groggo Guess this is well made, if you like endless jump cuts, black and white grainy shots that are almost impossible to see (and understand), music that assaults the ears, and characters that are very difficult to like.This film took a dive only 20 minutes in, after I discovered what Goof and Hugo, the two Amsterdam hustlers, were up to. Basically, they not only exploit young female tourists, but all but ruin them in the bargain (they steal their money and rip out the first pages of their passports to 'prove' they've made a conquest). This obnoxious stuff becomes a 'contest' no less. They do all of this with such glitz and chutzpah that I became really irritated -- both with the characters and the filmmaker, who somehow (and enigmatically) tried to almost romanticize grossly reprehensible behaviour.When you base a movie on the dreamlife of scumbags, there's a good chance you're not going to have a sympathetic audience.Even the ending is 'cutesy,' for God's sake. The scumbags find happiness with a dog. Just what in the world was the filmmaker trying to convey here? That lack of any moral sense is rewarding, that it's a gratifying life choice? If this is the point, about 98 per cent more irony needs to be injected into the 'story'. Most of the film was just zip-zip, whiz-bang irritation for me. Even the 'plot,' if that's what it's called, is derivative, altogether too familiar, and, well, pretty stupid.Maybe I'm too old and not 'hip' enough to appreciate this nonsense. Instead, I felt a lot of pain for the victims of these shitheads.

MUPH Since last summer I am a big fan of Dutch cinematography. I saw movies of Jos Stelling, Gert de Graaff, Paula van der Oest and Mike van Diem. Every movie represents absolutely different style, but all of them are on the highest level. And so is Siberia. It is not the best I have ever seen, but it is a professional movie with very good story. Sometimes it is good to see "wrong" heroes. You don´t have to agree with every thing they do but still you can enjyo it. What I want is to see some Czech movies like this - showing the problems of the presence and not the past. And not trying to solve them. So I vote 8/10.

DiBo This is a surprisingly good movie from the people who brought us the Dutch movie Zusje. Although Zusje was a big hit (especially for a Dutch movie) in the Netherlands, this film has had a short cinema rotation due to lack of success. I wonder why. To me Siberia is as good as the first film by Westdijk. Reading the plot makes you wonder if there's any plot at all. The basic story of Siberia seems a bit simplistic at first: two guys (Hugo and Goof) get their kicks from sleeping with female tourists and robbing these girls from their money and passport the morning after. When they meet Lara from Siberia their lives change and their friendship is put to the test. This may seem quite a standard tale, but it's not because of the way the story is told. In it's dynamics and sound it's a bit similar to Lola Rennt: a lot of camera movement, thundering beats in the exiting soundtrack by Junkie XL and as a viewer you can feel the adrenaline as if you're in the movie too. There are blurry black & white shots to make several scenes even more intense. This is one of those movies that have a look and feel of a music video with the way it's directed, but it only accentuates the emotions and actions in Siberia. And although the idea is not knew, Siberia is intriguing and fresh. The acting is terrific and the dialogs are great and sometimes very funny (Hugo gets dressed in the morning after sleeping with a tourist girl, when the girl wakes up: "Hugo?..." "Yes, I Go", Hugo replies). Warning: the film has a very nice ending, after it seems to have ended...!!!Definitely 9 out of 10 for me.

anonymous-3 Badly cut, terrible acting, horrible writing, slick cinematography that just cares about looking good. You're just thinking: 'So What?' Boring and stupid.