Red-Barracuda Tara B. True works for Crown International Airlines (yes, really) as a demur airline hostess by day. By night, she becomes…Superchick! Under the guise of the latter she transforms into a blonde bombshell who not only proves irresistible to men but who also fights crime whenever necessary. She holds a black belt in karate and has a doting man at every major flight destination, namely unwitting dopes in New York, Miami and Los Angeles; while at 40,000 feet different rules apply and she bags a young army stud in the airplane restroom.Despite what its title and poster suggest, this one only barely qualifies as an action movie at all with a very thin supply of martial arts combat. The focus is squarely on comedy scenes. We follow the Superchick go from man to man, from one episode to another and marvel at the japes that accompany her. Truthfully, the comedy is only occasionally amusing and is often pretty clunky stuff, although the whole endeavour stays just on the right side of likability. It definitely has one foot in the sexploitation genre though, with a smattering of nudity throughout. Lead actress Joyce Jillson isn't too shy here and there are also a couple of very eye popping appearances for us to savour from busty 70's icons Uschi Digard and Candy Samples - going under the moniker of Mary Gavin. Yummy. We also have John Carradine turn up for one of the many bizarre cameo roles he made in all manner of low budget fare, in this one he is a retired actor with an S&M fetish and, needless to say, his character makes absolutely no sense and has no impact on the story as a whole but, as the saying goes, it's nice to know he was there. In the final analysis, this is one strictly for forgiving fans of 70's b-movies. While it has its problems, it ultimately ticked a few boxes for me.

Brian T. Whitlock (GOWBTW) Back in the 1970's there was a lot of exploitation films: Sexploitation, Blaxpoitation, and others to mention. In "Superchick", you won't find it in a comic book! Here you have a stewardess(Joyce Jillson, 1945-2004) who wears her stewardess uniform. When she's off duty, she goes from brunette, to long hair blonde. The short hair brunette her is meek and mild. Her Superchick mode is adventurous and uninhibited. Consider this, the ultimate lover. She has three: A brain surgeon in New York; a beach bum in Miami; and a musician in Los Angeles. Each one knew nothing about the other. But the one in Miami was involved with a criminal mastermind. Unaware of the situation, she does her regular job as usual. In California, she goes to karate class where she meets the champion who is secretly bilingual. After a fine jostling, he gets the surprise of his life. After thwarting a hijacking, she has her "coming out" party. The funny part during the interview is when has her "news flash". This one is subtle, still true to its name. At least she didn't wear a cape and fly all over the US looking for love. That would be too corny! 2 out of 5 stars.

L. Denis Brown The name "cult movie" is often given to films which continue to be screened, or to sell in home movie format, more than a generation after they were first released. Superchick, which was first released in 1973, now comes into this category. Its cult status is largely due to ongoing interest in it by those women who regard it as an early and effective feminist film.Despite the "Superwoman" connotation, "Superchick" is not a cartoon character but a very competent young lady working as an air stewardess - a career option which in the 1970's was commonly regarded as one of the most glamorous open to any girl, and which also enables her to emulate the traditional matelot who reputedly has a wife in every port. Since she holds black belt status in karate, she is in a position to make it quite clear that she is very happy with her bachelor existence, and is in no way beholden to any of her extensive suite of male admirers. This film is a situation comedy which avoids the generally much shorter lived appeal of outright farce. Its appeal to feminists is also heightened by a climax in which our heroine uses her karate abilities to avert a hijacking and save all the other passengers on her plane from a potentially unpleasant fate. To ensure that this film will appeal to men as well as to their partners, the Director has wisely ensured that is liberally sprinkled with eye candy.Superchick can be enjoyed by those who are not too critical and want a very light easy to watch comedy which they will forget soon after viewing. It is so forgettable that they will probably find it equally enjoyable if watched again in a year's time; despite its age it may therefore retain its status as a cult movie for some time to come. However the dialogue and acting would make it hard to give this film a rating of more than 4/10.

ya0018 She's all woman - all every woman wants to be. Forceful, feminine, free. Superbrain, superbody, supercharged - Superchick. A swinging motion picture experience about a super kind of woman. In public she's a mild mannered stewardess. In private she's... Something else! Superchick - she's more than just one woman and too much for just one man! In New York she has Brian. In Los Angeles it's Dave, and in Miami there's Johnny. Superchick - the super kind of woman - always in the middle of where the action is - always ready for a new adventure. You can't afford to miss - Superchick - she's much more than you ever had before.--from a promo for the 1973 movie SUPERCHICK, starring Joyce Jillson