Rogue Cop

Rogue Cop

1954 "Temptation is a thing called money and a red-lipped blonde !"
Rogue Cop
Rogue Cop

Rogue Cop

6.6 | 1h32m | NR | en | Crime

A police detective on the take tries to catch his brother's killer.

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6.6 | 1h32m | NR | en | Crime | More Info
Released: September. 17,1954 | Released Producted By: Metro-Goldwyn-Mayer , Country: Budget: 0 Revenue: 0 Official Website:
Synopsis

A police detective on the take tries to catch his brother's killer.

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Cast

Robert Taylor , Janet Leigh , George Raft

Director

John F. Seitz

Producted By

Metro-Goldwyn-Mayer ,

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blanche-2 "Rogue Cop" is a 1954 film starring Robert Taylor, George Raft, Janet Leigh, Anne Francis, and Steve Forrest.People seem surprised Taylor pulls off the tough guy act - I've seen him do it before, and he was good at it.This is a no-nonsense film about a cop on the take (Taylor) whose honest cop brother (Forrest) can identify someone involved in a murder. The guy who pays off Taylor (Raft) wants him to convince his brother to suddenly not identify him. His brother won't go along with it, making for problems.I had actually just seen a 1933 Taylor film and what struck me is how many octaves his voice had gone down! Smoking and age will do that.There isn't anything special about this film. Janet Leigh is beautiful as Forrest's girlfriend with a past, and Anne Francis is Raft's decades-younger alcoholic girlfriend. Both women are fresh- faced and lovely. No pulling of punches in this movie by Taylor. My mother worshiped the ground he walked on, so I well remember his series, The Detectives. He could be rough and tough with the best of them.
dougdoepke In the law and order 1950's, crooked cops were not exactly a box office item, especially from a studio that prided itself on wholesome entertainment. But head executive Louis B. Mayer had been forced out of MGM in favor of the more current Dore Schary who promised harder- hitting films on subjects more topical than Andy Hardy.I guess it's easier to shift personnel than it is to change tradition, because this crime drama has neither the look nor the feel of the real thing. In short, the movie's an antiseptic treatment of a seamy subject, and all Robert Taylor's tedious tough talk or George Raft's gangster reputation can't muddy up the sheen. Note Taylor's impeccable suits, the glamor girls in high-class outfits, the uncluttered studio sets, and especially the high-key lighting that robs the visuals of any hint of ambiguity. Unfortunately, director Roy Rowland brings next to nothing to the project, filming in the most pedestrian style possible. This is a film that cries out for at least something of a noir approach to bring out the menace and moral conflict implicit in the screenplay. Note too, how many punches are pulled from the final ambulance scene to the redeemed bad girls to the fist-fight with muscular Vince Edwards-- as a matter of fact, the movie could have used more of Edwards' convincing style. Note in particular, how the killing of the two innocents is done off camera, depriving the drama of the kind of visual impact it so clearly needs. Simply nibbling around the edges of evil with an unsmiling ex-matinée idol is not enough.Too bad a studio like RKO or Warner Bros. of the 40's didn't get hold of the property first. They could have done it up right. MGM may have been great for lavish productions like costume drama and musicals, but crime drama simply did not fit their style. And not even Dore Schary could change that.
Stormy_Autumn In "Rogue Cop" (1954) Robert Taylor did great.Dev. Sgt. Chris Kelvaney (Robert Taylor) has a younger brother Eddie (Steve Forrest) who is a street cop. Eddie can identify a murderer he saw run from the scene of the crime.Big brother Chris, who is "on the take", is contacted by gangster Dan Beaumonte (George Raft, of course) with bribery in mind. He's willing to pay Eddie $15,000 if he changes his testimony. Beaumonte's afraid the murderer (Vince Edwards) knows too much. He might sing and put them all in "Sing-Sing". Dishonest Chris wants him to take it for safety's sake. Eddie isn't his brother so his testimony stands.Beaumonte has Eddie killed thus waking Chris up to a sad reality. After the death of his brother, Chris swears revenge and starts to track down his brother's killers. He has to get them out in the open and starts laying the groundwork. But Beaumonte wants to stop him and anyone he asks for help. Needless to say that may leave allot of excess bodies lying around...It also may not be as easy as he'd like it to be.Other cast members include: Janet Leigh as Karen Stephanson (Eddie's fiancée); Anne Francis as Nancy Corlane (Beaumonte's alcoholic ex-girl); Robert Ellenstein as Det. Sidney Y. Myers (Bob does a great job as Chris's partner who is an honest cop); Vince Edwards as murderer Joey Langley (later "Ben Casey" of TV fame 1961-66); Olive Carey as Selma (Chris's connection to snitches) (wife of Harry Sr., mother of Harry Jr. and well-known character actress in her own right.)
Neil Doyle Robert Taylor puts an even harder edge on his 'Johnny Eager' type of role with another hard-boiled, even tougher characterization as a man steeped in underworld crime until his brother (Steve Forrest) is killed by mosbsters. Crisply directed, nice all-around performances from an attractive cast--Janet Leigh, Steve Forrest, George Raft, Alan Hale, Jr.--with Taylor highly convincing in the tough central role.Not the kind of gritty film noir one would suspect coming from the MGM studios--but well worth it with its Raymond Chandler type of dialogue and a climactic gun fight that is extremely well handled.Crime buffs should enjoy this one--as will Robert Taylor's fans.