Harry Lags
During the years of entertainment history there have been a plethora of stars who have left a trail of distinction in this world with their inimitable prowess in the arts, but nobody has ever reached the legendary status that Elvis Presley attained.In 1964, Elvis Presley was cast in the role of Charlie Rogers in Roustabout, a film which starred him alongside acting veteran Barbara Stanwyck in her second last motion picture.Roustabout was directed by John Rich and produced by Hal Wallis with the screenplay by Anthony Lawrence and Allan Weiss.The film follows the story of Charlie Rogers ( Elvis Presley ) a notorious biker who has just spent a night in prison after being involved in a brawl outside the tea house where he performed his last gig. The next morning he unexpectedly secures a job as a roustabout at the traveling carnival owned by Maggie Morgan ( Barbara Stanwyck ) after being slightly injured in a motor cycle accident caused by Maggie's irate employee Joe Lean ( Leif Erikson ).By the time Roustabout was made, Barbara Stanwyck's motion picture career was in decline. That same year she starred in The Night Walker alongside her ex husband Robert Taylor, which served as her final film role.Raquel Welch makes an early appearance as one of the college kids at the Tea House. Elvis Presley performed his own stunts in the movie.With a plausible plot and musical numbers that epitomizes the incomparable talents of Elvis, Roustabout is the true definition of a perennial classic from the 1960's.
bkoganbing
Screen legend Barbara Stanwyck became probably the biggest name ever to appear in an Elvis Presley movie in Roustabout. Barbara plays the owner of a carnival who takes in Presley after the King has been fired from a gig at a club. Of course she owes him after her right hand man Leif Erickson runs Elvis off the road and damages his motorcycle and guitar.After a while what's keeping him around is pretty young Joan Freeman who is Erickson's daughter. And Presley's drawing in some big bucks and may just pull the carnival out of the red, the red being the mortgage that banker Dabbs Greer has on Stanwyck's show. That is if rival carnival owner Pat Buttram doesn't lure him away or fortune teller Sue Ane Langdon doesn't lure him with her own special lure.I think Roustabout ranks as one of Presley's best feature films. He was starting to lose his allure to the fans of the Beatles and soon enough his pictures would become a rote formula. But as the young man with a chip on his shoulder who becomes a Roustabout at the Stanwyck carnival Elvis is at his very best.For Stanwyck she saw this as a way of getting her name across to younger movie audiences. But after one more film she would abandon the big screen for the small one and did all her remaining work on television.The title song and a song called Poison Ivy are the best for Elvis in the 11 numbers from the score. I didn't know Elvis went in for satire but the song is a really acid number against privileged college frat boys, I really loved it. It's also what gets him canned from that club gig.Fans of both legends should be pleased with Roustabout.
JoeKarlosi
Most people don't think too much of this Elvis romp compared to any other, but for me it stands out as one of the better "formula" movies the man made in the '60s. As club singer Charlie Rogers, Elvis is a little different from his usual stock characters from this period because the young man has a chip on his shoulder. He's a reckless person who never had a family and is prone to being self-centered and dismissive. After getting fired from a gig one day, he and his motorcycle are smacked up by a threesome of small-time carnival owners driving in their car, so they invite him to stick around their modest fairgrounds and work as a "roustabout" for a little cash while waiting for his bike to get back from the repair shop. Rogers is able to boost business with his singing to lure customers to the Fair.Barbara Stanwyck plays the strong-willed carnival chief who breathes the carny lifestyle, but she's saddled with a crotchety and hard-headed partner (Leif Erickson) who once caused a tragedy to a customer by not safely securing one of the rides at the fair, and who tries to keep Charlie away from his daughter Cathy (Joan Freeman). It's refreshing to see a leading girl who can hold her own and not easily succumb to Elvis' whims. There are a few decent songs here and there, if no great ones. Raquel Welch can be spotted in the beginning of the film as one of a group of young folks going to see Charlie Rogers perform at the club. *** out of ****
Pat McCurry
Welcome to 1964. Elvis is still stuck in movie limbo, the Beatles are ready to conquer America, and this movie pops up. Elvis has one of his better roles since Flaming Star, as he plays a angry young man named Charlie Rogers, who is not that likable at all. After Charlie gets sprung for getting in a fight with some college students, he heads down the road to nowhere for the next gig. That's when he meets Maggie, Cathy, and Joe. Joe runs him off the road and destroys the Big E's guitar and 'cycle in the process. Maggie offers him a job as a roustabout in her carnival until his bike is repaired.Elvis sheds the family friendly 60s image for this role. He is a cross between likable and a jerk. He has the benefit of working with a fine supporting cast. Barbara Stanwyck shines as Maggie, who lives and breathes the carnival life (She also keeps this film from being just average). Joan Freeman is great as Cathy, a love interest that plays much harder to get than any other Elvis movie femme fatale. Even Billy Barty shows up in a short role. Steve Brodie and Iris Adrian show up again to reprise their loud, annoying husband/wife roles (they just have different names and backgrounds in this one). The King manages to belt out 11 forgettable songs that include his better than average take on "Little Egypt". This film also shows an era when the carnival was a profitable business (I laughed at seeing an orchestra pit inside a carnival tent). The 'Wall of Death' scene was also the basis of the Irish film, Eat The Peach. All in all, a better than average performance for Elvis in a standard formula film.
AD
