kapelusznik18 ***SPOILERS***Fairly decent re-make of the 1942 crime classic "This Gun for Hire" directed by, in his first and only attempt, James Cagney. It's the cat loving hit-man Kyle Niles, Robert Iver, who after murdering buildings inspector Carl Adams, Peter Baldwin, and his secretary in cold blood gets double-crossed by the person who hired him "Fat Man" Bharwell, Jacques Aubuchon, to get him out of the way. Giving Niles his cut in the double murders $1,000.00 he dropped a dime on him by informing the police that the money was stolen,and giving them a list of the bills serial numbers, which Bharwell in fact embezzled from his own construction business! Niles who soon found out about the "Fat Man's" back stabbing not taking this lying down is now determined to make him pay with his life for this dirty double-cross on his part!The film takes the same track as the original "This Gun for Hire" with Niles hooking up with this innocent bystander, while on the run from the police, Glory Hamilton,Georgann Johnson, who ends up not only falling in love but also humanizing the cold blooded killer. Who's only human emotion was when he accidentally killed a stray cat, who jumped on him in the dark, and then broke down and cried like a baby! With the police on his as well as Glory's, who helped him on every turn, tail Niles finally tracked down not only "Fat Man" Bahrwell but his boss crooked and criminal businessman AT, Richard Hale, at the AT Mansion.***SPOILERS*** It was a stroke of luck for Niles as well as later for the police and D.A's office in that AT had his tape recorder on when confronted by him that implicated him and "Fat Boy" in Adam and his secretary's murders. With nothing left for him now Niles makes a run for it after dispatching AT "Fat Man" and the house butler as well as torture freak Nichols, Murvyn Vye, on his run to freedom. Niles in a futile attempt of desperately trying to escape only gets gunned down by the police and ends up dying in Glory's arms who had tried to talk him into surrendering. A fitting ending for a man who after a life of crime & violence finally saw the light and in a strange way ended up redeeming himself!

bajorhosting Not TOO many spoilers but better safe than sorry!I love James Cagney the actor and was looking forward to seeing something from James Cagney the director. Unfortunately, Mr. Cagney was no Charles Laughton. Since most people interested in this film are probably Cagney fans, I will cover the direction first. Cagney had one strike against him going into this: he was remaking a popular classic, This Gun for Hire. That film launched Alan Ladd as a star, solidified Veronica Lake's popularity and created a powerful (albeit diminutive) screen team. (Plot for both films: A hit-man does a job but is double-crossed by his employers by being paid off in hot, marked bills. On the run from the police for a robbery he didn't commit, the hit-man plans revenge. His only lead; a fat man who loves pretty women and peppermints. Meanwhile, a nightclub singer gets caught in the middle, first as one of the hit-man's intended murder victims, then as his hostage and finally as his friend/girlfriend/mother/sister figure.) Remaking a popular and successful film meant that Cagney had to work twice as hard to meet or surpass the original material. There is not a single scene that works more effectively in this remake than in the original. However, the movie has flaws that are evident even if you have never seen This Gun for Hire. One of the main problems of this film is the pacing. Suspenseful scenes are rushed along while dull ones are allowed to linger.A few scenes do have interesting camera work but the novice director seems enamored of this and pushes is a bit too far and long. Then there is the woeful hamminess and just plain bad acting. The leads aren't terrible, just not that good. Robert Ivers is OK as the hit-man but he doesn't come off as dangerous as he should. Alan Ladd had this frostiness that served him well in tough guy roles. Ivers is less glacial and more petulant. Further, the script waters down his character. You see, in the original novel, the hit-man had a cleft lip. In This Gun for Hire, it was turned into a disfiguring arm injury, the result of child abuse at the hands of his aunt. This bid to preserve Ladd's handsome face actually turned into a powerful character trait. In Short Cut to Hell, the hit-man's important physical trait is that he is a bit small. That's it. By giving the hit-man a very distinguishing feature, the novel and the original film made his plight more desperate. This was a man who could not just disappear. You can issue a general call for men with cleft palates and mangled arms. Being a small-ish just doesn't cut it. You can hardly have a police dragnet looking for all small-ish men. Robert Ivers was 5'8" according to IMDb. Hardly lilliputian. As for the heroine, Georgann Johnson acts well enough but her demeanor is too "gosh-gee-whiz" for the dark material. Veronica Lake (Sorry to keep harping on the original but I just can't help it) gave a street- smart performance. Maybe she was never Oscar-worthy but she was certainly believable. Lake always gave the impression of being a pretty girl who grew up on the wrong side of the tracks and never lost her toughness (which is what she, in fact, was). This element makes her eventual friendship with the hit-man much more believable. She understands him because she probably had a rotten childhood too. Georgann Johnson's take on the character is more maternal and some of the complexity of the relationship is lost.Finally, the villain played by Jacques Aubuchon seems rather out of place as well. The original film had the delightfully squeamish Laird Cregar in this role. Aubuchon does a pale impression of Cregar but simply doesn't match him. Cregar's character was fussy, eccentric and way too fond of peppermints but he was also paranoid and it was this paranoia that endangered Veronica Lake's character. Aubuchon, on the other hand, simply follows paint-by-numbers villain motivation.So, this film is mainly for film buff and Cagney completists. From me, it won a resounding "meh" Would I have liked it better if I had never seen This Gun for Hire? Maybe a little. But not enough for me to give this film any kind of recommendation to general film enthusiasts. Stick with the original.

T Y Jimmy Cagney directs a movie! ...and proves that he should stay in front of the camera. Here he remakes the respected though troubled hybrid (half noir, half thirties) This Gun for Hire. Why would he do that? Beats me. The cast is second-rate, and it looks like Cagney didn't have the patience for any complicated set-up. The anti-hero and his quarry mount a ladder in one shot and in the next shot, they've exchanged positions. How do you do that on a ladder? Lazy. Cagney settles for very lousy takes, and he hasn't any interest in logic. The bad guy lets his girl don his hat and jacket, and act as a decoy; to be shot at by police. Yeah, that's a great ruse.The female lead is some doughy-faced nobody who would captivate no one. You've seen better acting at your local high school. There might be one good shot in the whole movie. A gratuitous intro by Cagney is tacked on to persuade you you're seeing something of merit. But it's a B picture from start to finish.

mackjay2 As B movies go, SHORT CUT TO HELL makes it pretty far. This is a tawdrier remake of Graham Greene's source novel for THIS GUN FOR HIRE with lower-rent sets, and lead actors less charismatic, but still very effective. In fact, it's the acting that most impresses about this odd little film. Robert Ivers embodies the diminutive, tightly wound hit-man pretty convincingly; his body language and hard-edged line deliveries are spot-on. Opposite him is Georgann Johnson, who has a disarming, natural acting style. The oil and water combination of these two sustains an interesting tension for the whole movie. Their first meeting aboard a train is a case in point: a very effectively played scene. Talented Johnson never made much of a mark until television later in the 50s and 60s. In the role of Bahrwell, Jacques Aubuchon is very well cast, as are Murvyn Vye and assorted other smaller roles, including Yvette Vickers and Douglas Spencer. Scarce prints of SHORT CUT TO HELL don't always include director James Cagney's spoken introduction and sometimes a jump cut suggests editorial trimming. A restored version of this film would do justice to Cagney's gift for directing actors and a couple of fine action sequences.