MartinHafer I was amazed to see one reviewer thought this was among the best of the series, as the original MGM series with Johnny Weissmuller had just switched to lower-status RKO and now were being made with considerably smaller budgets. In addition, Maureen O'Sullivan was on contract with MGM still and so there was no Jane in the series (until they eventually replaced her with another actress). Until then, they gave a wider variety of reasons to explain why she wasn't there--and it sounded a lot like Larry Mondello's father from "Leave it to Beaver". Not only had the budgets and Jane changed, but RKO relegated these good films to B-movie status--not only because of the budgets but because of the plots which were, to put it charitable, strange.Here in this film, Tarzan actually (and I am NOT kidding) fought the Nazis!!! Now if this doesn't clearly illustrate the term "jumping the shark", I don't know what does!! To "jump the shark" means when a series has reached its apex and is on the way down--and they do something very desperate to try to revive it. On "Happy Days" it was having the Fonz jump a shark tank on his motorcycle. On "The Brady Bunch" it was the addition to Cousin Oliver. On "Fairly Odd Parents" (and MANY other series) it was the addition of a baby. Well, although the Tarzan series was before TVs were available to the general public, it was a series and Tarzan fighting Nazis was clearly a case of jumping that 'ol shark!! In addition to Nazis in the middle of a lush jungle (shouldn't they have been taking over Europe or invading Russia?!?), we find that Tarzan has gone to charm school and grammar school, as his normal vocabulary of about 20 words has grown dramatically. The real surprise, though, was Boy--who apparently was taking on-line classes with University of Phoenix, as he spoke BETTER than kids educated in the USA! If you care about the plot (and RKO obviously didn't), it begins with Boy blundering about and almost killing himself (a very familiar plot device). He is saved by a sexy lady who comes from a tribe that speaks perfect English and also went to charm school. Later, when this lady's tribe is enslaved by the dreaded Hun, Tarzan responds by becoming the next Chuck Norris and wiping them out pretty much by himself (with some help from his jungle friends). Never mind that the Nazis had guns and grenades and the like! Because the plot is 100% stupid, you can't seriously give this film a high score. However, it IS still entertaining in a kitschy sort of way. And, if you want to see just how badly the Weissmuller series has sunk, give this one a look.

Michael_Elliott Tarzan Triumphs (1943) *** (out of 4) War propaganda 101 as Nazi's take over a lost city but Tarzan shows up to kick their ass. This probably should have been called Triumph of Tarzan's Will but the politically incorrect humor works just fine for this film. The story is pretty stupid and the German bashing stuff might not go over well today but the film remains a lot of fun due in large part to the animals. Cheetah and the various other monkeys really steal the show here as they're giving a lot of fun things including the one scene where Cheetah steals a bunch of food from three monkeys. Weissmuller is in great form again and Frances Gifford is entertaining as well. There's plenty of nice humor (if politically incorrect) and the action is great. This first RKO Tarzan ranks right up there with the best from MGM, although it does get a little long winded at the end.

zetes Breaking into the second volume of WB's Weismuller Tarzan movies, all of which were made at RKO, and which previously had been produced at MGM. Maureen O'Sullivan finally got her way and was able to leave the series when it left MGM, while Weismuller and Johnny Sheffield, who plays Boy, not to mention Cheetah, stayed on. Tarzan Triumphs isn't a great film (I don't have high expectations for any of the remainder of this series, honestly), but it is historically interesting, and amusing in the way all Tarzan movies are. In the thick of WWII, Nazis invade Tarzan's jungle looking to enslave the lost city of Palandra. The princess of Palandra, Zandra (Frances Gifford), begs Tarzan for help. Tarzan refuses, claiming that the Nazis have done nothing to him. But when they actually do do harm to him, by kidnapping Boy, he vows revenge. Strange this one wasn't made in 1941 instead of 1943. Or perhaps by '43 people were already getting tired of war and this is "stay the course" propaganda. Don't know, but it is fascinating as propaganda. It gets very violent, more violent than the other Tarzan movies as far as I can remember. Well, some black people get wasted in nasty ways in the early Tarzan movies, of course. But Tarzan mercilessly slaughters the Nazis. Cheetah pushes one off a cliff, and then pushes a boulder over after him! Even Boy gets to shoot a guy! And the final living Nazi suffers one of the most entertainingly horrible, Roman-style deaths ever. The film ends on a joke worth of Looney Tunes.

Eric-62-2 Two things elevate this Tarzan film above all the other latter Weismuller efforts. One, is the amusing tie-in to WWII flag-waving by pitting Tarzan against the Nazis. The other is Frances Gifford (who had excelled in as the star of the serial "Jungle Girl") as the breathtakingly beautiful Princess Zandra (wearing the first abbreviated costume since Maureen O'Sullivan in "Tarzan And His Mate"). You wonder in the end why Tarzan just didn't throw the absent Jane over and run off with her.