The Art of Stanley Kubrick: From Short Films to Strangelove

2000 ""

The Art of Stanley Kubrick: From Short Films to Strangelove

6.8 | en | Documentary

A documentary about the making of Stanley Kubricks 1964 film Dr Strangelove Or: How I Stop Worrying and Love the Bomb and his career leading up to this film.

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6.8 | en | Documentary | More Info

Released: April. 10,2000 | Released Producted By: Columbia Pictures , Country: Budget: 0 Revenue: 0 Official Website:

Synopsis

A documentary about the making of Stanley Kubricks 1964 film Dr Strangelove Or: How I Stop Worrying and Love the Bomb and his career leading up to this film.

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Cast

James Earl Jones , James B. Harris , Anthony Harvey

Director

David Naylor

Producted By

Columbia Pictures ,

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Trailers & Images

Cast

James Earl Jones

as Self

Coming 2 America The Lion King Raúl Juliá: The World’s a Stage Warning Shot The Lion Guard: Return of the Roar The Angriest Man in Brooklyn Milius Gimme Shelter Quantum Quest: A Cassini Space Odyssey

James B. Harris

as Self

Z Channel: A Magnificent Obsession No Fighting in the War Room Or: 'Dr Strangelove' and the Nuclear Threat The Art of Stanley Kubrick: From Short Films to Strangelove Inside: 'Dr. Strangelove or How I Learned to Stop Worrying and Love the Bomb' Paths of Glory

Anthony Harvey

as Self

No Fighting in the War Room Or: 'Dr Strangelove' and the Nuclear Threat The Art of Stanley Kubrick: From Short Films to Strangelove

Reviews

MartinHafer If you are looking for an overall look at the films of Stanley Kubrick, then you need to keep on looking--as "The Art of Stanley Kubrick" is not such a film. Instead, it manages in a very tightly constructed 14 minutes to discuss Kubrick's rise from obscurity to his early short films to his features to his amazing film "Dr. Strangelove"--only about half-way through his career. However, I liked this as it gave a nice and different sort of look at the directing craft--showing a progression from one sort of project to another and another--how they all built upon themselves into making a master director. The only shortcoming I noticed is that it really lacked insight into the personality of Kubrick as well as his directing style. In particularly, it barely mentions his obsessive-compulsive way of shooting and re-shooting and re-shooting scenes--something that made him notorious and cost a fortune in overruns. Still, it's a very nice film and one worth seeing if you get the DVDs.

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