JohnHowardReid Of Gene Autry's 1936 releases, "Guns and Guitars" was certainly one of the best on offer. But better still was an entry made earlier in 1936, "Red River Valley" (known on TV as "Man of the Frontier"). In this one, Smiley Burnette not only actively assists Gene at the climax, but even gets himself wounded! True, some of the earlier action punch-ups fail because of weak direction, but the widely acclaimed action specialist, Breezy Eason, improves no end as the movie progresses. Two stuntmen and their horses take a spectacular dive from a cliff into the river and much of the actual location shooting is cleverly set up at a real dam. How about that breathtaking scene of Gene Autry and his prisoner wading across the spillway as the floodgates are actually opened? And what about the tremendous riot scenes commencing with that spectacular image of the train, loaded with a gang of opposing workers, careering through the center of the rioters and smashing a wagon directly in line of the camera? In fact, it really doesn't matter too much what has gone before, because the last two reels of "Red River Valley" are virtually nothing but solid action all the way, what with Gene fighting George Chesebro and Charles King, then the chase and the dive off the cliff, followed by the stalking in a deserted fort (another superbly utilized location). Breezy Eason was rarely at home with dialogue, but his handling of such scenes here seems less stiff than usual. As Red River Valley is one of the few "B" pictures he directed in toto that benefits from his remarkable second unit abilities, it must rank as one of his best films. The photography also evidences more creative craftsman-ship than usual. Lewis' film editing comes across as admirably sharp, lending the picture plenty of pace. However, while Autry and Burnette display plenty of vitality, the heroine, Frances Grant, although pretty enough, is not only drably dressed but comes over like a damp doll. It's George Chesebro who steals the acting honors from the stars with his delightful performance as one of the villains. Charles King has a much smaller role as his unwitting accomplice. ( Available on both Alpha and Mill Creek DVDs).

dougdoepke Wow, I love that torrential water rushing from the dam. Then too, director Eason shows why he was one of the best in the matinée business. He really knows how to stage action, whether jumping off sheer cliffs or fisticuffs atop a dam. I expect the concrete barrier was one of the many WPA public projects of the 30's, of which the TVA is the best known.This is one of Gene's earliest and it's a doozy, really well produced by Republic with lots and lots of extras, locations in Yuma, AZ, and an unusual storyline. So who's trying to sabotage the dam and keep the farmers out. Gene and Frog work to find out, and you know they will since our hero is decked out in his best finery. But can Autry get the payroll money to the men in time—it's a nail-biter as Gene struggles across the barren flats. Music-wise, I couldn't get enough of the title song and ended up croaking it out til the wife left the room. And how about that jug band, just about everything but the proverbial kitchen sink. All in all, it's a great Autry mix that I expect helped put him on the matinée map.A "9" on the matinée schedule.

michael parker Champion runs, Gene sings. A mixture of modern day cowboys (with Damsand stuff) and old time cowboys. Plus some pretty decent non -Health & Safety action. Gene is a ditch rider and Champion knows he is really the Star ! Sabotage and dirty works at the irrigation plant, involving dynamite and songs along the way.There is such an aura of dust bowl and emigration around this film. Jug blowing novelty acts, Woody Guthrie chord breaks in songs. When is a strike not a strike - when there's baddies and guns.The usual shoot-em up finale and a few bars of Red River Valley.The film was marketed under the title Man of the Frontier, around the world, and that may be because of the clash with the other, more violent and more mediocre, film of the same name.Champion runs, Gene Sings, nearly perfect in this movie.

Kieran Kenney Gene Autry is essentially the only reason to watch Red River Valley (aka Man of the Frontier). He's a pretty good actor, an even better singer, and looks good in his cowboy costume. He's an interesting person to watch. Unfortunately, he's about the only thing to recommend this film. I found the whole affair dull and, quite frankly, uninteresting. Granted, the makers of this film weren't trying to create a masterpiece. It's pretty clear that their primary objective was to quickly and cheaply make a picture with a story that would appeal to most people and that would exploit the vocal abilities of their star. Autry doesn't arrive onto the scene until several minutes into the film. When he does, he waits around for twice as long until he gets to sing. Why wait so long to have him get back to doing what he does best? I don't know. As for the rest of the cast, few of them aspire to even slightly memorable portrayals of their roles. Smiley Burnette is probably the only exception to this. The townspeople, the judge, the romantic interest, all of them are totally forgettable in their roles. Not having see any of Autry's other western vehicles, I can't honestly say that I have anything to compare this film to. This is just my first impression. Still, despite it's numerous flaws, it's still fun to watch Autry do his stuff on screen.