Spikeopath The File on Thelma Jordon is directed by Robert Siodmak and written by Ketti Frings and Marty Holland. It stars Barbara Stanwyck, Wendell Corey, Paul Kelly, Joan Tetzel, Stanley Ridges and Richard Rober. Music is by Victor Young and cinematography by George Barnes.Assistant district attorney Cleve Marshall (Corey) falls for Thelma Jordon (Stanwyck) after she seeks help solving a problem with prowlers and burglars. But is there more to Thelma than meets the eye?Probably due to availability issues in home viewing formats, this appears to be one of film noir legends Siodmak and Stanwyck's under seen pictures. Which is a shame, for although it is often tagged as something of a lesser value Double Indemnity, it's a noir that noir lovers can get great rewards from.As we are in noirville the plot isn't at all surprising. Stanwyck fronts up for what we expect is femme fatale duty, Corey looks to be on course for being a hapless loser dude, Kelly is up for some tough copper portrayal, while Rober stalks the edges of the frame as bad news bloke. A despicable crime is at the core of the story, and characterisations are straight out of the dark alleyway (Thelma has murky secrets and ideals, Wendell is unhappily married with a drink problem). Running at 100 minutes in length, the pic does feel a touch too long, especially given that the first thirty minutes is focused on building the principal players, where they are at in their life and the build up of their relationship. This asks for faith in staying with the piece, in hope it rewards for the following hour plus. Thankfully it does.As the crime arrives, we are treated to noir nirvana as per style of film making. It's the middle of the night in a house menaced by shadows as the wind bashes an open window shutter. For a good twenty minutes, prior to - during - and post the crime, the house is a scary monstrous place, perfect for a dark deed to be enacted. The great Siodmak (The Killers, The Spiral Staircase, Criss Cross) is in his element on this, where aided by the superb photographic skills of Barnes (Rebecca, Force of Evil), the staging of scenes and the visuals enhance the moody machinations of the plot. As does Young's dramatic musical score. So with acting performances comfortably on par for the good, the tech credits are high.Irks come with that drawn out first third of film, and the ending poses some question marks as well. Personally I would have liked it to have finished five minutes earlier, but as it stands there's a sort of double whammy with the finale. Some will find it contrived, others will applaud the ultimate outcome since it doesn't cop out. Either way, this is a noir film worthy of seeking out for the like minded purveyors of such things. 7/10

Claudio Carvalho The Assistant District Attorney Cleve Marshall (Wendell Corey) has an unhappy marriage with his wife Pamela Blackwell Marshall (Joan Tetzel) due to the interference of her father, Judge Calvin H. Blackwell (Minor Watson). He decides to drink in his office after hours instead of going to the birthday party of Pamela. Out of the blue, a woman named Thelma Jordon (Barbara Stanwyck) arrives at the office looking for Cleve's boss to report an attempt of robbery of her wealthy Aunt Vera Edwards (Gertrude W. Hoffman) and she ends the night drinking and dancing with Cleve in a restaurant. Soon they have a love affair and Cleve falls in love with Thelma. But he does not know anything about the past of the mysterious Thelma. When Aunt Vera is murdered at home, Thelma calls Cleve to help her since she would be the prime suspect of shooting her aunt. He covers up the evidences that might link Thelma to the death becoming her accomplice and is assigned to be the prosecutor of her judgment. What will happen to Thelma and Cleve?"The File on Thelma Jordon" is a fine film-noir directed by the master Robert Siodmak. Barbara Stanwyck performs the typical femme fatale, seducing the assistant DA Cleve Marshall and destroying his life. The moralist conclusion could have been better but the film is worthwhile watching. My vote is eight.Title (Brazil): "A Confissão de Thelma" ("The Confession of Thelma Jordon")

Cristi_Ciopron Very, very good role by Wendell Corey, and very believable, his mistrust and power and commanding resourcefulness, as he is straightened by the events; with the part of Thelma, there's debatable: whether it is lifelike that her affections remains hidden until the denouement, or whether the actress should nonetheless of made it glitter, as it were, now and then (so, whether the leading actress was obtuse, or judicious). Thelma's lawyer stands out, too, with a very sharp performance. Barbara S. does one of her piquant housewife roles from the 2nd half of the '40s, with a mastery (not necessarily an ease) and strength that make her more convincing than appealing. I have tasted the leisure, the relish of one of those superior suspense dramas of the '40s, a movie equivalent of the human comedy, where the tropes of the age's cinema are simply lenses to the plot; and I have also tasted the fun, then the Gothic tonality of the dark old house sequence, with the servant nearing the mansion while the two lovers are fixing the murder scene. I have thought about 'Martha Ivers'; this is grimmer, more suspenseful, tauter than the other movie, and also much more of a romance than a study of jaded people, 'Thelma' is indeed the movie about a 'strange love', and it gains depth, but, thanks to Wendell Corey's role, there's always this undercurrent of passion and depth. Less analytical, as convincing, and very satisfying dramatically. On the other hand, Tony Laredo summarizes what must be to some people the gist of this movie: a story about a fall guy, deceivers and double crossing; which isn't what I take it to be.I do not see the '40s cinema of the USA as breaking with its past.

whpratt1 Barbara Stanwyck, (Thelma Jordon) plays the role of a woman exactly like the one she played with Fred MacMurray in " Double Indemnity" where she has some very dark secrets in her past. Wendell Corey, (Cleve Marshall) plays the role as an Assistant District Attorney and Thelma meets up with Cleve in his office late at night and Cleve has been drinking a lot of booze because he has problems with his wife and he becomes very involved with Thelma who needs a lawyers assistance. Cleve gets romantically involved with Thelma even though he has a wife and children. Thelma's aunt who is very rich is murdered and she does not report her death right away and seeks Cleve's help in trying to take the blame off of her. Thelma complains to Cleve that she hated the room where her aunt was murdered and it smelled of death and she lost her sense of self-control. This film will keep you guessing how this film will eventually end and who actually committed these murders. This is a great mystery story from 1950.