Serial (Bad) Weddings

Serial (Bad) Weddings

2014 "4 marriages, 2 long-faces"
Serial (Bad) Weddings
Serial (Bad) Weddings

Serial (Bad) Weddings

7 | 1h34m | PG | en | Comedy

A catholic French couple sees their life upside down when their four daughters get married to men of different religion and origins.

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7 | 1h34m | PG | en | Comedy | More Info
Released: April. 16,2014 | Released Producted By: UGC , Country: France Budget: 0 Revenue: 0 Official Website:
Synopsis

A catholic French couple sees their life upside down when their four daughters get married to men of different religion and origins.

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Cast

Christian Clavier , Chantal Lauby , Ary Abittan

Director

François Emmanuelli

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Reviews

whaddadeuce First off, I found this film to have a rather lighthearted and feel- good nature to it, while at the same time, dwelling upon the issue of interracial marriage, which is something not usually done by mainstream films and possible considered taboo in some circles. Compared to other French films I have seen, this one had a somewhat "American" feel to it, similar to many of the romantic comedies churned out by Hollywood in the last decade or so. With that being said, it didn't feel as uniquely "French" as I was expecting, as a film like this could possible be made in any western country that has a fair share of diversity. Of course, that just makes it all the more relatable to non-French audiences.I found many of the characters interesting as they all came from differing backgrounds, and it was intriguing to see how they would clash and interact with one another. I do feel as if the film focused quite a bit more on the relationship between the daughter who was to marry a black man, as opposed to the other three daughters married to other men from other minorities. I wish the ratio of time focused on each of the daughters was a bit more balanced and that the marriages of the other three daughters could have been fleshed out more, such as by detailing how they fell in love and how the fact that the were not of the same race made an impact, positive or negative, on their relationship. Instead, the film consisted of scenes of the husbands making rather crude, stereotypical remarks at one another without going into much depth of the actual cultural differences. In other words, the film may could have gone a bit further with its premise, which was indeed promising. either way, it seemed like the film did a decent job of navigating through a subject that many may find to be touchy and even controversial. It injected just the right amount of humor without being too offensive, and it was able to make its point.
AkelaLoneWolf The background of this movie alone attracted us into the theatre, imagine the possibilities the director had of playing with such a multiethnic and multicultural family. Traditional French bourgeois Catholic Caucasian couple raising four daughters, three of whom married (in that order) a Moroccan Muslim, a Jew and a Chinese, with the fourth about to enter into matrimony with a Negro-African. And the movie did not disappoint. There was non-stop laughter throughout, the stream of irony and humour flowing from one scene to another, highlighting and poking fun at the impressions, the idée fixes, the stereotypes people harbour towards members of a different ethnicity or culture. And you realize that one can unwittingly become a racist without the slightest intention, and offend even when treading most cautiously. What I liked most about this movie is its positive air, the family values it fosters, the notion that we are all members of a nation regardless of ethnicity (re: La Marseillaise scene) and the efforts each and every member of the family puts in to attain harmony (re: Marie and her turkeys). Cliché as this might seem, it is heartwarming and makes this little gem a first choice in light entertainment for the evening in this festive season.
kosmasp Quite literally actually. This is crossing the border on a few occasions, but it still manages to be funny and entertaining. With a racism theme at center and a father figure who is actually someone you should be disliking, the acting and the dialog is so good, that you cannot take your eyes away from the screen.Of course your sense of humor has to fit the need and what is being served here. But the movie does not take prisoners and does not care what politically correct is. Still it manages to be sweet at the same time. It's amazing and you cannot really grip how they managed to do that, but you can watch them do it and enjoy it
Horst in Translation (filmreviews@web.de) That they got 4 daughters who marry a Jew, a Muslim, a Chinese and now also a Black man. The title already tells you the path of this movie. It is VERY politically incorrect. So, if you are easily offended, shout racism on every occasion or can't laugh about stereotypes, then don't watch it. For me, it worked on almost every level. There is no greater equality than mocking all religions at the same time. Yesterday I watched "Le meraviglie" which shows us the ways of a father with 4 (considerably younger) daughters in rural Italy. Here we have the same situation in France. "Serial (Bad) Weddings" (the international title, don't really like it) has by far been the most watched film in France this year and made twice as much money as the second place movie. It is the 4th most successful film in France since 2002 (probably longer, that's only how far back I looked) after "Intouchables", the "Ch'tis" and "Avatar". One reason may be that director/writer Philippe de Chauveron and his co-writer Guy Laurent go way back and have worked together on many movies already.And, also for me, this is a success, possibly the funniest 2014 film I have seen so far. We will see if it stays this way. And the great thing about it is that the way they summarized the 3 first marriages early on so quickly, they could turn any of these into a prequel to this movie. The center here is the youngest of the 4 sisters (she looks like a French Rachl McAdams), who gets married to a Senegalese. There were really only very minor flaws there. One example, I thought the whole parents-possibly-divorcing story at the end was a bit undeveloped and random. And I also did not like those ethnicity-related nicknames they gave each other. These kinda lacked the wit the dialogs otherwise had. But these criticisms do not take away anything from the film, which was usually at its best when it did not try to be dramatic, but 100% comedy. The ending is unsurprisingly the wedding and the speeches of the two dads provide nice closure.Performance-wise the highlight was former Astérix (wow, did he look different back then) Christian Clavier. His face expressions were always so hilarious, early on at the three wedding ceremonies already. He had the funniest scenes of the film, the motor saw scene or his reaction when he hears that his new son-in-law will be a Christian named Charles. (How did he not know the name? The two shared an apartment for over a year.) He looked so happy. And then his face expression, when he sees him the first time. Awesome. But all the others did fine too, the wife, the daughters, the husbands... My favorite scene from the husbands was when they unite to prove that the Senegalese cheats on his soon-to-be wife. Another comedic highlight of the film, especially when they find out it was actually his sister. Even the minor characters are very funny, like the priest with his laughing fit or the psychologist who always has the right answers to his patients' questions.The one thing I did not recognize so strongly here was the music, which is usually very specific in French movies. But that could have been because I was just too distracted and entertained by the action and humor. Really quality movie and you will find it truly funny if the politically incorrect humor is your cup of tea.