rodinnyc
I watched this on CUNY TV. I was curious and stayed because it had enough elements to be entertaining. Ralph Cooper is handsome and likable. I didn't even realize that Lena Horne was the beautiful singer. I thought she was a Lena Horne knock off. She seems to have been required to slim down and had better glamour treatment in Hollywood films. Interesting because of its use of black actors and performers in ways they couldn't be shown in film other than those made for black audience. Talented singers and dancers and a window into what the TOBA houses were like in the south. And an extended snake oil routine of the rural south. Even the diner with its ham and eggs special is interesting as an historic window on life eighty years ago. I'm glad Lena Horne was able to make it out of this niche market even if she was still relatively isolated in the roles she could play.
arfdawg-1
Duke Davis has invested all his savings to back his sweetheart, Ethel, in a road show over the old T.O.B.A. circuit, on which they have both been performers since childhood. Marshall, a New York talent scout, makes an offer to Ethel as a single and, to induce her to take it, Duke writes a fake check, made out to him, for $5000 pretending he has sold his contract with Ethel to Marshall. Resentful and heartbroken, she accepts and becomes a big hit in New York. Marshall then books her at the swanky Century Club, plans her show himself, and it flops miserably. Meanwhile, Duke has used his last resources to start a new show, but without Ethel it also fails. He joins the Doc Dorando medicine show, and with him as the speiler for the quack elixir sold by Dorando, it is successful. He becomes Doc's partner with an elaborate trailer and a company of entertainers, including Willie Covans, the Basin Street Boys, The Cats and the Fiddle, "Rubberneck" Holmes and Joe Stevenson. Money is rolling in.LIght skinned blacks in a black only produced film from days gone by. Fairly typical of the genre. Largely important for Lena Horne.
zetes
This all black film was Lena Horne's screen debut. Made for black audiences, it was re-released after the cross-over success of her two great 1943 films, Cabin in the Sky and Stormy Weather. The Duke Is Tops is a typical film about stage performers, and it is certainly a B movie. Duke Davis (Ralph Cooper) and Ethel Andrews (Horne) are a songwriter/singer team. When Ethel gets bigger offers, Duke can't come with, so he breaks it off hard with her so she'll have no regrets. He travels to the South with an old friend who is selling cure-all elixirs from his wagon; meanwhile, without Duke's behind-the-scenes work, Ethel is a flop in New York. It's all fairly mediocre. Horne would become a much better actress in her later films. Fans of the singer will probably be disappointed anyways, as she is only in the film for about 15 minutes. Cooper is the star. But there are several wonderful musical performances that make the film much more worth watching than it otherwise would have been. For a much better film of the same time, definitely check out Stormy Weather, which is probably the pinnacle of the all-black films of this era. 6/10.
Gary Imhoff
The Duke Is Tops is a black version of the white show business and Broadway movies popular in the 1930's. It has the struggling broke producer, the young performer who becomes a star overnight, and the medicine show to Broadway (or in this case fashionable Harlem nightclub) plot. It is best known as the debut movie of a beautiful, 21-year-old Lena Horne, but its real star is Ralph Cooper, who gets a brief opportunity to show his singing and bandleading abilities, as well as to dance a few steps. Much of the acting is stiff and the film's editing is crude, but it has all the pleasures of an early black musical -- specialty singers, eccentric dancers, and pretty chorus girls in skimpy bikinis -- as well as a more substantial script than many other black movies of its day (or of today, for that matter).
AD
