The Edge

The Edge

2010 ""
The Edge
The Edge

The Edge

6.5 | 1h55m | PG-13 | en | Drama

The action takes place shortly after the end of the Second World War in the Siberian hinterland, among Russians and Germans with damaged personal stories and a strange transformation: the victors seem to be crawling into the skins of the defeated, and vice versa. Ignat, is the embodiment of the larger-than-life image of the Soviet victorious warrior who, in fact, proves to be shell-shocked, sick and broken, although not completely destroyed. Trains become fetish for the heroes of the film, and speed becomes a mania; they virtually become one with their steam engines, while the machines take on human names. The heroes set up an almost fatal race in the Siberian forest, risking their own lives and those of others.

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6.5 | 1h55m | PG-13 | en | Drama | More Info
Released: November. 11,2010 | Released Producted By: Rock Films , Country: Russia Budget: 0 Revenue: 0 Official Website:
Synopsis

The action takes place shortly after the end of the Second World War in the Siberian hinterland, among Russians and Germans with damaged personal stories and a strange transformation: the victors seem to be crawling into the skins of the defeated, and vice versa. Ignat, is the embodiment of the larger-than-life image of the Soviet victorious warrior who, in fact, proves to be shell-shocked, sick and broken, although not completely destroyed. Trains become fetish for the heroes of the film, and speed becomes a mania; they virtually become one with their steam engines, while the machines take on human names. The heroes set up an almost fatal race in the Siberian forest, risking their own lives and those of others.

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Cast

Vladimir Mashkov , Anjorka Strechel , Yulia Peresild

Director

Vera Zelinskaya

Producted By

Rock Films ,

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Reviews

paulclaassen Even now I wonder what the film's motive really was. From the start, the protagonist doesn't really have a goal. He seems to be a drifter landing a job as a train driver, but then the film doesn't give the character a goal. He simply finds ways to overcome obstacles in his way as he moves along. Having said this, though, for a film with little to no goal set for the main character, it was surprisingly interesting. Almost the entire film is set on trains, and I really loved that! This film will be an absolute feast for train enthusiasts. Vladimir Mashkov lent a wonderful charm to hard-ass character Ignat. Vladimir was an excellent choice for this role. The rest of the cast was also very good, and the cinematography was also excellent.
Lee Eisenberg World War II has been one of the most common subjects in cinema for the past seven decades. Practically every country involved in that six-year conflict has made movies about it, including Russia. One example is Aleksey Uchitel's "Kray" ("The Edge" in English), Russia's submission for Best Foreign Language Film at the 83rd Academy Awards.Most of the movie is set in the aftermath of WWII, in a Siberian camp for Soviet troops who had been POWs in Germany, now sent to the camp for "re-education". One of the people there is war hero Ignat, who had wrecked a train. But when he ventures out on a hunch, Ignat finds what could be a new path in life...even if it angers the commissar.To me, the trains represent the struggles that the people in the Soviet Union had endured under Nazi occupation, but also the understanding that the way forward was not going to be an easy task. While the movie doesn't have the intellectual profundity of some Russian movies that I've seen, it does make clear that mere suspicion of collaboration with the Germans could have dire consequences. It's not a masterpiece, but I like how it develops the characters, especially Elsa.Other Russian movies about WWII that I recommend are "The Cranes Are Flying", "Cuckoo" and "Our Own".
plamya-1 This film clearly aims to present the immediate post-WWII Russian/Soviet landscape in a way that is not breathtakingly new, but satisfyingly authentic for middlebrow audiences, East and West. In this way, it reminds most of the Finno-Russian production, "The Cuckoo." The heroes are not larger than life, no better than they need to be (when the Russian heroine is asked why she prefers the newly arrived hero to her former lover, she answers, "because he has more of the devil in him"); the national prejudices create tension, project an atmosphere of cruelty, even brutality among characters who clearly have a stake in reaching mutual understanding. The cold is palpable, as is the primitive living conditions. No wonder the power and beauty of the locomotives provide romanticism and sense of adventure for all.A large part of the suspense comes from just trying to figure out the back story and the relationships among the characters. The political atmosphere is understated enough, I think, so thoughtful audiences have something to "read between the lines," and those who want an adrenaline rush will not be disappointed.
jmaggot Saw the film last night at the Aero Theater in Santa Monica as part of a special Golden Globe viewing. The subject matter of German/Russian relationships, especially during WWII were some of the darkest moments in either countries histories, so this is not an easy subject for film. I was expecting something dark and brutal, which was not the case. This film utilizes black humor very well, akin to the Czech Film Divided We Fall, but it is not a comedy. The relationship between Germany and Russia before, during, and after WWII, including what the governments want us to believe is skilfully examined via the universal truths of the human experience of the characters in the film. Although this is a Russian film, this does not mean the film is any less relevant to a German audience. You do not need to know a lot of Russian German History to understand the film, but there is one key date you do need to know, that is June 1941, when Germany broke the alliance with Russia and invaded. Great film, hope it wins.