jhkp
Warm film with the usual top MGM production values, strong cast.When I finally saw this film I was surprised it was described as a "bomb" by Leonard Maltin. While it's not the greatest movie ever made, it's hardly a bomb, despite the problematic production history. Because retakes took so long, Margaret O'Brien is noticeably taller and older in some scenes than in others. The character's belief in fairy tales strains credulity in the scenes where little Margaret seems to be aging rapidly.One could argue, as well, that, despite the hardships supposedly being endured by the characters in their poor New York neighborhood, at the height of the Great Depression, they seem reasonably well fed, dressed, and housed. The apartment where Flavia (O'Brien) lives is quite large, for example.But there are some very true things in the film, the experience of being an only child, living among adults; the realities of readjustment for an ex-con (George Murphy). Many of the realities are not in the scenes or the lines, but in Margaret's and George Murphy's faces.The cast is great and there's a nice Christmas atmosphere in the scenes that wrap up the story.
MartinHafer
This is definitely not the sort of film they make any more. Margaret O'Brien plays an amazingly cute and sweet kid--the sort of role she was known for but that today seems a bit cloying...at times. Here she lives in a Hollywood version of poverty in New York City--one that, despite being told they're dirt-poor, just looks like a safe and clean place. Despite the poverty, she is a very chipper and optimistic girl. She sees the world as a magical and wonderful place and doesn't see the realities of life--such as what's really happened to her friend (George Murphy). There's more to the story than all this--including a plot involving her mother and some mice (don't ask--you just have to see it to understand).Overall, it's a decent film but not at all my cup of tea. While I loved O'Brien in "Journey for Margaret" and "Meet Me in St. Louis", here the plot seems fair at best. If you do see the film, look for an uncredited Elinor Donahue who plays O'Brien's friend about mid-way through the movie. However, apart from that, this one is pretty easy to skip.
moonspinner55
Margaret O'Brien doesn't look or sound like a Depression-era tyke from the New York tenements who knows everybody on her block and what they're up to...however, she's self-assured on the screen and pretty much carries the day here. Thin story has an optimistic neighborhood girl heartbroken to learn that all those 'little white lies' adults tell children (such as one about mice turning into money) are just made-up stories, though she comes to rely on one about kneeling cows in order to save her dying mother's life. M-G-M tinkered with this thing in post-production for 18 months, and then only released the picture sporadically. One can see early on there simply wasn't enough material here for a feature, with a side-plot regarding O'Brien's aunt getting reacquainted with an ex-con sweetheart used simply as filler. Still, there's a maniacally patriotic speech given by little Margaret on the Fourth of July that has to be seen to be believed, and the finale (though engineered for heart tugging) is effective. The editing and continuity are predictably bad considering the film's internal troubles and reshoots, yet O'Brien roller-skates through it all rather blithely. ** from ****
Chaser101
One user comment contains an error that should be rectified. The character of Steve, played by George Murphy, is not the child's (Flavia's) father. His original relationship to the family is unclear, but he's a potential uncle, and the point is that he is a big favorite of this little girl's. Flavia's father appears early in the film, very briefly. He appears to be a music teacher. Steve is unmarried, and one of the major themes in the movie concerns whether he and Susan (the unbelievably pretty Angela Landsbury) can build up a life together after he has been released from prison.Maybe my tolerance for smaltz is higher, I don't find the film to be that cheezy or obvious. It's hard for children to know the difference between fact and fiction, how fiction is often truer in spirit than facts, and how stories help get us through rotten times. (If you notice, Flavia's mother uses stories mostly to console the child).Christmas stories are supposed to be schamltzy, aren't they?
AD
