dougdoepke Communist and later blacklisted screenwriter Dalton Trumbo gets a script assignment on sorority houses—the possibilities are intriguing and endless. After all, what better hothouse of class elitism is there than making sure your daughter or son meets just the right people and marries only within the proper social circles. Certainly, no Van der Bilt wants their offspring marrying a campus nobody, so why not manage their young lives through something like elitist clubs, otherwise known as sororities and fraternities. The topic seems perfect grist for an avowed enemy of class privilege, such as Trumbo is presumed to be.But then the movie is a programmer, and the early Trumbo is a relative unknown, so conventional values do prevail. Nonetheless, dad Fisher delivers the main message at movie's end. Grief in the world, Dad observes, is caused by "cliques" banding together, whether sororities, clubs or nations, and then coming into conflict. And though Dad doesn't say so, cliques would presumably include the bogeyman of Marxist theory, economic class. Thus, as Trumbo's mouthpiece, Dad manages to come up with a social version of a classless society, which sounds more like choosing your own friends and not letting that go to your head than anything like common ownership of the means of production. It's also in keeping with the general spirit of the times, which exalts the virtues of the common man, especially salt-of- the-earth types like dad Fisher.The movie itself is entertaining enough for a studio programmer, managing some gritty dramatics (the pushy aunt ruining Merle's pledge chances; the suicide attempt) and, of course, the expected sappy romance. But it's really Anne Shirley who shines and holds things together. Her friendliness comes across as so natural and unforced that you can't help but root for her. She's perfect as the unspoiled small town girl. Nonetheless, the movie remains very much a product of Hollywood and its time. In passing—for a more revealing look at college sororities backed by of an A-budget, catch up with TCF's Take Care of My Little Girl (1952). In my little book, it's a real sleeper, despite the gloss.

Neil Doyle ANNE SHIRLEY and JAMES ELLISON are the romantic leads in this trifle directed by John Farrow about a nice young girl who learns her lessons at college the hard way--by attempting to fit into the sorority scene when she comes from a humble background and is not a girl of wealth as the other girls are falsely told.Shirley and Ellison make a pleasant twosome but their roles are one-dimensional after they meet in the usual Hollywood "by accident" way. He's the campus hero who helps her learn the ins and outs of campus life. Anne Shirley made this film the same year that she tested for Melanie in GWTW and her sweetness appears natural here. But, as usual, her roles seldom became more demanding than requiring a sweet presence, limiting her opportunities as an actress.Surprisingly, Dalton Trumbo wrote the script and Nicholas Musuraca was behind the camera but it's just an RKO trifle easily forgotten.

movingpicturegal Sentimental B-movie about a small town girl named Alice (played by Anne Shirley), daughter of a grocer and devoted daddy's girl, whose father gives her a big surprise - he is sending her to college, her dream of dreams. Moving into a boarding house near campus, she is soon immersed in the most important thing in the world to all the females at her college - rush week for the campus sororities. Alice has two roommates - one, a plain, bookish sophomore, ignored in last's year's freshman rush - the other a girl who longs to be pledged by the all-important "Gamma" sorority. Well even though some of these sorority girls *are* big snobs, more concerned with how much money a girl's family has than her character - our Alice still HOPES she will be invited to join one of these sororities. When she meets and romances, almost the very first day, hunky Bill, "Big Shot On Campus" - he just may be able to give the push she needs to make her dream come true.Okay, this film is fluff, with a very silly plot - and yes, the women at this college look more like starlets strolling around a studio backlot than college students. But - Anne Shirley is such a very lovely young actress with an endearing quality about her and is *such* an expert at playing this sweet girl/perfect daughter type, she just manages to add enough charm to this to make it work. There is a nice relationship shown between Anne Shirley's character and her all-wise father, played by J.M. Kerrigan. The ending is predictable, yet satisfying. A decent film, much better than I was expecting - worth seeing.

postmanwhoalwaysringstwice Before the college film degraded into the gross-out comedy and the slasher flick there was the little seen charmer "Sorority House". It revolves around Alice, a young woman whose main desire in life is to attend college. Her financially struggling father ensures this happens and with this we enter the world of the film, which takes place in a particularly non-descript campus somewhere in the Midwest.This uber-innocent romantic comedy flows along with a very brief running time of sixty-four minutes. It deals mainly with Alice's humble interest in seeing her hopeful roommate at the boarding house garner interest of one of the local sororities, but as fate (read a fraternity member) would have it Alice is instead selected due to a technicality. Alice starts to be overcome by all of the elitism that comes from being involved with the young woman of Gamma House, and in a key scene she chooses the clique over her real family.Given some mild female empowerment moments, it's not a surprise Dalton Trumbo wrote the screenplay, since a year later he'd write the script for "Kitty Foyle", the Ginger Rogers vehicle that can be seen as a fair attempt a work of minor pre-feminism. Here the intention seems almost to expose sororities as merely a choice for a young woman, and not the only way to pave a future, as is mentioned again and again from several characters. There does seem to be some underlying criticism of the elitism and focus on money, which makes it seem pretty edgy for its time.The best moments were spent with Barbara Read's character, Dotty, the young woman who stands on her own two feet and laughs in the face of the sorority that turned her away. It has a certain charm and wit that makes it a nice view, but the running time and underdeveloped character make it seem little more than a trifle. Oh, and the brief suicide attempt seemed way out of place here!