harlinoff123
This movie contains an "actor" by the name of Issei Sagawa. This man killed and raped a woman in Paris, and then ate her.THIS IS NOT A FALSE ACCUSATION! He was deemed insane in Paris and untreatable, as well as a risk to re offend. They're cheap and didn't want to pay for it, so the shipped him back Japan. Thing is his father's big in the industrial Japanese community( in other words the mafia), and got him off Scott free. Yes you read it correctly, he is a free man, walking the streets of Tokyo as you read this. For the sake of the memory of the innocent woman he killed and butchered(Renee Hartevelt), who he never showed any remorse or sadness do not ever rent this movie.
Puppetmister
This movie is truly intriguing and genuinely erotic. It also picks up on our worst fears about voyeurism and alienation from filmed images of ourselves. I don't want to spoil the shocking plot, so I won't mention it, but viewers should be aware that, although its not too extreme, this is an example of (albeit high level) Japanese underground film-making, and as such it contains sex scenes which are drwan out for the sake of titillation, but these are bolted to a cohesive and integral thematic framework which makes it all relevant and makes you question the erotic experience of watching such films. Thankfully, it doesn't judge or condemn you for doing so.
Jay Harris
This is a very strange & at times frightening erotic love story. If you are turned off on Amputation scenes, DO NOT see this. But for those who are not , you will be caught up in its eroticism I saw this over a year ago, so cannot remember all the details, except that I was enthralled. Brilliant acting by a talented good looking cast & very well made. as always My rating is ***1/2 Jay Harris
white pongo
Having lived in Tokyo for almost two years,i can confirm my suspicions that Sato is one of the most Japanese directors working today.His films could not be made anywhere else by anyone else.His unwavering,logical dissection of a central theme (usually something to do with psychosis and obsession) spiralling towards a nihilistic, doomed (and romantic) ending is in keeping with a dark strain that's been in Japanese culture since it's inception.Xenophobic film watchers who think this is a scary mirror of modern Japanese society should however,not take it so seriously.THE BEDROOM is a very hard film to write about.It has no asides.All the usual cinematic bull**** has been lyposucked away leaving a economic, tight and intense story that goes from A to B swiftly and leaves the imprint of a film behind without actually developing fully.But it doesn't need to.It's like a song that never repeats that riff you like so much enough to fully satisfy you,so you listen again.And (if his whole back catalogue was available in English) i would immediately put on another Sato movie after this.They are as obsessive and addictive as his characters.Unredeeming,anti-social and seriously well-made.One day,some film-maker will push forward Sato as an influence and maybe people will take notice.But until then,his small fan base will watch them in darkened rooms in dark cities trying to replicate a fever dream.
AD
