The Dolls

The Dolls

1965 ""
The Dolls
The Dolls

The Dolls

6.1 | 1h47m | en | Comedy

This semi-amusing sex (romance) comedy has four separate stories: "The Telephone Call", written by Rodolfo Sonego, directed by Dino Risi. "A Treatise on Eugenics", written by Tullio Pinelli from a story by Luciano Salce and Steno, directed by Luigi Comencini. "The Soup", written by Rodolfo Sonego and Luigi Magni, directed by Franco Rossi. "Monsignor Cupid", written by Leo Benvenuti and Piero de Bernardi from a story by Boccaccio, directed by Mauro Bolognini.

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6.1 | 1h47m | en | Comedy , Romance | More Info
Released: February. 02,1965 | Released Producted By: , Country: Italy Budget: 0 Revenue: 0 Official Website:
Synopsis

This semi-amusing sex (romance) comedy has four separate stories: "The Telephone Call", written by Rodolfo Sonego, directed by Dino Risi. "A Treatise on Eugenics", written by Tullio Pinelli from a story by Luciano Salce and Steno, directed by Luigi Comencini. "The Soup", written by Rodolfo Sonego and Luigi Magni, directed by Franco Rossi. "Monsignor Cupid", written by Leo Benvenuti and Piero de Bernardi from a story by Boccaccio, directed by Mauro Bolognini.

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Cast

Virna Lisi , Nino Manfredi , Alicia Brandet

Director

Franco Rossi

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Reviews

shepardjessica This semi-amusing sex (romance) comedy has four separate stories of equal quality, with the first one being slightly better. The 1st episode with the enchanting Elke Sommer is lovely and touching and if there is an actress with a sweeter smile than Ms. Sommer's, I don't know who it is. The 2nd one about a love-starved husband trying to get his wife's attention while she reads or talks on the phone is a crack-up. Nino Mandredi (husband) is brilliant with his comic timing and frustration and the gorgeous Virna Lisi is stunning as always.The 3rd one with the lovely Monica Vitti runs out of steam but Monica Vitti was a wonderful presence in foreign films of the 1960's.The 4th with the curvaceous and sexy Gina Lollobrigida (with either blonde or red hair) is helped immeasurably by the bovine presence of Akim Tamiroff. None of these episodes are classic, but I spent a pleasant 2 hours watching them. These "teasing" "sex" comedies have a life of their own, although I wish Elke Sommer hadn't been dubbed. Oh well! A 5 out of 10.
debblyst OK, just a nice pastime, nothing memorable. But if you do get to see this one, enjoy gorgeous Virna Lisi (how beautiful and sexy she was!) lazily talking on the phone with her mother while husband Manfredi tries to make love to her. See Lollobrigida's determination to woo young religious Sorel, with delightful Akim Tamiroff clowning around. See Monica Vitti's turn of the table playing an utterly unglamorous but very funny rôle, showing the supreme comedienne she is. Unfortunately, only Elke Sommer's episode is just a one-joke unfunny bit. But one thing is certain: they sure don't make beautiful and accomplished stars like these anymore!!
hugobolso-1 Italians are good sexy story telling. And this picture is not the exception. There are four story with 4 of the biggest sex symbol of the sixties. Virna Lissi, ELke Summer, Monica Vitti and Lollo. The number too and three are only ok. But is terrible funny and sexy the first and last story. The first one is about a young marriage of a gorgeous mommie's girl (Virna Lissi) and a terrenal man (Italian capocomic Ninno Manfredi. He wants have sex with his young babe, but her mother called. And she prefers to talk with her mum that be care of her husband. So he decide to have sex with the more complacient neighbor. And number 4 of one of the most beautiful women of all Ttime Gina Lollobrigida who play a wife who wants to seduce the innocent bishop's nephew(Jean Sorel. Lollo here shows all her histrionic (excellent comediant) and physical (see in that suit)talent.
Stefan Kahrs Italians were always fond of episodic comedies, and this falls right into the heydays of this genre, the 1960s. For its time it was regarded quite juicy, both in the subject matter (love, wooing, seduction, etc.) and its visual realisation; Ms. Lollobrigida even got into some trouble with the authorities over her sexy dress. Clearly, times have changed - just three or four years after it was made nobody would have raised an eyebrow. The film 'feels' a bit like "Sex in the City (1998)" transferred into a 1960s mediterranean environment.Changing attitudes is more a problem than an asset for the film today: it needs to unease and shock people just a little in order to keep its audience on the edge, without alienating a mainstream crowd. If the shock's gone much of the interest's gone. What remains is an interesting document of morals in the mid 1960s.Unfortunately, the Amazon release (double feature with Sweet Ecstasy) has rather poor picture quality and can only be recommended for Lollobrigida-completists.