zif ofoz enjoyed this short movie - (just under 85 minutes) - because the actors are in full character start to finish. and the strip club scene is a great laugh with the wheelchair bound stripper and buscemi playing her on!once you meet the characters they are consistent and do not vary. malco is so good in his wacky and slightly mean insurance investigator role you have to like him. and buscemi is perfect as the 'forever looser' you just feel sorry for him. and casting dinklage as the insurance company owner was just genius! and silverman is always easy to like.the story is easy to follow until the junk yard scene near the end with the gun shots! at that point with buscemi escaping and calling the cops (watch it) i became confused as to exactly what just took place in the plot line. that is the only reason i am rating it 2 stars short of a 10.if you enjoy indie films pick this one up!

starshiptrooper100 Saw this on Netflix Streaming recently. It's a small film about one man's addiction to gambling and his job as an insurance adjuster. It's not an earth shaking topic. Steve Buscemi's not saving the world or even the United States. However, I love Steve Buscemi. He's an actor's actor. I have never seen him in a performance I didn't like. OK maybe one-:). It's not often he's the main character. I only wish I could pull this one (hee hee) as well as he did in this movie. the movie. And the same goes for Peter Dinkle. I would have rewritten his role slightly to give him a bigger role.I found the inside details about how the insurance adjuster business works rather interesting. And Sarah Silverman is ravishing! And as for people who say this is not funny. I found it humorous enough. It's not slapstick but rather people are portrayed more or less realistically unlike TV sitcoms but it still allows you to see their character flaws in a humorous light. If you don't mind self-deceiving characters (is that a word?) and not many things getting blown up or people getting killed then this is your movie.

MBunge I don't really know a lot about how indy movies like this come to be. This isn't the result of some determined filmmaker exhausting his credit cards to see his lifelong dream come to fruition. This isn't the product of some movie star slumming their way to artistic credibility. This wasn't some cracklin' crazy script that a producer fell in love with and just had to see made. There's no sex. There's no violence. There's no blasphemy or other provocative storytelling. It's not noticeably clever or whimsical and Saint John of Las Vegas sure as hell isn't funny. Yet, a few million dollars and a cast of talented performers somehow wound up entrusted to writer/director Hue Rhodes to do with as he saw fit. We would have all been better off if "The American Dream" Dusty Rhodes had been given a shot at making a motion picture. 90 minutes of Sarah Silverman talking with a lisp and delivering the bionic elbow to every other member of the cast would have been more entertaining.John (Steve Buscemi) is a sad sack with an out-of-date hairdo who works for an insurance company. He's also an absolutely, completely and utterly horrible gambler. He's the sort who'll buy 20 dollars of scratch-off lottery tickets and scratch them off in the store because he needs to win enough money to pay for the tickets. One day, John goes in to ask his boss (Peter Dinklage) for a raise and winds up getting assigned to investigate a fraudulent auto accident with Virgil (Romany Malco), the off-putting, hot shot lead investigator of the company. After banging his smiley face-obsessed cubicle neighbor (Sarah Silverman) in the handicapped bathroom, despite knowing she's involved with his boss, John sets out with Virgil on a voyage of non-discovery.If I tell you that John and his "guide" Virgil eventually meet a guy named Lucypher (Matthew McDuffie), you can probably guess what metaphor is at work here. However, this story has as much in common with Dante's Inferno as the back of a box of Captain Crunch. Hue Rhodes had better hope there isn't a circle in Hell reserved for people who make homages as botched and listless as Saint John of Las Vegas. In fact, if you know someone who's watched this movie and doesn't know it's classical origins, don't tell them. After sitting through this lifeless dreck, they'll never want to read the original.The actors here are all capable of fine work and Silverman looks pretty sexy while turning in a welcomely restrained performance. And for all his deficiencies as a storyteller, Rhodes' visual sensibility is at least more developed than the multitude of aspiring directors whose every inspiration seems to flow from music videos. But goodness gracious, this thing is not funny. It's not deliberately funny. It's not inadvertently funny. You can't laugh with it. You can't laugh at it. You can't laugh about it. The few times the film strays into the vicinity of a possibly comedic circumstance, like when John and Virgil encounter a nudist militia, writer/director Rhodes goes out of his way to avoid any humorous potential like an obsessive-compulsive who won't step on any cracks in the street.Saint John of Las Vegas is so lame and pointless that the only reaction it can spark in the viewer is incredulity at how anyone ever thought this thing needed to be made. The on screen appeal of these actors is all that allows it to be tedious instead of torturous. They don't actually do anything worth watching, but their presence can at least distract you from how poorly conceived and structured is this production. But you'd still be better off reading Dante in the original language, even if the only Italian you know is Chef Boyardee.

stonypaul Steve Buscemi is at his best when working with a fast-paced script full of unanswerable one-liners (see 'Delirious'). Unfortunately the script for this film was was not of this ilk, and a Steve Buscemi at half speed is not a funny Steve Buscemi. What were the script writers and/or directors thinking of? Rarely do films with such potential for comedy fall as short as this one has. I watched it until the rolling credits for the main reason of seeing what the unsubtle twist was going to be. There was clearly going to be one and when it arrived it was as surprising as sunrise. In terms of entertainment value it's just about watchable but if you're a Steve Buscemi fan you might be disappointed with this when you quickly conclude that you have seen the man in far better form.