Sam Panico A young girl watches her mother get murdered. Years later, she's grown to become a famous ice skating star and is set to be married. But once she announces those nuptials in the newspaper, a stalker grows more and more obsessed with her. One by one, her friends start to die and she wonders...does she know the killer?Also known as Amok and Blood of the Undead, this film fits in to a post-Psycho and giallo yet pre-slasher world. It's also definitely British. And it's one of many films where exposure to sex as a young age makes you a killer. I'm not giving away anything but if you don't figure out the ending twist within the first few minutes unless you have never watched a horror film before.This is another Peter Walker directed, David McGillivray written film - they also worked on Frightmare, House of Whipcord and House of Mortal Sin together.Lead actress Lynne Frederick is also in the Saul Bass directed Phase IV and became the wife of Peter Sellers at the age of 22. They had a rocky marriage but his death haunted her throughout the rest of her short life, hurting her next two marriages (she was also married to David Frost). She even had a shrine to Sellers in her home. She's really good here and it's a shame her life was so rough.Plus, you get Joe Meek protege John Leyton as her husband (Meek was the producer and songwriter who pioneered space age pop), Stephanie Beacham (Dracula A.D. 1972) as the best friend (and eye candy) and Jack Watson (Peeping Tom).It never really gets to where you want it to be, but it's not the worst film. It just doesn't really understand what schizophrenia is, despite the long medical introduction. Redemption has released this film on DVD and blu-ray, so you should be able to find it used pretty cheaply. I watched it on YouTube, so there's always that, too.

lost-in-limbo British cult film-maker Pete Walker's "Schizo" is quite a blunt, if nastily grimy little psycho shocker (with giallo touches) that doesn't provide much in the way of story surprises, but cements a growing sense of unease that's broken up by constant its unpleasantness.Samantha is an international ice-skater who's about to marry. This should be a happy time in her life; however she gets the feeling that someone is stalking her. Someone from her past, she would like to forget about. However that's hard to do when dead bodies start piling up and she believes it to be the man that slashed her mother to death, but no one seems to believe her.The ensemble cast bestows some strong performances, especially in its support with standouts like the gorgeous Stephanie Beacham and a cynical John Frazer. Even Jack Watson had a creepy presence about him. A sound turn by Lynne Frederick in the lead covering a neurotic side and John Leyton is acceptable as her husband. Walker sturdily strings together the taut set-pieces with his leering, but expressive camera-work. The narrative keeps everything rather shady, building an edgy psychological imprint with its stalk and slash structure. The script stays interesting (despite never being too revealing) and playing around with a sense of paranoia (stress used as an excuse), but the red herrings are too obvious to be effective, so when it comes to the double whammy it doesn't pack much of a blow or is particularly credible. Stanley Myers' unhinged music score is jaunty, but extremely haunting and disorienting in its spells.Nice cover artwork on the VHS case, but it does give a subtle clue to where the story might just head.

happyendingrocks Despite its inclusion in the EuroShock Collection DVD series, this British number borrows more from Hitchcock than Argento, though it never builds the sustained tension of the former or the grand guignol wetwork of the latter, nor explores the dizzying and inventive camera work of either auteur.In true British style, this film is very dry, never trying to reach beyond the stilted limitations director Pete Walker seems to think the genre carries with it. It's also way too long, nearing the 2-hour mark, with nary a murder to be found until about 60 minutes into the affair. The pacing becomes a bit frustrating, especially with bits like a trip to a "psychic brotherhood" meeting, which introduces a supernatural subplot that isn't subsequently explored. This 10 minutes of run time is an excessive space-filler that merely introduces a victim and mistakenly offers a revelation that is rendered a confusing gaffe when the murderer is revealed.The pretty basic plot involves a newly-married woman being stalked by a paroled man who murdered her mother several years before. Since we see him from the start, the scenes where he lingers on the street near her house and spies on her while she shops for produce don't have much impact... old British men don't imply the same menace that masked boogeymen like Michael Myers do. When the murders begin to occur (and don't expect much here; this is one of the more conservative body counts you'll find in a slasher movie), the film picks up a bit, but the extended stalking that dominates the first half of the film is rendered moot and perplexing when the murderer is unveiled in the final act.The twist ending isn't surprising, and if you know in advance this film is supposed to have a twist ending, you'll probably guess it on the first try. The final showdown between our heroine and her stalker is limp and over before any tension is built, leaving the climax a bit stilted. However, the last moments of the film do finish things out in a nicely subdued fashion, and leave plenty room for viewer's imaginations to concoct the nastiness that seems apt to unfold after the curtain drops.There is some diverting gore to be had, and a shower scene that seems tacked on just to establish that the female lead is pretty cute (as reported before, the horror elements in this scene only become confusing after the final revelation), but largely the film relies on a cat-and-mouse approach that would be more effective if the final reel actually built to something substantial. Best scene in the film honors undoubtedly go to a particularly well-executed and edited bit of grue with a sledgehammer, and nice details like the victim's shattered and bloody glasses on the ground next to their body are what keep this film viewable despite its unnecessary length. There are also a few fun unintentional laughs, like a scene where a victim in a car looks over his shoulder directly into the back seat where the killer is... and somehow doesn't see the black-clad wraith clutching a butcher knife sitting behind him. Overall, this is an interesting piece for those who prefer suspense and acting over splatter money shots, but despite its best moments, Schizo is miles away from essential.

ronevickers Ho-hum.............what to make of Pete Walker's "Schizo"? Considering the 70's period, and its tightish budget, it's got to be said that it's not a bad effort overall. In fact, it could easily be looked upon as a fore-runner of similar less effective efforts in the years that followed. The scenes are good generally, and the pervading sense of menace is quite effective for most of the time. Best scene of all is the creepy seance, when the medium's reactions suddenly catch the viewer by surprise. Performances, however, are somewhat mixed. Lynne Frederick provides a nondescript lead who seems to drift through the whole thing, whilst trying to remember where she's left her shopping list! Better are Stephanie Beacham, John Fraser and John Leyton. Top performance, however, comes from Jack Watson, and he alone makes the film seem better than it probably is. All in all, a worthwhile viewing for fans of the slasher-type movie, but don't expect any subtle nuances or frills!