cultfilmfreaksdotcom
When Dianne Hull's otherwise energetic and sexy college student/disco queen Kelly wakes up in a mental ward (like Dorothy back in Kansas), surrounded by onlooking patients with endearingly unique personality traits, you'll think this was a heartfelt made-for-TV movie. That's until the full frontal nudity occurs within that fifth floor, a mental ward that isn't such a bad place after all.Except for Bo Hopkins as Carl, who seems like a nice enough attendant but he's dead-set after Kelly's body. He's already raped another inmate, that being scene-stealer and poster girl Shannon Farrell as Melanie. With shaggy dirty-blond hair and an eclectic range of emotions, she's the person most effected by what our main character Kelly should be more effected by: being stuck in a blue-walled purgatory that offers random electroshock therapy like peanuts at a ball game.Kelly, falsely accused of attempting suicide, had been intentionally poisoned. There doesn't seem to be any way out of the ward except one successful escape that doesn't last very long since Kelly's boyfriend (John David Carson) is in cahoots with the friendly head doctor (Mel Ferrer). Meanwhile strict nurse Julie Adams has real Nurse Ratched potential but turns out sweet and friendly, making Bo the sole antagonist.With frightfully promising taglines like "Once the door closes here, it never opens" or "The Nightmare is knowing You're Sane," it's much too cozy a cuckoo's nest for our sexy and vulnerable ingénue, who winds up teaching the patients how to disco dance and assert themselves... That is, except for Sharon Farrell's emotionally-scarred Melanie, stubbornly remaining the only worthy example of (what could have/should have been a much edgier version of a) character-driven 1970's exploitation that, despite the flaws and missed opportunities, is still somewhat intriguing. Other inmates including Patti D'Arbanville (BIG Wednesday), Robert Englund (the original Freddie Kruger), Anthony James (who starred in THE TEACHER also directed by Howard Avedis), and Earl Boen (the doubting Thomas of the TERMINATOR franchise) add little to the overall melodrama but it's a nice bouquet of character-actors nonetheless.
adriangr
The Fifth Floor is an engaging piece of work that was much better than I expected. Using a tag line like "From the disco floor to the insane asylum" is asking for trouble but the film deserves better than that.Dianne Hull plays Kelly, a friendly girl who works at a disco club (not sure what as!), who has a sudden seizure one night while dancing and is rushed to hospital. When it is found that she has strychnine poisoning, Kelly claims that she has been poisoned, but alas for her, no-one believes her and she is sent to a psychiatrist as a possible suicide, which, due to a few more misunderstandings, leads her to being incarcerated on the "Fifth Floor", which is a special secure ward for the insane. Can she establish her sanity and get out of the place and back to normality? What I liked about the film is that it plays the scenario of Kelly's plight out quite seriously. The more she complains, accuses the staff of lying and refuses to take treatment ( a very good performance here by Dianne Hull), the more deeply she gets herself trapped. While watching you find yourself thinking: "Yes I guess that's exactly what a mad person would do and say as well", and her plight struck me as all too believable. The biggest spanner in the works for poor Kelly is a corrupt and lascivious orderly called Carl (effectlively played by Bo Hopkins) who likes to sexually assault the younger female inmates and then blame their later accusations on hysteria. He takes a shine to Kelly and the two scenes in which he abuses her are quite unpleasant. Thrown into this are some good minor performances by the other inmates that Kelly befriends, including a pregnant girl called Cathy and a seriously unhappy and troubled woman named Melanie, played with genuine feeling and impressive intensity by Sharon Farrell.So, although the plot is nothing new (sane person committed to an asylum by mistake), the film does a good job of handling it. Although the situation is kept small scale, you can certainly feel for the central character, and with great performances all round and a couple of rather surprisingly brutal scenes, it all goes towards making "The Fifth Floor" a place you really should visit.
mcdamsten
Although this was made in 1978, I recall seeing this with Don't Go In The House in 1980 at the drive-in theatre. Oddly enough I was attending psychiatric technician training at the time. Bo Hopkins after introducing himself to the unfortunate disco heroine as 'your friendly psychiatric technician' goes on to deliver a good performance with convincing menace beneath a superficial cheery 'therapeutic' demeanor. Sharon Farrell is convincing as a patient. The always creepy Anthony James gives one of his best performances and, horror fans, Robert 'Freddie' Englund is also on hand as a patient. Toss in some disco and you got some kind of late 70's semi-classic drive-in entertainment.If nothing else, watching Bo Hopkins puffing on a cigarette as he worked reminded me of 1980, when it was commonplace to see staff and patients smoking on a unit. Note too, that Bo appears to be working AM, PM (Swing) and Noc shift in this movie. No doubt racking up some good OT money but perhaps driving himself to some of the behaviors he displays. (For me) nostalgic fun ** out of *****
Vince-5
The Fifth Floor is a fun little horror/women-behind-bars hybrid with a great cast. The story, about a go-go dancer railroaded into an asylum, is based on a truly horrifying premise: Under certain circumstances, everything you say or do can be interpreted as a sign of madness. This could've been a very dark, lurid nuthouse shocker, but, perhaps in a bid for respectability, the sleaze factor is considerably played down. The result is a lightweight cult creation that, although lacking in ferocity, still comes across thanks to good acting and a real sense of helpless fear in key scenes. Pattie Brooks sings a very catchy number called "Fly Away" in the opening disco scene. Not bad at all.
AD
