Robert J. Maxwell In this rather routine-plotted Western, the men keep referring to Audie Murphy as "the boy" or "the kid." It seemed to fit. He was almost thirty but didn't look it. He wasn't big, like John Wayne, or deep of voice. He was self effacing. His acting talents were modest. He gave one memorable performance in "The Red Badge of Courage," a flawed movie, but not flawed because of him. And all his life suffered from what we would now call PTSD. It practically wrecked him. He slept with a pistol under his pillow and had recurring dreams of being attacked by Germans while his M-1 fell apart, piece by piece, in his hands. He really earned those decorations.In "Ride Clear of Diablo," a mid-career movie, he's the good guy whose father and younger brother have been killed while trying to prevent their cattle from being rustled. He comes to town from Denver, where he's been working as a railroad dispatcher or something equally clerical. The local sheriff and lawyer, being particeps criminis themselves, send him after Whitey Kinkaid, the gunslinger in a nearby town, played by Dan Duryea, thinking that the kid will draw on Whitey and get his head shot off. Murphy outdraws Whitey, shoots the gun out of his hand, and takes him captive. It's the kind of movie where no one bothers to explain how a railroad bureaucrat has learned to shoot so well.It gets kind of interesting because a bond of wary friendship develops between Duryea, who happens to be innocent of this particular crime, and Murphy. Not that they hug each other and take showers together, but Duryea shows his respect for Murphy by doing him little favors, such as not shooting him in the back when he has the chance to do it.Duryea is his usual wisecracking self, all smiles. He laughs a lot. He laughs so much that sometimes he seems like a maniac and the director should have reined him in. But, okay. He's one of those likable rogues. It's a familiar enough figure in movies. The relationship is complex enough to keep the viewer interested. Without it, you're just watching another Audie Murphy Western.Susan Cabot is the good girl. She's as innocent and well behaved as Audie Murphy. Murphy has one drink in the movie, except for a lot of water and milk and coffee. Cabot may have been mentally unbalanced and met a bad death. Abbe Lane is the naughty girl. She has hair the color of a tangerine and sings in a saloon, so we know she's bad. But, though she may have slept with her boyfriend or something, she's not evil. Both women are made up like mannequins and sport false eyelashes the size of tarpaulins.I won't give the ending away except to reveal what the experienced viewer must already know -- Murphy and Cabot live happily ever after.

drystyx This is a classic style western with Audie Murphy as the good guy seeking out the killers of his father and brother. Fortunately, he's got experience in the field of "troubleshooter", and can handle things better than the killers, the town's most respected men, think. They send him on suicide missions against the likes of wild cards Dan Duryea, the professor Russell Johnson, and Jack Elam, only to be stunned by Audie's survival against these odds.In making this, you could see that all involved allowed Duryea's overwhelming persona to take control. And that was the key. A great work relies not only on the great persona, but also the others to be willing to work off of him. "Great actors are great reactors" is known well to the acting community. A pity that many of the plebes who post on IMDb will laud the wrong actor.Anyone can play a sadist. The real actors are the ones who can react to the sadist, and let him come across with power. Anyone can shout "That ain't no country I ever heard of", but the real actor is the one who is willing to stutter "What?" over and over.However, here, Duryea deserves his praise. He's not your cliché bad guy. He's Duryea, full of fun and laughter, and each film he manages to make the character a little different. Just saying that the others deserve respect, too, for their cooperation.Full of thrills, the film seems to last only a few minutes. And that's the sign of a good director. You get your bang for the bullet here.Plus the classic combo of Murphy and Duryea. The only thing more magical than that would be to add in Stewart with an accordion.

Spikeopath Ride Clear of Diablo is directed by Jesse Hibbs and adapted to screenplay by George Zuckerman from a story by Ellis Marcus. It stars Audie Murphy, Dan Duryea, Susan Cabot, Abbe Lane and Russell Johnson. Irving Glassberg is the cinematographer with location filming in Technicolor at Lone Pine and Victorville in California. Plot sees Murphy as Clay O'Mara, a railroad surveyor forced to return to his home town after rustlers kill his father and brother. Getting the sheriff to make him a tin star wearing deputy, Murphy sets about finding out who was responsible for the murders. His first port of call is a meeting with notorious gunslinger Whitey Kincaid (Duryea)...Lively and utterly enjoyable B Western in the cannon of Audie Murphy. Standard revenge formula of plotting is elevated to better heights by the central relationship between Murphy's honest do gooder and Duryea's rough and tumble bad dude. Director Hibbs smoothly directs and the story has one or two surprises to off set the expected lack of credibility in the story. Glassberg's photography is beautiful and there's good support to the leads from Jack Elam and Denver Pyle. The girls look sexy and are costumed in style, while the action sequences, notably a horse pursuit featuring a gorgeous white stallion, are good value for money. Everything, tho, is in Duryea's shadow, stealing the movie, Duryea is having a great time as the cackling villain forming an uneasy friendship with Murphy. It's this coupling, and the turn of events in the finale, that most will fondly remember the film for.Real solid stuff. 6.5/10

alexandre michel liberman (tmwest) Murphy is the guy looking for revenge,people tend to underestimate him, until he shows himself fast in the draw. One of the best things here is the relationship between Murphy and Dan Duryea. This film is very unpretentious and entertaining, and it´s a pity they don´t make westerns like this anymore.