Shakedown

Shakedown

1988 "In a city where everyone is for sale... They're the best money can't buy."
Shakedown
Shakedown

Shakedown

6 | 1h33m | R | en | Drama

When a local drug dealer shoots a dishonest cop in self-defense, lawyer and renegade undercover cop join forces to clear him. But when their investigation leads them into a maze of greed and corruption, they learn that in a town where everything is for sale, anything can happen.

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6 | 1h33m | R | en | Drama , Action , Thriller | More Info
Released: May. 06,1988 | Released Producted By: Universal Pictures , Shapiro-Glickenhaus Entertainment Country: United States of America Budget: 0 Revenue: 0 Official Website:
Synopsis

When a local drug dealer shoots a dishonest cop in self-defense, lawyer and renegade undercover cop join forces to clear him. But when their investigation leads them into a maze of greed and corruption, they learn that in a town where everything is for sale, anything can happen.

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Cast

Peter Weller , Sam Elliott , Patricia Charbonneau

Director

Charles C. Bennett

Producted By

Universal Pictures , Shapiro-Glickenhaus Entertainment

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Reviews

ellenirishellen-62962 They work well together,but understand Weller is TOO intense.Love Sam,though.Corrupt cops nearly get away with it all,both heroes only just escape death.Weller is a real nerd here,Sam his usual cool dude.Great support all around,even if I rooted for the cops to fail.They did,all were pretty sleazy.Especially loved when Mr Porsche got his for his role in losing evidence.
jellopuke There's a weird tonal shift in this movie where the Peter Weller stuff is a well done legal thriller about defending a bad man and the Sam Elliot stuff is a totally over the top action movie with crazy stunts, car chases and shoot outs. But you know what? In a crazy way it works! With a balls out insane ending that makes no sense whatsoever I had a lot of fun. It was very competently made and acted and is well worth tracking down.
Predrag The story is goofy but enjoyable and also disjointed. Weller is a legal aid lawyer about to sell out to Wall Street because he is marrying money, and Elliott is an honest cop living in a theater who is estranged from his wife. Weller and Elliott know each other - they are friends with a history, it seems - but why that is the case is never explained. They actually have good chemistry together. Weller catches a case where his client is innocent of murdering a cop; the client is a drug dealer who shot the dishonest cop in self- defense. Elliott works with the same band of dishonest cops that this cop belonged to. Somehow these cops are involved with a gangster - an African-American hip gangster because it is the '80s - who they initially raid but later they work with for no reason that is ever explained. When action is required, the bad guys open fire on innocent bystanders and explosions ensue with no concern for the safety of anyone.The story line is disjointed. There are leaps of story-telling, e.g., why does Weller think it is such a brilliant idea to break into the police headquarters rather than asking Elliott to get the evidence? Who knows, it just happens. And how does ripping some wires off the back of a roller coaster cause it to jump the tracks? Again, stuff just happens. Peter Weller delivers a great role as a lawyer defending a young black drug dealer who was attacked by an off duty police officer because of the kids skin color. Shows a twist of corrupt cops and racism at it finest. Overall rating: 7 out of 10.
Pepper Anne Behold! Another movie about crooked New York cops and the two unorthodox cop and lawyer that gives them the shakedown. The story was alright, but the action scenes were tremendous. In fact, they were too good for a movie that had a very solemn thriller aspect in addition to having trouble picking up the pace at points. Things will go slow and then bam! Some wild action scene occurs. This also makes the ending, ala True Lies, far too ridiculous to really enjoy. Perhaps, if the story was all about Sam Elliots character, the quiet and rugged cop who doesn't ask too many questions, it would seem fitting as an explosive cop shootout kind of movie. But the film is transplanted into the courtroom with subtlies of Peter Weller's character, a lawyer, who is defending the drug dealer accused of killing a cop who is part of a whole line of New York's finest shmoozing the city's notorious drug dealers. This movie wasn't too bad, and probably enjoyable for those who like cheap, 80s cop thriller movies without too much regard to writing. If they'd have kept up with the action scenes, it'd made a fine action/suspense film. And, without all the action, it'd made a fine thriller. It just changes tempo too often is all.