Coventry Now I know that the eighties spawned a nearly immeasurable amount of dumb and low-budgeted horror movies, and that it's practically impossible to have seen them all, but still I'm somewhat surprised that this particular one never caught my attention before. I'm a tremendous fan of the genre, the decade and particularly anthologies, and the list of '80s anthologies isn't that enormous after all. Considering the fact that I've struggled myself through some truly bad ones that are less obscure, like for example "Shock Chamber", I had very little hopes that this "Terror Eyes" would be worth checking out, but my second pleasant surprise was that I actually enjoyed it quite a bit. "Terror Eyes" is an incredibly cheap and amateurish, but the lack of professionalism is widely compensated by the spirited acting performances, the ingenious wraparound story and – most of all – the astoundingly clever short stories. The segments are curious and compelling, all three of them, and I certainly didn't expect that they would also be tense and well-scripted. The wraparound story introduces a young female marketing executive who, strangely enough, is charged with writing a horror screenplay. She's inexperienced and frustrated about this, but she finds inspiration in her nightmares and around the campfire during a trip with her friends. At some point during the camping trip the lead actress' boyfriend even gets possessed by a sort of rancid demon, but even that bizarre plot twist results in a couple of funny moments. The first story, which is definitely my favorite one, introduces the marginal couple Troy and Starla Floyd. They are offered a book by a strange door-to-door salesman and discover that it very accurately describes every move they make and every word they say; even stuff that hasn't occurred yet. The second story deals with the difficult themes like time loops and altering history, but the narration is light-headed and unpretentious and thus very easy to follow. In order to pay off his debt, a loser gambler is sent to rob the house of the creditor, allegedly so that he can recover the insurance money. Once there he witnesses the murder of his creditor's wife, but when he flees he ends up in the exact same place and the exact same time as the day before. As he's reliving the same experience multiple times, he discovers who the murderer is and why. The third and final story revolves on Alex Bender, as she just the world's first female champion chess player. Alex also happens to be a truly devoted and feminist opponent against violence towards women in video games and grabs every opportunity to criticize the famous Rubinstein Game Corporation and its CEO on national television. After another fierce press interview she gets kidnapped and ends up in the mansion of the deranged CEO – Martin Rubinstein. Alex now becomes the lead character in a very vivid violent game herself, and the price of defeat is death… I can't emphasize enough how deeply I'm impressed by the originality and the freshness of the little stories featuring in "Terror Eyes". That alone makes it easier for me to overlook the poor technical aspects and micro-budgeted production values. Most of the actors/actresses appear in various roles and clearly enjoy themselves a lot. One of the actresses, Vivian Schilling even co-wrote the better-than-expected screenplay. Talk about multitasking!

Zbigniew_Krycsiwiki As its on-screen caption 'HOLLYWOOD Writer's Strike. No More Movies...No More Horror! What's the Devil to do?' began, I found myself asking "What the Devil is this? This isn't the 1980 Rachel Ward movie I was searching for!" Film opens with distorted, point-of-view shots of Hollywood Blvd, weird blue- and red- lighted smoke, soft focus; bleached-out, or just underexposed? Or was the lighting intentionally too hot, and for what reason? (That's the second film I've watched recently with this problem. The first was the non-James Cameron 'Terminator 2', from Italy) Once guy and girl set fire to something called The Book Of Life, the smoke effects begin, the disgusting fire effects begin, and the film becomes very weird, as it is explained away as being merely a dream, from which the girl (Vivian Schilling) wakes up from and writes down, convinced it will make a good horror movie. Apparently, Schilling's character is a horror film screenwriter, and the first half hour of this student film is vignettes dreamt by her, and typed later for use as potential ideas for new horror films. A disembodied hand punches through the door of her office, then rips the door off its hinges to get to her- but it's all just another one of her dreams.She and her friends go camping and tell each other weird stories, which she also thinks will make great material for the horror movie she's writing. Here is where the film becomes slow moving and plodding, with the typical grotesque 80s clothes only serving to annoy.Chick's chase through checkerboard hallway mazes while being followed by a rabid dog is surreal and eerie; but its effect negated by dated computer graphics, and bizarrely out-of-place ragtime piano music, as she suddenly appears in an old west ghost town.A twist says that the entire film is the work of Satan, telling tales around a campfire to Schilling and the rest of her friends. Schilling then wakes up, turns these events into a screenplay, and becomes a filmmaker with a huge hit from it, in a supremely bewildering ending."Student Produced at USC", this has a few interesting ideas and camera shots, but painfully slow pacing, and not much action for a horror flick. It would have worked better as a 30-minutes long short film.

HumanoidOfFlesh A young woman is hired by Satan to write a movie script for a horror movie.She and the group of her friends go camping and tell cheesy horror stories which we the viewers are about to witness.The last story which involves unlucky female chess master and labyrinth of traps becomes my instant favourite as it predates concepts used in "Cube" and "Saw"."Terror Eyes" by Eric Parkinson and Michael Rissi is pure 80's cheese.Vivian Schilling's presence is incredibly sexy,the acting is fairly decent and there are some great one-liners.There is no nudity and only a little bit of violence,so fans of more exploitative horror will be disappointed.If you are deeply into 80's horror "Terror Eyes" is a perfect way to kill some time.7 horror stories out of 10.

Triple7 If you want to see something different for a change (instead of your average psycho-killer, haunted house, monster movie, etc.) then rent Terror Eyes. The movie just has so many plot twists and stories in itself. It changes from horror to a suspense to some Twilight Zone episode. It is weird and many probably won't appreciate it like I do. But this movie was just something originally different for a change. You'd think lots of more famous movies of today might of copied off it hoping that no one saw it such as Jumanji, The Never-Ending Story, Run Lola Run, Cube, etc. That just shows what a variety of genres you get from this surprisingly good (and many times confusing) horror flick. Unfortunately it is very unpopular and I'm sure many videostores don't carry it. It depends on your taste, but I definitely think this movie is worth watching. I gave it a 6. The acting's not that bad and (for the time-period it was made in, of course) the effects aren't that bad. The box throws you off and summaries about it in movie-books and other internet sites do also so don't be fooled. This movie has a little bit of everything in it even if it is a little cheesy.