osmangokturk
I watched this move without understanding all the conversations. But I guess the idea is transferred through the emotions. First of all, it is a good trial to analyze the concept of the "Community". I graduated from a boarding school, sometimes I miss the atmosphere of it, and I dream an utopic commune life, where people share and make life easier. The Director touches on ore intense and sad moments than happier moments. In this regard it is not an fantasy but more close to the reality. Often we encounter hard moments due to the new love affair of Eric, but nobody step back from the set up, in another word the Commune continues and people stay in it. In a family we can have sad and happy moments like sickness of the kids, even their loss, kids growing and having companions so in a Commune life. Maybe in a commune we can overcome more easily. The movie focuses of the emotions of a Woman, Anna, who loose her husband to a more younger woman., Emma. Anna accept Emma and approve her stay in the Commune, with some hard emotions later. Anna enters into deep depression, loses her job and finally loose the race and leave the house. It seems that it is Anna who loses this game.The movie concentrates on the emotions of Anna, and do not much delve into others lives apart from that of Eric, Anna and Emma. The movie could tell more about the benefits or the functioning of a Commune life.As a good trial to explore a hard topic, it deserves a watch.
pacolopezpersonal-22057
Thomas Vinterberg performs an experiment / study of the human personality by gathering a gallery of characters (with whom it is difficult to identify yourself personally) and placing them in an extreme situation of coexistence. The supposed pragmatism or cold- blooded of Nordic people to face problems, here blows up. The ability of the director makes the viewer to take part inadvertently in the plot of the film as one more character of his work. Anna, TV presenter. and Erik professor of architecture form together with his teenage daughter an apparently happy family with no more complications than "the problem" of managing the use of a big inherited house. So great the house that they decide to share the use. The new experience begins with great joy but ends up in a dramatic way by crushing the promoter of the idea of sharing the house. It is interesting to observe the behavior of the teenage daughter through the story and also trying to understand how difficult it can be for a teacher accustomed himself to dominate students and situations from a position of strength to have to give up the domain of his house and almost his way of life for the general interest of a group composed by people whose specific weight is equal to nothing; the parasite that barely contribute, the "bums" that do not compromise themselves in anything, a liberal couple contributing to the experiment with a sick child who possibly might have been better brought up in the privacy of a normal home, etc. In summary, this film is full of teachings and is a great exercise in the expression of different behaviors, through the coexistence of a group of people with whom (out of the movie) it would be difficult to establish a friendship and still less to share your life. Finally highlight the great interpretation of the wife versus the weak of Erik's lover. talking of actresses terms, of course. The plot is set in 1970 but this fact is totally irrelevant.
Paul Allaer
"The Commune" brings the story of Eric and Anna. As the movie opens, we see the couple looking at the huge house of Erik's deceased father. The couple really can't afford to keep the house, but at Anna's suggestion, they invite several other people to join them (and pay rent). All together, they are now 9, of which 2 kids (including Anna and Erik's 14 yr. old daughter Freja). Then, just as things seem to go quite well, Erik starts an affair with Emma, a 24 yr. old student of his. What impact will that have on the commune? To tell you more of the plot would spoil your viewing experience, you'll just have to see for yourself how it all plays out.Couple of comments: this is the latest movie from Danish writer-director Thomas Vinterberg, whose work includes 2015's "Far From the Madding Crowd" and before that, the excellent "Hunt" in 2012. Here, after going "Hollywood" in his previous movie, he returns to his Danish roots and brings us a story set in the 1970s, when the concept of morality and conformity were quite different from what we now know them to be. This movie turned out to be a bit different from what I expected it to be. It's not really about "hippies living together and being one with nature", but rather a study of what one man's affair means for the immediate group around him, including of course first and foremost his wife, a slightly aging but very popular TV news anchor. The film also spends quite of time looking at the 14 yr. old girl, and in that sense is also partly a coming of age movie. There are a couple of acting performances that will knock you out, none more so that Trine Dyrholm in the role of Anna, but Ulrich Thomsen as Erik certainly should be mentioned to.I recently saw "The Commune" at the Landmark E Street Cinema in Washington DC. The Saturday evening screening that I saw it at was attended okay but not super. That's a shame, but maybe this movie will find a wider audience on Amazon Instant Video or eventually on DVD/Blu-ray. If you are in the mood for a quality foreign film that is in part a relationship drama and in part a coming-of-age movie, I'd readily recommend you see this out.
zoranov
Less difficult to watch then The Hunt or Festen, Thomas Vinterberg's Kollektivet (The Commune) impresses with great cinematography and how successfully it seems to reconstruct the details of the sixties and seventies fashion in Copenhagen, Denmark. But at the same time, it fails to deliver a truly engaging story. It's an interesting story, it's an exotic story, but the situations presented are so unfamiliar for someone who hasn't even considered living in a commune that it simply makes the plot hard to relate to. The Danish director apparently grew in a commune, but that doesn't mean that the story is autobiographical. However, it is pretty obvious that such a subject couldn't be presented so convincingly by someone without the experience of living in a commune. European movies are more and more something of an alternative cinema treat and this movie is a quite a delight from that perspective. The alternative lifestyle of the protagonists is presented in such detail that it doesn't seem forced or artificial. Most of the characters have strong personalities, but these are kind of ignored, as the pace is too quick to stop for them. Ultimately, what truly sticks out in your memory hours even after watching the movie is a very sad love story. A story about allowing extreme changes to your lifestyle and then having to bear all the consequences, with all the associated happiness and tears. "Maybe this is what people use to do in the Northern parts of Europe, I don't know what to say" was the first reaction of someone in the audience that I overheard at the European Film Festival, after the Bucharest opening screening. I kind of agreed. It is quite difficult to relate to a movie about an extreme leftist commune from Denmark. However, if you like strange stories that show with great talent a historical time and place, then The Commune is something you might fully appreciate. Yes, the action could also take place in a more modern setting, as the world is full of communes. However, what really makes this movie watchable is the love invested in recreating the look & feel of a defunct 20th century decade as seen and felt in a Northern Europe capital by a truly talented and hard- working director.
AD
