jovana-13676
I love animals! And I love Rex Harrison and Vivien Leigh. The honest journalist and the feisty daughter of a local politician make a perfect couple of animal rights activists, falling in love while rescuing a dog. The film shows awareness that fascism is on the rise and the British humorous attitude about it, cleverly making an antifascist social commentary while dealing with animal rights. I know it sounds boring, but it isn't. The world of 1937 was free-spirited, even with fascism looming over, and film was still a new and exciting art form. Screwball comedies champion free women and free men.
writers_reign
This, alas, has not aged at all well and I'm guessing it will only attract either Leigh or Harrison completists. I was slightly bemused to find that several people who have reviewed it here seem to think that the original German playwright, Bruno Frank, wrote it as an anti-Hitler piece. I don't know much about European politics either then or now but I do know that Bruno Frank wrote Storm In a Water-Glass in 1931, whilst Hitler did not become Chancellor until 1933. As usual with films of that period the director(s) have been cavalier with facts: The setting is a small, remote community in Scotland, the sort of place where people are born and live all their lives but that doesn't prevent Victor Saville casting Sarah Allgood as the catalyst and there is, of course, nothing wrong with that, EXCEPT that Allgood, supposedly a lifelong resident of this small Scottish community, makes no attempt to suppress, or even tone down the 'stage' Oirish accent that served her so well in every film she made (presumably she was stricken with the same ailment that prevented Sean Connery from losing his Scottish accent, even when playing an Irishman). For good measure we also get Mervyn Johns, complete with his own Welsh accent. Neither of the two leads - Vivien Leigh/Rex Harrison - are required to act or indeed do anything except look a) beautiful and b) bemused, but it does become a tad more bearable in the closing courtroom stages.
MartinHafer
When a young reporter, Frank Burdon (Rex Harrison), is given an assignment to interview a rather nasty and self-important local politician, it turns out to be very unpleasant. Although Provost Gow (Cecil Parker)* wants to run for parliament, he does a horrible job of impressing the reporter. This is because during the interview, Gow and Burden are interrupted by a local woman (Sara Allgood) who is begging the Provost to help her. Instead of helping, Provost Gow is completely unsympathetic and cruel--and vows to have the old lady's dog put to sleep!! Burdon is horrified and angry--how dare this local political boss mistreat his constituents like this! So he does what any honest reporter would do--he publishes the truth! This is a serious problem, though, as the paper was backing the Provost AND the Provost wasn't about to back down. Another problem is that Burdon soon falls in love with the Provost's daughter (Vivian Leigh)--and this relationship is surely doomed! This is a delightful film--sort of like a droll and British version of a screwball comedy. The dialog is GREAT and Harrison is at his best. It also helped that Cecil Parker was WONDERFUL as the buffoon politician. All in all, a great little film.*Speaking of Parker, he looked, sounded and acted almost exactly like David Horton (David Waldhorn). The likeness of the two characters is amazing.
Paularoc
The provost (mayor?) of a small town in Scotland is an arrogant petty tyrant who is adamant that a poor woman's dog be put down because she can't afford the license fee. The woman, Mrs Heggaty, goes to the provost's house to beg for her dog's life. Even when Provost Gow's daughter offers to pay the fee and fines, he says no because it's a matter of principle and throws Mrs. Heggaty out of the house. A reporter who has newly arrived to the town ( and who also has fallen for the provost's daughter) observes this and later writes a scathing news article about this resulting in the town's people getting in an uproar. The article also gets national attention which puts a halt to the provost's higher political ambitions. The provost is livid and has the reporter arrested for slander. Memorable scenes include the provost, calmly and with great dignity walking a gauntlet of angry and derisive townspeople and the scene when seemingly hundreds of dogs run rampant through the provost's house. One of the funniest scenes occurs at the reporter's trial. An Irish maid, who is prone to using American slang, is testifying and at one point says to the prosecuting attorney "Sez you." The judge asks for an explanation of the term and the attorney give a lengthy, pedantic, and accurate definition of the term. The judge responds with an "Oh, yeah." Rex Harrison and Vivien Leigh were very good but it's Cecil Parker as the provost who gives the most notable performance (well, he did have the meatiest role). Sara Allgood also does a nice job as the distraught Mrs. Heggaty who so loves her dog, Patsy. This is a heart warming and delightful film.
AD
