Terror on the Midway

Terror on the Midway

1942 ""
Terror on the Midway
Terror on the Midway

Terror on the Midway

6.5 | en | Fantasy

When things go wrong at the circus, it's up to Superman to stop the escaped animals.

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6.5 | en | Fantasy , Animation | More Info
Released: August. 30,1942 | Released Producted By: Fleischer Studios , Country: Budget: 0 Revenue: 0 Official Website:
Synopsis

When things go wrong at the circus, it's up to Superman to stop the escaped animals.

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Cast

Bud Collyer , Jack Mercer

Director

Dave Fleischer

Producted By

Fleischer Studios ,

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Reviews

MartinHafer As is the case with the other Superman cartoons from the Fleischer Brothers, this cartoon can often be found in multi-cartoon packs for little money. However, you can also download them for free at archive.org--legally, since they are in the public domain.The short begins with Lois and Clark at the circus. Lois is doing a story and taking photos and Clark decides to head back to work. However, just as he's about to enter the Daily Planet Building, he sees a commotion and rushes back to the circus. An enormous ape (Kong-sized) escaped and in the process freed a lot of other dangerous animals. So, it's up to Superman to round up the beasts and save Lois.As usual, Superman saves Lois--though at least here she isn't being stupid but ends up in harm's way because she's trying to save a child. The plot is interesting and a bit atypical for the series. Worth a look.
utgard14 I love the Fleischer Superman cartoons. The animation is smooth and fluid with vivid colors. The distinct art-deco style, vintage science fiction imagery, and use of noirish shadows gave them a look unlike any other cartoons. The music and voice work is superb. They're fun, accessible, enduring animation classics.The ninth in the series (and last for Fleischer) is a very simple story about Lois and Clark on assignment covering a circus when things go haywire and a large gorilla named Gigantic escapes and begins to attack people. Clark takes his sweet time about it but eventually changes into Superman, where he battles the gorilla, as well as other animals, to restore order to the circus.I have mixed feelings on this one. There is a certain laziness about the story and, for a nine minute cartoon, it does seem to inexplicably have some padding. Still, the sequences with the animals are well-animated and exciting. It's entertaining, as the whole series is, but clearly something is missing. This would be the last Superman cartoon to be done by Fleischer Studios. Paramount would seize control of the studio, fire Dave and Max Fleischer, and rename it Famous Studios. Many of the same artists and animators would carry over, as would the voice talent. But the Fleischers would no longer be making Superman cartoons.
tostinati The band strikes up a march as playful kids wave pennants, Lois smiles and shifts her gaze lazily; clowns caper, elephants dance. It's a high moment of oblivion, humanity with its guard down. --The sort of scene Hitchcock laid out with such care, so that the mayhem, when it strikes suddenly, is fully felt. Outside, a tiny monkey playing with a bright metal ring starts at a shadow. Jumping away, he doesn't release the ring in time; this pulls the cord that it's attached to, which springs open the latch on a circus wagon. Brief transition, and we hear a low growl at the entrance of the main tent, over the music and sounds of the crowd. We track reactions in montage as every person freezes in place. Then, only after we have been allowed take in the ripeness of the delicious moment of growing terror, are we shown what has paralyzed everyone.The few minutes of this cartoon work exactly like prime early Hitchcock. It builds deliberately, lovingly toward a pivotal/revelatory brilliant set piece that is still exciting. Before every large budget film tried to encompass the destruction of planet earth and the end of space time within its plot thread, choice nuggets of time-- like the one in this simple little cartoon-- were what cinema was all about. You'd wait for a moment. The moment built slowly and deliberately. Everything wasn't yielded at once. The experience was cumulative, not all sensory avalanche from first shot to last. Ultimately, the overdone-gasm sort of film doesn't last. It is seen through; the novelty, which is all it has, exhausts itself after a few viewings. Claptrap-- even well-mounted, noisy, big, breathless claptrap-- is still only that.I see this great short as a wonderfully fresh, storyboard-like look at how feature films used to be put together. For that reason, I give it ten stars.
preppy-3 Lois Lane and Clark Kent are sent to cover a circus (for some reason). They separate to cover more ground. While Lois is watching a show in the Big Top a HUGE (and very fierce-looking) gorilla (or ape) is accidentally let loose.He proceeds to wreak havoc and, in the mayhem, other animals escape from their cages. Lois saves a little girl from the huge gorilla (or ape) but then it goes after her? Can Superman save her and the circus?Very strange Superman cartoon. For once he isn't battling mad scientists or creatures--just animals. Also it seems kind of strange that he has trouble beating a large gorilla (even though it IS huge). And he doesn't even show up until 6 minutes in (this is only 8 minutes long). Still, it's pretty good.