Ilikehorrormovies This is not the best movie in the series but I'd enjoyed it when I first rent it and I have it on DVD. I'd do agree some death scenes look fake but I'd think some are real like the second death when he was dragged down the street on fire. I'd love to gave a film a perfect ten but my opinion changed so I gave it an 8 out of ten. I like how they use the race track like it look cool who they crash but one part I'm going to rant about that one death scene in the premonition where this guy name Andy fall and get palled by a 1 inch piece of wood with a sharp end like that look fake like really fake. I like the movie but they need improvement, the third one is the best Final Destination film, and I'd like the opening scene it looks pretty cool.

Leofwine_draca The trend for modern 3D horror flicks continues with THE FINAL DESTINATION, the fourth in the series and the first to use 3D. I'd previously experienced 3D in the cinema with the MY BLOODY VALENTINE remake, so I had some idea what to expect: not much of a story or acting, but lots of grisly, eye-popping gore effects and stuff flying out of the screen. On the strength of that, THE FINAL DESTINATION delivers – in spades.This one's really a different beast from those which have come before. The set-up is the same, the scenarios very familiar by now, so the filmmakers decide to just go ahead and have some fun with the premise (you get the idea when you see the credits, which pay homage to all of the deaths in the previous films). The opening accident sequence is very well done, a lot better than the roller-coaster accident in the last film, and up there with the road accident in the second instalment, which Ellis also directed.However, the characters are even sketchier than before, with barely anyone getting more of a look-in. Ironically, the characters are two-dimensional even if the special effects are 3D. Bobby Campo is a fairly likable protagonist – probably my favourite of the series, in fact – but the filmmakers chose to focus on the deaths this time around, meaning there are far more extended death sequences and less time to develop the supporting cast. Mykelti Williamson stands out as the security guard helping to figure out what's going on, but he's the only one.Which leads me to the special effects: this film is all about them. Just as was the case with VALENTINE, there's absolutely no reason to watch this in 2D: the whole point of the film lies in the 3D effects. And they're excellent. Stuff seems to be constantly flying out of the screen – ashes, fire, nails, tyres, poles, body parts, you name it – and I was often blinking and ducking as the film successfully fooled my eyes into thinking it was all real. The death sequences are more elaborate than before, and also more suspenseful. There's a stand-out elevator scene, a good self-referencing bit within a 3D cinema, and a tricky interlude in a hairdresser's. The filmmakers have also upped the gore quotient big time, to the levels seen in the SAW sequels: there are guts, intestines, livers, eyeballs, and all manner of squished special effects along with buckets of blood being splashed across the screen. Tame this ain't: it's the goriest of the franchise yet and not for lily-livered viewers. In any case, you know what you're getting with this movie: lots of effects, lots of gross-outs, nothing much else.

GL84 When a premonition from a friend saves a group of spectators from a horrific car crash at a car race, their mysterious deaths afterward have him convinced that a diabolical entity has set about ensuring they're supposed to die and tries to save them before they're all killed.While this one was still quite fun, there's an obvious decline over the others in the series. As is usually the case with the franchise, this one manages to get started really nicely as it's opening crash is pretty cool running through the extremely convoluted set-up required to initiate the chain-of-events in the first place but also managing to get plenty of fun with the opportunity for some really bloody and graphic kills due to the premonition nature of the sequence. As well, the fiery spectacle of it all and all the fun of what happens in the real world all helps to make for a solid opening here that isn't as impactful as the others but still serves as fun overall. Beyond this, the film gets some really enjoyable elements from it's rather convoluted and contrived set-ups that manage to bring about some ingenious attempts at suspense throughout the scenes, from the admittedly silly attack at the guy's house where the rolling truck lights him on fire, the outcome at the salon parlor and the events at the mechanics create a rather fine and chilling set-up here that makes for quite a nice time overall here where this one some suspense to be had from how they're all placed in here. As well, the other great scenes here offer up a ton of thrilling moments from it's bigger set-pieces where this one really scores, starting with the race to free the trapped friend at the car-wash or the different scenarios that play out at the hospital and leading into the mall scenarios where it decides to pack in the action and suspense of what's occurring in both the vision and what happens in real life. The brevity is to be commended as it doesn't overstay its welcome, and there's plenty of fun to be had here with this one. There's a few problems to be had with this one, which starts with the utterly lame and ridiculous sloppiness merely there to set up the death that wouldn't happen that way in real life, a rather problematic factor in the series as a whole. Many of these set-ups are so needlessly contrived and purposefully exaggerated that there's nothing taken from what's supposed to be taken seriously from these scenes, and the amount of work required to make them logical occurrences is borders on the insane. Aside from several personal indiscretions the film, another big problem from it's actual method of conception like the blatant and retarded 3D gags, filled with some of the most woeful and utterly atrocious CGI hurled at the screen which ruins so many of these scenes looking as bad as they do which makes this the biggest problem overall here. This one wasn't that bad and was way better than expected, though it's still somewhat flawed.Rated R: Graphic Violence, Graphic Language, Brief Nudity and mild sexual activity.

LeonLouisRicci It's Undeniable that the Formula that made this Franchise so Special at first, that Never Varied from Film to Film, has Lost its Luster and is now rather Boring. The Premonitions and Death's Design and all of that have seen Better Days and is now Nothing More than the Thread that Binds the Movies Together.Its the Rube Goldberg Death Mechanisms that can still Entertain. That's a Difference between "Torture Porn" and this Series. The Final Destination Films are Meant to Entertain as Opposed to say, the "Saw" Franchise. What they're Meant to do is Not Pleasant to Contemplate. Simply Put, the "FD" Series is Fun and the "Saw" Series is Sick.This Movie has a neat Opening and Closing Credits Scheme, and the Movie Clips along with the Least bit of Contemplation about Fate and Death. A bit Better than the Third Entry if one was to Quibble about such Things, this one has some Nifty Set-Ups and is another Fine, Bloody Fluff Film for Fans of the Franchise.Note...If you are keeping score...more nudity, more gore, and more deaths and the first one in 3-D.