ptomptom
I'm a circumspect edgy guy, but Jesus, I thought this thing would never end. The film was put together surprisingly well on their budget, but the plot was thin, very thin. When the big "surprise" ending came, I was like...so what? There was no real tension. It was flat the whole way through. If Hitchcock would have made this film, that ending would have been on about page 10 or 20 and the detective would have spent the rest of the film trying to hide facts from his coworker(s), the girl and her mother. If writer/director was not going for the Hitchcock effect, I apologize. The problem is, I couldn't figure out what impact this film was suppose to have on me. Sorry.The music was very cool. Multi-layered. Creepy. That's why I gave this film a 3.
Marcelino Plaza
From the information posted on IMDb's site I gather this is an opera prima and if so, we might be in presence of a talent to reckon with. The interview with the director included in the DVD clearly shows a person in his twenties, ready to show what he learnt and is capable of.Yes, the first half hour or so is confusing -maybe deliberately so- but I'd say the plot is cleverly exposed and handled. And the way things turn out to be and how the particular murder the film begins with fits into the series of killings the plot centres on is smartly devised. I concur with others, commenting the movie on this website, on the unresolved issue of the neighbour mum and daughter, perhaps a more seasoned film maker would have taken care of that more adroitly; yet a case could me made towards the transposition of the detective's wife and unborn child and hence the attention he gives these otherwise peripheral characters. Criticising slowness in plot progress in European films is common in this side of the Atlantic and it's really no big deal. They make their films evolve at a given pace, US and (some) Latin American film makers prefer a different one, it's a question of personal preference.But in sum, let's follow the work of this young Englishman, for he seems a promising talent.
bob_meg
Anthony Biggs plays the no-name protagonist in this British indie, which starts out blandly enough, like one of those Helen Mirren helmed "Prime Suspect" episodes. As the film progresses, insights are revealed that flesh his character out, and his portrayal is specific and compelling enough to keep you watching. At just the right moment, he chooses to expose facets that make the shocking denouement almost plausible. Director Jamie Rafn plays around with time sequences and jump cuts in a way that's not so much clever as it is jarring. Overall, a very uncomfortable, low-fi, effort that is about anything but the pyromaniacal serial killer supposedly at the focus --- and is all the better for it.
George Parker
"Soho Square" is a British drama which follows a troubled homicide detective as he sorts through personal issues while working on a serial killer case. An unfortunate piece of work, the only redeeming thing I could find between the credits of this flick was the shorter-than-usual 78 minute run. A choppy mess of poorly lensed and poorly edited scenes with horrible color and music, "Soho Square" seems to be an attempt at art house fare which just went wrong. The story is muddled and confused and sorts itself out only when it's too late to care. Character depth is superficial, nothing scenes are dragged out for no apparent reason, plot holes are everywhere....I could go on...and on. However, suffice it to say, this film is not recommendable. I happened to rent it mail order by mistake and only stuck with it because it was in English and I could type these comments while it was running. (C-)
AD
