Teleios

Teleios

2017 "In a Perfect World...There is a Fatal Flaw."
Teleios
Teleios

Teleios

4.2 | 1h33m | NR | en | Science Fiction

A deep space mining vessel has been adrift for two years. It is suspected the crew brutally killed each other, but the reason for the bloodbath is unknown. A rescue crew is sent to find if there are any survivors, what happened and why.

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4.2 | 1h33m | NR | en | Science Fiction | More Info
Released: April. 06,2017 | Released Producted By: Thousand Mile Media , High Octane Pictures Country: Budget: 0 Revenue: 0 Official Website: http://www.thousandmilemedia.com/teleios
Synopsis

A deep space mining vessel has been adrift for two years. It is suspected the crew brutally killed each other, but the reason for the bloodbath is unknown. A rescue crew is sent to find if there are any survivors, what happened and why.

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Cast

Sunny Mabrey , Lance Broadway , T.J. Hoban

Director

Lisa Baddeley Parker

Producted By

Thousand Mile Media , High Octane Pictures

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Reviews

vpitman1 Mild Spoilers, nothing that will ruin the movie. This movie is re-named, just as several others that I've come across on Amazon Prime (search by director or actor name, then match the artwork, if you run into this). I am assuming this is to make some kind of connection to Star Trek (there is none, and despite numerous quotes, I didn't hear a single reference to anything about a trek, in the movie). The writer was going for a more thought provoking resolution, so I could see a comparison to Star Trek: The Original Series. I can forgive a lot, in terms of special effects (which were actually pretty good, for the most part) and acting (which was definitely less consistent, but I thought it was a reasonable effort to portray characters who aren't regular humans). My biggest issues were significant problems with the story that distracted from the big and interesting questions that it asked.Unfortunately, the story broke down in several places. If you listen carefully to the time frame for Teleios' rescue mission, transit time is quite long, requiring some sort of stasis pods. But, if you follow the timeline for the problems on the Atromitos and the return time given toward the end of the movie, the Teleios would have to have left almost a year before the Atromitos started harvesting its cargo, and more than two years before all hands were presumed dead. In addition, the issue that crops up for all of the Teleios crew members seems to have just become a problem on Earth, but the crew has been in stasis for three years (so either they have an additional three years before it should be an issue for them, or they shouldn't have a problem, since they had been in transit while the problem developed on Earth). There are odd things that happen with the artificial human, but not enough clues are given early in the story, so the additional information we get later just feels tacked on. Finally, the underlying reasons for the final 'choice' and resolution are not foreshadowed well and not explained at all, until after the fact. Also, one has to question how the person affected could become a member of a spaceship crew.There are also some serious technical errors, particularly at the beginning. The CGI suggests that the asteroid belt is made up of large, closely spaced rocks. In fact, planetary rings are made of many small particles that are far apart. Also, the Teleios' speed is given as 485 km per hour. This is far too slow for planetary orbit, and it's far too fast to be the speed relative to Atromitos. Later, the formulas given are very simple chemical compounds, which couldn't possibly represent the complex compounds that one would find in Titan's atmosphere and certainly not something that couldn't be easily synthesized on Earth (so why send an expedition and spend two years collecting it). These details can be easily verified, so this is just lazy writing.The story makes use of numerous quotes. If the crew can translate them, there's no reason they couldn't figure out that they are rather famous quotes. I recognized several, as soon as I heard the translation. There's no reason the crew shouldn't recognize them, if they are as intelligent as is suggested. Furthermore, the quotes just don't make that much sense. Why are they in the original languages? The character who speaks them is described as having little education or intelligence, and we never get a reasonable explanation for this. As a group, the quotes make much more sense in reference to the themes in the story, but not as part of the main action.I think the story would have benefited significantly from more editing and revision in the writing stage and the help of a technical expert or two.As it is, I want to say it's a valiant effort for a low budget movie, but there are big problems with the story, and a million dollars is still quite a bit to work with. They clearly were able to put together some reasonable special effects, which tends to be one of the biggest expenses for sci-fi movies. This movie falls down at a more basic level: bad science and poor story telling. It really is frustrating, because the pieces are there to make a smart, killer, low-budget movie in the vein of Screamers or Slipstream.
dariuslanghoff In the beginning two things attracted my attention and caused me to examine this movie: the poster, which is graphically original, and the title which is incomprehensible, unless you are familiar with Greek. After looking it up I learned TELEOIS stands for "perfection". So, my artistic sense was pleased, my linguistic knowledge increased - so far, so good.Then the time came to watch the film. Knowing its budget was limited I did not expect fireworks of production values, but it not necessarily makes a good sci-fi picture an impossibility. One spacecraft with a crew of 5 is sent to investigate the demise of the crew of another space vessel. A premise more than satisfactory. A certain parallel with EVENT HORIZON (1997) may by seen here, though the Paul W.S. Anderson's work itself is hardly original, as it borrows heavily from NIGHTLYERS (1987).The rest, with very few exceptions, is sorrowfully miscarried. The direction seems to be almost absent, or present at its incompetent worst. Majority of the actors are so lame it seems their acting lessons had the form of a correspondence course. Especially Lance Broadway, T.J. Hoban and Christian Pitre deliver performances of abysmally bad quality.However, Ursula Mills makes Lulu AH 320 an interesting robotic character. And then there's is ravishing Sunny Mabrey who can act and can bring some conviction to her lines, her final speech sounds quite poignant and dramatic, but it is not enough to save the misbegotten movie. More than a decade passed since she appeared in SPECIES 3 where she had little to say and served mostly as a nude window dressing. Now she is an accomplished actress and deserves much better roles.The costumes represent an utter lack of visual taste. And it would have sufficed to remove those hideous frontal brown areas, otherwise they are nicely female figure hugging.In summarum, this motion picture is worth viewing only for Ms Mabrey, other reasons are extremely difficult to be found. On second thoughts, some might be tempted to see Michael Nouri in his brief video transmissions to notice how he has aged since the time of FLASHDANCE (1983).
mnunez786 I had never heard of this movie, the producer, director or actors but I figured why not give it a try, so I started watching it. The special effects are great so I was inspired to keep watching. However, I could not get past the first ten minutes due to the bad quality of acting and I had to turn it off. That's just my two cents.
DrTeeth007 Occasionally, one comes across a film with actors so bad, that it makes one realise how difficult it is to be good or even great at the craft. The actors' faces look as if they have been injected with collagen and Botox...they just do not look right and it is distracting. The story did not really take off and I was left feeling most underwhelmed, unfulfilled and dissatisfied at the end. I only suffered to watch the whole film as I do like science fiction and I always give the offerings from that genre the benefit of the doubt until the end. I really should learn that if a film does not get me gripped and involved by the time 20 or so minutes have passed I should just do what the song says and just give it a miss and watch some paint dry.