robert-temple-1 This is a French film directed by the Spanish director Bigas Luna, who has done a very good job with a difficult and ambiguous subject, which alternates between reality and fantasy so often that it is like a shuttle service. One really does not know from one scene to the next whether something is really happening or is being imagined. That is a tightrope, but Luna does not fall off. In this, he is assisted by the dreamy performances of Olivier Martinez (half French, half Spanish-Moroccan) and the well known Spanish actress Aitana Sanchez-Gijon. Both of them keep us wondering all the way. The only solid earthy figure is Romane Bohringer, being as Anna Magnani-like as possible, a young earth mother, but still an earth mother. There is lots of passion, it's all over the place. Sometimes it is real, sometimes it is fantasy. One never knows for sure about some of it. When Martinez is telling his stories, his quiet, introspective but commanding presence effects us as much as it does his audiences in the film. Romane gets a bit carried away by the myth of the chambermaid and wishes to become the chambermaid, wishes to be sprayed in champagne. The chambermaid was not listed amongst the survivors of the Titanic, so this creates a story steeped in tragedy. People like tragic passion best, because it is unattainable by definition, and can never disappoint. Or can it? Perhaps things are not entirely as they seem in more ways than one in this story. This film shows clearly how love and sensuality thrive in the hothouse of ambivalence and ambiguity: does someone really exist? Do they feel love too? Is the love simulated? Can any passion be trusted? Ultimately, it comes down to this: is reality even real?

jimpoz I've renewed my interest in Titanic over the past year or so and happened across this movie. I thought it was an OK movie after I saw it about two months ago but since then there's been an aspect that I can't get around.I can go for how the townspeople were entranced by Horty's stories. They knew him, after all. But once he took the performance on the road and was charging admission to complete strangers, things changed; the least of which is that since they didn't know Horty, I don't think they'd relate to him the way the townspeople in the tavern did.Imagine you were one of his audience members, seeing his show in the weeks following the disaster.To imagine yourself as a member of the audience at that time, imagine that it's November 2001 and you're going to the show of someone claiming to be a survivor of the World Trade Center. You sit there and listen to the speaker go on and on about his torrid love affair with the coffee shop girl on the 80th floor sky lobby. Wouldn't he -- and you, for that matter -- be more interested in what it was like to survive the disaster? And after we've seen the pictures of the poor souls plunging from the buildings, and keeping in mind that the 9/11 lost are as dead as those on Titanic, wouldn't you think that having a set with the side of the building and an actress pantomiming the death plunge, much as Zoe was mimicking the drowning Marie, be in incredibly poor taste? That aspect of his production alone would make me consider Horty to be a shameless opportunist, regardless of what he actually said.

SUPERNOVA HEIGHTS "La Femme de chambre du Titanic" is one of the best film by the spanish director Bigas Luna and my opinion it is the only one.The reason is because is very different,it is not like the other films,which serve us sex scenes.This film is romantic and present the fantasies of a middle class man (Olivier Martinez)when he win a ticket to the departure of the titanic.There,in England he knows a beautiful woman,Marie,and she pass a night with him in his hotel room.then,when he returns,He tell stories in the bar and people heard them very carefully so he imagine new stories.There is no explicit sex like in "Son de mar" or "Jamon,Jamon" and this is good because "la femme de chambre du titanic" Becomes Romantic and perhaps a little bit erotic

NJMoon Perhaps one of the most intriguing stories to board the Titanic craze is this exquisite tale of a foundry worker and a chambermaid. Never actually setting foot on the famed vessel itself, the action centers on a night in a Southampton hotel the night before the ill-fated vessel left England for the first and last time. That night, roomless title maid Marie who works for the line not the hotel) knocks on the door of handsome Horty, who has won a contest at the French foundry where he works and is rewarded with a trip to see the eventful sailing. Because Horty's boss has eyes for his lovely wife Zoe, she remains at home, leaving Marie and Horty to their own devices. Horty returns home having been faithful, but is unsure if his wife has done the same. From then on, Horty's barroom revelations of his encounter with Titanic and maid become more and more embroidered. Both to anger Zoe and to please his audience, Horty's stories become nothing short of hallucinatory. After the liner's sinking, Horty's fate is sealed as a virtual one man show, relating what is now nearly all fiction, including his presence on the ship the night it went down.But the fickle hand of fate that took the Titanic to a watery grave has just as unexpected plans for Horty and Zoe, who now "plays" Marie in a full-length stage production of Horty's story. The final act of this impressive motion picture is just as dramatic and humbling in it's way as the story of the liner itself.Director J.J. Bigas Luna peppers this French language feature with water imagery, forshadowing the Titanic's fate and a crucial plot point for Marie and Horty. A letterbox video release is terrific except for that the subtitles are a bit small. See it on a bigscreen TV. Although, there's no sinking to gape at, the human drama is also of titanic size.