuller in its angle of dementia, betrayal and revenge. The pacing can have its stuffy moments too (being rather slow to get going), but the location for the developing macabre fits and Richard Band's brooding score is reused with that striking playful carnival arrangement.