Prismark10 On the Fiddle is a passable film with Alfred Lynch in a rare leading role as Horace Pope a spiv type scam artist who ends up being sent to the army by a judge.Once he has joined up he teams up with dim witted but amiable squaddie Pedlar Pascoe (Sean Connery) who tags along with his money making schemes and provides the brawn to his brains.The duo accidentally become war heroes, then end up running a pub serving US based soldiers.Connery would go on to become James Bond a year later so here is a role where he is kind of cast against type. Lynch better known as a shifty type character actor rather enjoys being in the limelight as the star but he really is charmless and unsympathetic here, more a third rate and not nice Sergeant Bilko.

bkoganbing You could never have made a service comedy like On The Fiddle during the World War II years in the United Kingdom. When the UK was fighting for its very life with Hitler only hours away by air, a film with the central character of a conman slacker like Alfred Lynch would have gone over like a lead dirigible. You could do it the USA with us thousands of miles away, but not then in the UK.Lynch is a fabulous character though, a cockney conman who gets pinched peddling his wares at a recruitment station line and then has to enlist to prove those were his intentions being there. But once in the service he sees Ferengi like lucrative opportunities to make business killings. His best friend turns out to be an amiable and diffident Sean Connery who just cheerfully accepts life as it comes. He and Lynch become quite a team in their business enterprises and in their skillful avoidance of where the fighting is until almost the end of the war.The film also has in it the presence of American comedian Alan King of our Army Airs Corps who is as skilled an operator for the Yanks as Lynch and Connery are for their king and country. King was a rising star at the time, Ed Sullivan always had him on his variety show several times a year and no doubt his presence helped sell the film on this side of the pond.Two great British character actors are here as well. Cecil Parker playing a most pompous air marshal who just can't quite put these guys out of business. Their enterprises do come to his attention. And Stanley Holloway plays a butcher with whom they go into profit selling black market beef from the RAF Commissary. And to hear them tell it, Lynch and Connery are doing a patriotic service as well as making a few bucks on the side.It's been said that Sean Connery shows no gift for comedy. If you saw A Fine Madness you might have some grounds for saying that, but in On The Fiddle, he's quite droll in some of the lines he drops. Anyway his fans will not be disappointed.

justincward 'On the Fiddle' is OK, and won't let you down on a quiet afternoon. It's more interesting for the fact that it's a comedy war film from the point of view of the average soldier, and the officers who do appear are shown as complete idiots. Nowadays this is a given, but in 1960, when the UK still had conscription, to make a film like this was to take sides in the social changes that were happening. It's a forerunner of 'Kelly's Heroes' on a tiny budget, and it looks like it was fun to make, so you can't judge it too harshly. And there are few better than Sean Connery at buddy movies. In a way, it shows how Bond constrained Connery for the years he did it, and I wish there were more films of the time with him not wearing a toupee or being a psychopathic MCP.

mg1119 This is a perfectly charming little service comedy, with the added bonus of co-starring Sean Connery just before he attained fame in the role of James Bond. Even better, Connery plays totally against type, as a low-key version of Gomer Pyle -- an ingenuous, somewhat stupid-but-likeable serviceman. Alfred Lynch is the real star, though, playing a weasel-y British version of Sgt. Bilko, running numerous scams with his dim-witted buddy Connery. It's funny. Imagine American service sitcoms such as "McHale's Navy" and "Sgt. Bilko" crossed with the gently loopy charms of Ealing Comedies, and you'll get an idea of the tone of this film.