The Bronze Screen: 100 Years of the Latino Image in American Cinema

2002 ""

The Bronze Screen: 100 Years of the Latino Image in American Cinema

7.1 | 1h30m | en | Documentary

Documentary about the presence of Latin American culture and actors in American movies.

WATCH FREEFOR 30 DAYS

All Prime Video
Cancel anytime

Watch Now

7.1 | 1h30m | en | Documentary | More Info

Released: June. 06,2002 | Released Producted By: , Country: United States of America Budget: 0 Revenue: 0 Official Website:

Synopsis

Documentary about the presence of Latin American culture and actors in American movies.

Stream Online

The movie is currently not available onine

Cast

Benicio del Toro , Anthony Quinn , Dolores del Río

Director

Nancy De Los Santos

Producted By

Watch Free for 30 Days

All Prime Video Movies and TV Shows. Cancel anytime.

Watch Now

Trailers & Images

Cast

Benicio del Toro

as Himself

The Making of: The French Dispatch P FKN R The French Dispatch No Sudden Move Other Music Raúl Juliá: The World’s a Stage Dora and the Lost City of Gold Sicario: Day of the Soldado Escape at Dannemora

Anthony Quinn

as Himself

The Magic of Fellini Avenging Angelo The Bronze Screen: 100 Years of the Latino Image in American Cinema Seven Servants Gotti A Walk in the Clouds Somebody to Love This Can't Be Love Hercules in the Underworld

Dolores del Río

as Herself

Complicated Women The Bronze Screen: 100 Years of the Latino Image in American Cinema More Than a Miracle Cheyenne Autumn Flaming Star La Cucaracha Torero! The Boy and the Fog The Fugitive

Reviews

Mozjoukine The Latino presence in Hollywood movies is a good subject and this is an ambitious attempt to square up to it.BRONZE SCREEN has two faults. It races through material we'd like to see explored at greater length - the Spanish Dracula for one and it is conformed to the model of all these, determined to show Hollywood as a perpetrator of evil stereotypes. Yes, Chris Pin Martin did spend his screen life trying to shoot John Wayne in the back but I'd like to see a more studied argument.Getting so much material, usually in good copies, must have been a major undertaking and some of the factual material is new but the downside is that things register as superficial.The best segment gets away from the usual model and shows the work of Latino cameramen effectively, including non Hollywood material. A complete film on this trying to define a Hispanic look would have been a more worthwhile undertaking.Nice to find Pablo Ferro still at work on the graphics.