Armand impressive cast. honest story. and desire to present with great accuracy a very complicated tale. and the result is not bad. but it is too correct. the preoccupation of director to not make errors is first cage of its potential. so, the gestures are almost theatrical, the performance is limited, the story is prudent and action , in few moments, not credible.so, it is a good film but not more. too long and too short in same measure, not really profound but full of good intentions, it remains sketch of a fresco who can present essence of a powerful family.and its perfect ingredient is Angela Molina in a delicate - subtle role.is it enough ? I do not know. but I think than Lluis Homer can be more credible in this kind of role and the art of Paz Vegas is not indicated for a shadow - role.

roberjruiz Really nice film. I enjoyed it a lot, and was not long at all. May be is because I love historic films.One of the best things about the film, is the way the Pope and the cardinals are depicted. They are not pious people like in many films. Instead they behave like emperors and politicians, which is probably nearer the reality. There is also some nudity, but I don't think they abuse of it at all, even more if we read about the morals of the Borgia family.The only thing I didn't like much about the film, is that it narrates only the facts surrounding the Borgia family and their political interests, buts speaks very little about the overall situation in Europe, and the important changes in Europe's art and society during the 14th and 15th century.

jotix100 When we first meet Rodrigo Borgia at a papal election, little prepare us for what this man would turn out to be after he gets to be Pope. His main rivals were Ascanio Sforza and Giuliano Della Rovere. The time was the last part of the XV century. Rodrigo, who was born in Spain, under a the name of Jofre LLancol, changed the name to Borja after his uncle Alfonso Borja was elected as Pope earlier in the century. His ambitions were enormous, and having served five different pontiffs before his own elevation, gave him a taste for power. After his election, Rodrigo took the name Alexander VI.It was common practice at that time that Popes, as well as members of the Catholic elite had families on the side. No one objected because it was a reality as members of that select group came usually from rich and powerful families. Rodrigo was no exception. After being enthroned, he set out right away to consolidate his power because his ambition was to rule the church as well as the rest of Italy. He sired four children, Cesare, Giovanni, Goffredo, and Lucrezia. For purposes of this film, the names of the children were changed to the Spanish version, thus they became Cesar, Juan, Jofre, and Lucrecia. Rodrigo had formidable enemies, but being a sly operator, he decided to marry his favorite daughter, Lucrecia to Giovanni Sforza, a match that should have consolidated his powers. Rodrigo was rumored had incestuous relations with his own daughter. Lucrecia in turn seemed to be quite taken with her brother Cesar. In the meantime, Rodrigo was happily distracted by Giulia Farnese, a gorgeous creature. The Borgias were one of the earliest dysfunctional families in history. The behind the scene machinations were the order of the day in the Rome of those days. All what mattered was how much power anyone had and whose loyalties the people in power had. In turn, their own ambition did them in. Rodrigo died poisoned and the children's fates are well known.Antonio Hernandez, the director of this ambitious film, centered the action around Rodrigo, who had his hands in everything imaginable. This is a biographic account of a family that was doomed because they had it all, but misused their power. Mr. Hernandez, who co-wrote the screen treatment presents a great spectacle to dazzle the viewer. Working with his cinematographer, Javier Salmones, he places the action in palaces and castles that lend themselves to the story. Sergio Peris-Mencheta makes a good impression with his take on Cesar. He casts a fine figure as the favorite son of Rodrigo. LLuis Homar's Rodrigo is perhaps the most dominant appearance in the film. Mr. Homar does a good job convincing the viewer he is the villain everyone felt he was. Maria Valverde makes a delicious Lucrecia, but Paz Vega has nothing to do."Los Borgia" is a spectacle for history buffs. Although running more than two hours, it packs so much action so no one will feel bored.

saturno3x1 Once upon a time there was a lazy director who always lost his morning bus and arrived so late at the filming sessions that they had to be filmed without him. I can't imagine any other reason why the acting is so soft and unconvincing. In fact, most of the actors/actresses could have been removed from the scenes, and you wouldn't have noticed almost any changes. Any of them stands out amongst the others (with some respectable exceptions as Angela Molina, who is quite under-used in the cast).After seeing half of the picture (yes, you are correct: I won't stand the fully 140' runtime) I really can't say what is this movie about. Neither can say anything about the characters. I just remember a boring, boring, boring feeling during the past 1h10': There are just two or three different scenes, repeated and combined until you certainly know what's coming next. Music is exhaustingly dramatic and monotonic.The good thing: The epoch costumes and the sets, which is not still enough reason to watch this movie.I haven't seen any passion, power nor interest. And I don't care where the plot is going to the other half picture; It shall go without me.