Tara Road

Tara Road

2005 "Sometimes the only way to find yourself... is to lose yourself in someone else's life."
Tara Road
Tara Road

Tara Road

6 | 1h41m | en | Drama

A grieving Connecticut mother temporarily switches houses with a woman in Dublin, Ireland.

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6 | 1h41m | en | Drama | More Info
Released: May. 11,2005 | Released Producted By: Ferndale Films , Fís Éireann/Screen Ireland Country: Ireland Budget: 0 Revenue: 0 Official Website:
Synopsis

A grieving Connecticut mother temporarily switches houses with a woman in Dublin, Ireland.

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Cast

Andie MacDowell , Olivia Williams , Stephen Rea

Director

Irene O'Brien

Producted By

Ferndale Films , Fís Éireann/Screen Ireland

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Reviews

gloriadcolumnist The problem with this movie is that it starts in the middle of the novel. Maeve Binchy writes great novels, chock full of characters, but that doesn't mean they will adapt well to the big screen. Tara Road covers a bigger span of time (approximately 16 years) than Gone With the Wind did, so it would make sense that a "full" Tara Road would be at least three hours, if not more.Because the movie starts in the middle of the novel, we don't have enough time to sympathize with Ria Lynch, who has just found out her husband has a pregnant mistress. In the book, we are with Ria from the beginning, and we ache for her as we find out what's been going on with Danny and his various lovers almost right from the start of the marriage. He flat-out married her because she was pregnant with Annie; we find that out in an early part of the book where he tells a woman that Ria means nothing to him.The woman she exchanges houses with, Marilyn, is trying to recover from her son's death. In the book, we find out he really did cause his own death, and not his friend. His friend ends up getting blamed for it.So the two women exchange houses to get away from their grief. Ria, normally outgoing and social, finds that she is a great cook, and that her romantic life is not over, and happiness without Danny is possible. Marilyn finds herself talking about her son, Dale. She finally cries, releasing her grief and getting involved with people, whereas when she was back in the States, she was very remote after her son's death.I won't reveal the ending details. I do think that the actresses in the lead roles weren't quite right in terms of what they looked like in the book. Marilyn had short hair, and was athletic. Ria has dark, curly hair, and probably average height. Olivia Williams is a much spunkier Ria, and with long, smooth hair. Marilyn, who was portrayed by Andie MacDowell, didn't have the right hair.Ria's husband was not nearly as handsome and boyish, as he was described in the book. In the movie, the actor playing him seemed way too wrinkled and nowhere near "boyish." He also seemed to have zero charm.Much has been said about the actress who played Annie. I thought she was okay. She's a teenager when we meet her in the movie, and she was also upset in the book when she found out her dad was leaving them.Rosemary was also played by an actress who didn't look anything like the Rosemary in the novel: tall, slim and blonde. It was very disappointing to see people in roles where the characters are described so fully, you can practically see them, resemble NOTHING of the characters they are playing.I've read and re-read Tara Road; it's probably a Gone With the Wind for my generation. But the movie was disappointing. It's no wonder this was selling for $1 at the Dollar Tree.
Pandelis I read the book (quite a large one I must say) some months ago and so it was still fresh in my memory when I saw this film. Well, this is one of the worse book adaptations I ever seen! From where to start? From the fact that the 3/4 of the book are literally gone? From the flat performances of all the actors with the likely exception of Andie MacDowel? The miscasting of Ria and Rosemary? The change of Ria in America that it looks like it happened in a split second? Not explaining why the house was that important? I understand it is a big book and they should to summarized it, but it was supposed not to lose it's meaning on the way. Well, it certainly did. Ria is a strong woman at the book even before her marriage fell apart. In the film she is portrayed like a weakling, ready to collapse from the first set. She has a smile like a retard on her face and she's like wearing a sign "kick me".Rosemary is supposed to be drop dead gorgeous woman in the book, while in the film she is more like an overdecorated spinster. Danny is supposed to be a man that looks considerably younger than his age, still having boyish looks in his forties. However, the actor looks like he is a 50 year old pretending he is 40 with that ridiculously long hair....Lastly, the meaning of the house of the title, is that Danny was the one that chose it and hanged on to it in the first place and Ria only learned to love it because of Danny's affection to it. That makes his betrayal even bigger, since he made her love the house and he finally was trying to get her out of it.The only reasons I did not grade this film with a 4 or a 3, was the cameo appearance of Ms. Binchy (the book's author) at a scene (at the restaurant's bar, the lady dressed in blue) and the somehow more condensed ending, even if seemed quite rushed.If you really want to feel the magic of Maeve Binchy's book in a film, I would definitely recommend "The Circle of Friends (1995)".
ipsedixit7963 I think the movie did a good job of "summarizing" the book. I don't think it's possible to develop characters as well on-screen, as in a few hundred pages of paper and ink. A mini-series would have done the book more justice. I can see where it would be possible to see this movie, and be disappointed.If you've read the book, you'll like the movie. If you don't like to read, get the audio CDs.This story is a summary of a book with vivid descriptions of places and people. The "mind movie" that resulted from reading the book, pretty much matched what I saw on the screen. The home in New England... well, didn't look like New England.
gradyharp TARA ROAD is a thickly populated movie that reaches for the female audience and succeeds in addressing old problems of infidelity and marriage conflicts. The problem is the story by highly published Irish author Maeve Binchy (adapted from Binchy's novel for the screen by Cynthia Cidre) is 'used goods' and while there are many moments of touching dialog there are equal moments of sham resolutions that in the end prove disappointing despite the cast of actors portraying these only occasionally interesting characters.Two women, each bruised by life events, trade homes (Dublin, Ireland and Connecticut) to find the space to recover. In Connecticut, Marilyn (Andie MacDowell) is recovering from the accidental motorcycle (a birthday gift from his father Greg - August Zirner) death of her young son: grief has made her withdraw and lose her feelings for Greg. In Dublin, Ireland Ria (Olivia Williams) is blissfully happy in her beautiful home on Tara Road which she shares with her two children and her newly discovered unfaithful husband Danny (Iain Glen) - a lothario who has had affairs with Ria's best friend Rosemary (Maria Doyle Kennedy) and now confesses to the pregnancy of his current mistress Bernadette (Heike Makatsch). In too quick an instance Ria and Marilyn decide to swap homes with the hope that separation form their families will give them room to readjust to life. Each woman encounters the friends and neighbors of the other: Marilyn meets restaurateur Colm (Stephen Rea) among Ria's odd assortment of acquaintances while Ria encounters the brother of Greg and some intrusive and over the top friends of Marilyn. Gradually it all comes to a very predictable conclusion that simply solves too many problems too easily.Director Gillies MacKinnon seems to have difficulty deciding how to maintain a tone for the film - a tearjerker versus a situation comedy. There are moments when the audience connects with some of the characters, but these are too few and separated by far too many stretches of weak writing. Despite some fine acting the movie never quite flies. Grady Harp