lyganywern
Enjoyable and welcome - just shows how few films were made about the end of the British Empire (India being an exception). Well cast and the excellent supports - Sydney Tafler, Michael Goodliffe and Maurice Denham bring added credibility. Nice to see Tafler in a role other than his usual line in club managers and assorted crooks. Likewise, Goodliffe shows a gravitas contrasting from his normal parts - the seedy (Jigsaw 1962) through to various officer types and police inspectors.
nixonkg-1
I have just watched this film, 46 years after its release. The film was shown on Classic Silver Screen, and unfortunately the print was of poor quality. I can imagine that Freddie Youngs photography would be stunning in a good quality print! Overall I would rate the film as average fare. Was this film or the original book based on factual events? I hate to be a "nit-picker", but at the beginning we see a helicopter with loudspeaker telling the rebels that the war with the Japanese is over. Now, I know early helicopters were used by the Allies in small numbers late in World War Two. But in a remote area such as Malaya? Anacronistic I would think! Also the aircraft was a Bristol Sycamore, not designed until the 50s!! This helicopter thing also happens in "Where Eagles Dare". Don't film researchers do there homework? Or do they include such "gaffs" just to p**s off "nit-pickers" like me!!
bkoganbing
The Seventh Dawn seemed a natural for William Holden given the spectacular success he had in that part of the world with The Bridge On the River Kwai. Unfortunately Seventh Dawn doesn't quite live up to the David Lean classic.What The Seventh Dawn is, is a sincere attempt to look at the issues confronting Southeast Asia during the Fifties. Three people, American William Holden, and natives Capucine and Tetsuro Tamba have been involved in resistance to the Japanese. Holden like the country so much, he's going to settle down as a rubber planter. Capucine is going back to teaching school and agitating for eventual independence from Great Britain. Tamba is going to school himself, a scholarship awaits him at a university in Moscow.Fast forward seven years or so from V-J day and all of them have succeeded more or less in their chosen paths. Unfortunately their paths put them on a collision course with each other.Holden's a free-wheeling hedonist who just won't settle down and marry Capucine and he's got a new distraction in the form of Sussanah York the daughter of the new British administrator. Her role is the weakest here and the dumbest. Her offer of sacrifice to bring peace to Malaya just doesn't ring true at all.I do like what Tetsuro Tamba did with his part. His people as he's been taught in Moscow can't feed themselves, let alone govern themselves. They need Red style tutelage and he's going to see they get it.Measured against The Bridge on the River Kwai, The Seventh Dawn falls far short. Still it's nicely photographed in the Republic of Malaysia and the cast is earnest enough in their roles. William Holden fans will like it.
eaglejet98
This is one of those films that goes unnoticed for some reason, despite having an excellent story, superb cast and breathtaking scenery.Although it is "entertainment", art does imitate life and we see the brutal reality of how a dedicated (and duped) Marxist revolutionary lets deep, committed friendships fall to the wayside, in fact uses those very friendships, to further his political cause.The film came out about the time the war in Vietnam became an American War and this may be the reason it did not do as well as it should have at the box office.A young Suzanna York is stunning; Capucine is the classic beauty she remained until her untimely, and sad, suicide in 1987. Bill Holden was the perennial Bill Holden. The Asian commie rat was a typical Asian commie rat. Those guys still don't have a clue. China will eventually fall not from within but from without-they can't keep the internet out and once its citizens see the real world out there, communism is finished.Well worth watching whenever you can catch it.
AD
