henri sauvage For about the first forty minutes or so, this wasn't a bad movie at all. Neve McIntosh plays the distraught mother convincingly and Shaun Dooley does a fine job as a one-night stand who winds up really regretting that impulse. Despite a few minor stumbles, the film develops an engrossingly claustrophobic atmosphere of terror and paranoia.Which then crumbles under the weight of its muddled storyline and pedestrian plotting. For example, one particularly annoying "twist" occurs when they have Dooley attacked and pulled out of sight by the (still-unseen) monster while he's trying to climb into the attic, only to pop back up outside a few minutes later with no visible injuries and only a slight limp to show for the encounter. I guess mutant hell-beasts are like bears: play dead and maybe they'll leave you alone. The director was certainly smart not to show us much of the creature -- because what you do see isn't particularly frightening. (In fact, it reminded me of nothing so much as one of the boogeymen in the old Laurel and Hardy film, "March of the Wooden Soldiers".) But that's forgivable, so long as you don't climax your story by having your fearsome super-fast, super-strong monster -- which in the last hour and ten minutes has offed several of her neighbors and made mincemeat out of some heavily-armed special forces dunderheads -- summarily dispatched by a fireplace poker! I get the "frantic mom protecting her cub" angle, but it has to make you wonder what all the fuss was about. Maybe they should have equipped those SAS guys with sticks with a nail in them instead of assault rifles.And I know people don't always act reasonably when they're under extreme stress, but a daughter who looks her mother square in the face while deliberately locking her outside -- when she knows a savage, murderous creature is lurking about -- then just turns and walks away, all on account of some abandonment issues? That's cold. It completely destroyed any sympathy I might have had for the selfish, spiteful little drama queen. This was a good try. I'd have no hesitation about checking out another film by this director. It's not so bad that I'd urge people to give it a miss entirely, but it's disappointing to see a movie which initially had so much going for it end up missing the mark so badly.

gavin6942 When a container washes ashore the residents of a sleepy cul-de-sac are plunged into violence, terror and paranoia. Fenced in by the military, a single mother must overcome all the odds to save her daughter.I really have little to say about this film. From the description on Netflix, I figured it would be something like "The Host". Maybe I should be glad it was not (unlike many horror fans, I was not a big fan of that Korean attempt at monster movie fun). But this was no prize, either.While I did not find the story all that interesting, and really not even worth commenting on, I will make one observation: it looks good. Knowing what I know about how the film was shot and edited, I am impressed with just how professional it looks. Sure, I have seen other films look great, too (John Pata's "Dead Weight"), but I hardly expected it here.

samkan Low, low budget but some good things here. Shaun Dooley and Miss Ahmed are just terrific in a film that they must have understood would get next to no distribution and/or attention. Dooley's had some fine roles to date and I look forward to him becoming an actor of Bob Hoskins or Ray Winstone's stature. Ahmed is both attractive and talented, though her resume looks like acting isn't even her day job. The other three or four speaking parts are also very convincing. The problem is that the "bogey man" monster is given very short rift as far as imagination, depiction and on-screen time. Slowly, we see that the real storyline is the character development of Dooley and Ahmed's respective characters. By then its too late. The ending gives the word "abrupt" new definition.

Angus Coleman I agree with who thinks this movie is very good done. The lack of money is pretty obvious in the poor locations and effects, but the acting of the two key players is great, though they are not well known. And the rhythm, after the first 15 minutes, get fast and claustrophobic.The atmosphere and the situation basically is deeply disturbing, just from the beginning, when it occurs a the transition in perspective of the film, through the change of character after the first few scenes (very good and original idea).From a certain moment, I kept jumping on the armchair every ten seconds for the scares I got. Even if I don't understand English at 100% (for ex. I didn't get the quick but vital explanation of the whole thing, given by the soldier, because he was talking too convulsively), nevertheless I enjoyed this movie very much.