poe426 Ma (Chen Kuan Tai) settles in at a local flop house where he's befriended by a "little hillbilly" named Xiao. Ere long, our hero begins to pine for some of the better things in life- and, when he sees Tan (David Chiang) being treated like royalty, he decides that THAT's the way to go. Not unlike DUEL OF THE IRON FIST, THE BOXER FROM SHANGTUNG is a Triad movie loaded with hatchet-wielding hatchet men (led, in this case, by Ku Feng as Boss Yang). Along the way to becoming Tan's man in the area, Ma defeats a Russian wrestler. When Tan is ambushed and murdered, Ma sends Xiao packing and sets out to avenge his idol. As in many of Chang Cheh's movies, women are left sidelined watching the action (or seen leaving town, as in this case). While I've seen no trailers proudly proclaiming "No women in this one!", they might just as well have done one: Ma seems FAR more interested in Tan than the young lady who pines for him in the movie. Chang Cheh (thankfully) milks the gory finale for all it's worth (even literally bringing down the Green Lotus Teahouse, the way Jackie Chan would in THE LEGEND OF THE DRUNKEN MASTER). Another ten for Chang Cheh.

sidyaqub This 1970's Shaw Brothers studio epic from legendary director Chang Cheh still seems to be as increasingly watchable to this day.Chen Kuan Tai stars as Ma Yong Zhen, a street urchin in 1930's Shanghai who gets by washing carriages for the upper-class. But he desires more, he wants to have his own power, wealth and status in the city of Shanghai. After a couple of errands with the Four Dragon's gang, Ma gets the recognition he yearns for and is seen as a saviour to the poor and begins his parade by taking over districts in Shanghai. Soon the power and status he has craved for begins to crumble the inner-happiness he has longed for.The film has proved to be very influential to this day, as John Woo was assistant director and the Four Dragon's gang was also used in Stephen Chow's 'Kung Fu Hustle' (but known as the Axe Gang), the finale of Ryo Seung Wan's 'City of Violence' also bears resemblance to the finale of 'Ma Yong Zhen'. Chen proves to be a worthy lead as his appearance and performance comes as very empathetic and proves quite adequately in fight sequences. Chang Cheh regular David Chiang plays a small role but sadly shows very little martial arts skills. The fights are somewhat average, if not very bloody but the story line, the central performances, the cinematography and the music score make this film stand out as an evergreen classic. What drew me into this film was it's cool and slick opening sequence (kind of like Chang Cheh's 'Vengeance') it creates the atmosphere of mystery, danger, rage and excitement.All I can say is if you can see a worthy version of this movie (sadly there's no DVD released in the UK yet) go and see it. But I'm sure other DVD distributors in other countries have released the full uncut version of this classic.

Falconeer Before the advent of DVD media, films such as Cheng Cheh's "Boxer From Shantung" could only be seen in severely butchered form, complete with laughable and awful dubbing, fair to poor picture quality, always in "pan and scan" format with a percentage of the picture chopped out, and in most cases, with the harder violence removed as well. Finally "Ma Yong Zhen" can be seen the way director Cheh envisioned his passionate "rags to riches" epic, with "epic" being a suitable word as this film is quite big in scope, and surpasses the 2 hour mark. The tale itself is a familiar one to be sure; a young, ambitious street urchin uses his unique boxing skills and mental cunning to climb the bloody ladder of success, and fortune. But this tale has rarely been filmed so eloquently. There is so much to praise here, beginning with cinematography; forget comparing this film with the endless and uninspired kung-fu pictures made through the 60's to 70's. For the look of "Ma Yong Zhen" is that of a mostly beautiful art-house style production. This can finally be seen in it's original aspect ratio of 2,35 widescreen, and the difference is hardly describable. For years apparently, this was only released widely with a running time of just over 90 minutes, but the wonderful DVD from "Celestial Pictures" restores the feature to it's 124 minute running time. The lead character, played by Chen Kuan-tai, is really superb in his role as the ambitious 'Ma'. He possesses a strange, utterly unique physical beauty which somehow elicits sympathy from the viewer. The film reminded me a bit of 1983's "Scarface", as the stories, as well as the extreme violence are similar themes within both pictures. However Chen's character never loses touch with his own humanity, unlike Tony Montana, who became a monster. And I must agree with another poster who described the feeling of "sadness" that envelops the film. Much of it is quiet, subdued, featuring some haunting, and totally unobtrusive musical score. Of course this is misleading, as the film explodes with a brand of violence hard to describe, for the films breathtaking climax. That new DVD also features the original Mandarin language audio track, and hearing the original language is the only way to see this. There are English subtitles as well. Recommended viewing for anyone curious to see a how a traditional kung-fu film can be transformed into a work of art.

mj970128-1 Occasionally too gluey Eastern about the rising of Ma Yongzhen [ Chen Kuan Tai, in the German title he's giving a pirate, not a boxer ] , who hast to recognize later, the air up there is quite thin. The formal data's of the movie are quite impressing: John Woo as assistant director, Chen Kuan Tai became one the Top Actors thru it, it's with KING BOXER and FIST OF FURY one of THE influential movies of the time, followed by a somehow sequel [ IRON MAN ] and a remake [ Corey Yuen Kwai's HERO, with Takeshi Kaneshiro and the then-comeback of Yuen Biao ]. An epic is aimed, the premise is well, but due to the missing pace and the lacking dramatic and elaboration it isn't reached. The action scenes are either rigid or way too exaggerated, and some sequences could have been cut; a running time of 2hrs is too much for that. For example the Wrestling episode, which is terribly long, but also some sections with Ching Li as eye-catcher and secret love interest of Ma Yongzhen, which adds nothing at all to the film. So there's only struggle to the next, the opponents are always increasing, Ma himself is little impressed by that. At the end he runs around a tea house, collapsing it and beating the sh*t out of estimated 200 thugs, and already has an Axe cut in his belly. Thats too silly.Movie has sure his strengths, production values is as high as the body count, Chen Kuan Tai does very well in his first leading role, there's an expanded cameo of David Chiang and the gangster story is something new, compared to the usual revenge - plot. The prologue and epilogue are quite fine, between them is a good film, but not an outstanding one.