utgard14 The original Fox Charlie Chan movies with Warner Oland were the best but the Sidney Toler Fox movies were pretty good, too. When the series (and Toler) moved to Monogram in 1944, it resulted in a sharp drop in quality. There were still a few watchable movies left but nothing to brag about. As it went on, Toler's performance got worse along with the general quality of the movies themselves. It got to the point where all he did was show up, half-remember the poorly-written lines of dialogue, and occasionally throw in one of the irritating feces-eating grins of his that were so commonplace in the Monogram films. After Toler died, Roland Winters took over for the remainder of the series. This is the first of the Roland Winters Chans and, yes, it is terrible. All of the Winters films are garbage and the worst of the entire Charlie Chan series from Fox to Monogram. It's truly sad that several early Warner Oland Chan films have been lost to time but these have survived.The plot here is a remake of Mr. Wong in Chinatown with few changes. Roland Winters is a dull, lifeless Charlie Chan. He seems to be trying to emulate Oland more than Toler. He fails more than any person has ever failed at anything ever. Mantan Moreland is still in the series as comic relief Birmingham Brown. As there are no "spooks" for him to be afraid of in this one, he serves no purpose. He appears to have lost some weight and looks older since his last appearance. Victor Sen Yung returns but, for some bizarre reason, he's now Tommy Chan instead of Jimmy! Tommy, for those who know the series, was the terribly dull son played by Benson Fong in most of the Toler Monogram films.The writing had been crap for the entirety of the Monogram years but here it's at an all-time low. So don't expect any witty Chan aphorisms from Winters. Here we have this gem: "Strange events permit themselves the luxury of occurring in strange places." Just stupid. There's nothing about this I can or would recommend. Avoid at all costs.

zsenorsock Roland Winters steps into the role of Charlie Chan for the last of the great detective's final six outings. First we see the now familiar Chan home in San Francisco (has he separated from his wife? Where are all those little kids we used to see?) then the familiar Birmingham Brown who then goes to the new Charlie and tells him he has a mysterious visitor. Soon after they are joined by Victor Sen Young, still playing number two son but now called Tommy (the name of Benson Fong's number three son) instead of Jimmy. This film is a lot more atmospheric than Toler's last outing in "The Trap" and the script makes a bit more sense but there's a sense that the party is over and they're just playing out the string here. Roland Winters doesn't contribute much as Chan and fails to make any impression other than that of a road show Charlie Chan. This film is more interesting as a curiosity than as a film. It is only interesting if you're watching to see what the new Chan is like. The answer: not too good. And the next five were pretty much downhill from here.

Michael O'Keefe Princess Mei Ling(Jean Wong)goes to the San Francisco apartment of Charlie Chan(Roland Winters). After she is led to the den by manservant Birmingham(Mantan Moreland), she is murdered via poison dart gun. She manages to leave a written clue on a note pad that leads to Captain Kong(Philip Ahn), whom she has made a million American dollar deal to ship airplanes to Chinese freedom fighters. But Kong is not the only Captain K involved in this deal. However, who would be better off that the princess is dead? Chan is aided by police Sergeant Davidson(Warren Douglas)in spite of the pest of a newspaper reporter Peggy Carpenter(Louise Currie), who wants the exclusive story of the murder of the princess. Not real fond of Winters playing the lead role. He is the palest Chinese/Hawaiian detective Chan ever. Also in the cast: Byron Foulger, Thayer Roberts and Cha Bing. And not understandable to Chan fans is that Victor Sen Young in this flick has changed his name from Jimmy to Tommy(who used to be #3 Son played by Benson Fong). Change is not easy to accept. But a Charlie Chan mystery seems always to be worthwhile.

admjtk1701 This was the first Chan film with Roland Winters in the title role. It is a remake of Monogram's "Mr. Wong in Chinatown". This is okay as Monogram Chans go. The supporting cast is pretty good for this studio with Philip Ahn standing out. An interesting search for a mysterious "Captain K" makes it fun.